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CIATION -INC 
“NEW YORK 


1927 _ 


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am and dated 1005, 

realized only $40 (£8). 
erary portraits bc Bia 
sale of the library already | 
Padraic Colum, J oseph” 
ny “John Eglinton ” 
m a photo- 
Mancini), James Joyce, 


a painting by: J. B. Yeats, 
rady, from a portrait by the - 


Russell, James oe 
d William Butler Yeats, 
arty John S, Sargent. 


PREE PUBLIC EXHIBITION 


moom oaturday ~ Pebruary 5, 1927 
Weekdays g a.m. to 6 p.m. : Sunday 2 to 5 p.m. 


MmomwbolLRICTED PUBLIC SALE 
Wednesday, February g at 8:15 p.m.» Thursday 


February 10 at 2:15 & 8:15 p.m.y7 Friday and 
Semen ebrmary 11 G° 12 at 2:15 p.m. 


EXHIBITION AND SALE AT THE 


American Art Galleries 
Madison Avenue: 56th to 57th Street 
New York City 


& 


eaters OO NDUCITLED BY 
Mr. O. Bernet and Mr. H. H. Parke 


American Art Association - Inc 
MANAGERS 


1927 


PorTRAIT OF THE Late JoHNn Quinn, Eso. 


Paintings and 
Sculptures 


THE RENOWNED COLLECTION OF 
MODERN AND ULTRA-MODERN ART 
FORMED BY THE LATE JOHN QUINN 


Including Many Examples Purchased 
By Him Directly From the Artists 


Sold by Order of 


NATIONAL BANK OF COMMERCE 
IN NEW YORK & MAURICE LEON 
Surviving Executors of the Estate of 
John Quinn, ‘Deceased 


NEW YORK 
AMERICAN ART ASSOCIATION: INC 


1927 


Priced (‘atalogues 


Priced copies of the catalogue, or any session 
thereof, will be furnished by the Association at 
charges commensurate with the duties involved 
in copying the necessary information from the 


records of the Association. 


The AMERICAN ART ASSOCIATION : Inc 


Designs its (atalogues 
and ‘Directs -All Details of Illustration 
Text and Typography 


2. 


Conditions of Sale 


CAI” _» 


REJECTION oF Bins. Any bid which is not commensurate with the value 
of the article offered, or which is merely a nominal or fractional advance, 
may be rejected by the auctioneer if in his judgment such bid would be 
likely to affect the sale injuriously. 

Tue Buyer. The highest bidder shall be the buyer, and if any dispute 
arises between two or more bidders, the auctioneer shall either decide the 
Same or put up for re-sale the lot so in dispute. 

IDENTIFICATION AND Deposir sy Buyer. The name of the buyer of each 
lot shall be given immediately on the sale thereof, and when so required, 
each buyer shall sign a card giving the lot number, amount for which sold, 
and his or her name and address. CL A deposit at the actual time of the sale 
shall be made of all or such part of the purchase prices as may be required. 
L If the two foregoing conditions are not complied with, the lot or lots so 
purchased may at the option of the auctioneer be put up again and re-sold. 
RisK AFTER PurcHaseE. Title passes upon the fall of the auctioneer’s ham- 
mer, and thereafter the property is at the purchaser’s risk, and neither the 
consignor nor the Association is responsible for the loss of, or any damage 
to any article by theft, fire, breakage, however occasioned, or any other 
cause whatsoever. 

Detivery OF Purcuases. Delivery of any purchases will be made only 


upon payment of the total amount due for all purchases at the sale. 


RecEIPTEeD Bixts. Goods will only be delivered on presentation of a re- 
ceipted bill. A receipted bill presented by any person will be recognized and 
honored as an order by the buyer, directing the delivery to the bearer of the 
goods described thereon. If a receipted bill is lost before delivery of the prop- 
erty has been taken, the buyer should immediately notify the Association of 
such loss. 

SToRAGE IN DeFauLt oF Prompr PayMENT AND CALLING For Goons. 
Articles not paid for in full and not called for by the purchaser or agent by 
noon of the day following that of the sale may be turned over by the Associa- 
tion to some carter to be carried to and stored in some warehouse until the 
time of the delivery therefrom to the purchaser, and the cost of such cartage 
and storage and any other charges will be charged against the purchaser and 
the risk of loss or damage occasioned by such removal or storage will be upon 
the purchaser. CL In any instance where the purchase bill has not been paid in 
full by noon of the day following that of the sale, the Association and the 
auctioneer reserve the right, any other stipulation in these conditions of sale 
notwithstanding, in respect to any or all lots included in the purchase bill, at 
its or his option, either to cancel the sale thereof or to re-sell the same at 
public or private sale without further notice for the account of the buyer 
and to hold the buyer responsible for any deficiency and all losses and 
expenses sustained in so doing. 

Suippinc. Shipping, boxing or wrapping of purchases is a business in which 
the Association is in no wise engaged, but the Association will, however, 


10. 


PM. 


afford to purchasers every facility for employing at current and reasonable — 
rates carriers and packers; doing so, however, without any assumption of 
responsibility on its part for the acts and charges of the parties engaged for — 
such service. | 
Guaranty. The Association exercises great care to catalogue every lot 
correctly and endeavors therein and also at the actual time of the sale to — 
point out any error, defect or imperfection, but guaranty is not made either — 
by the owner or the Association of the correctness of the description, genuine- 
ness, authenticity or condition of any lot and no sale will be set aside on 
account of any incorrectness, error of cataloguing or imperfection not noted 


or pointed out. Every lot is sold “as is” and without recourse. ML Every 


lot is on public exhibition one or more days prior to its sale, and the Associa- 
tion will give consideration to the opinion of any trustworthy expert to the 
effect that any lot has been incorrectly catalogued and in its judgment may 
thereafter sell the lot as catalogued or make mention of the opinion of such’ 
expert, who thereby will become responsible for such damage as might result 
were his opinion without foundation. 
Recorps. ‘The records of the auctioneer and the Association are in all cases 
to be considered final and the highest bid shall in all cases be accepted by 
both buyer and seller as the mies against which all claims for losses or 
damage shall lie. 

Buyinc oN Orper. Buying or bidding by the Association for responsible 
parties on orders transmitted to it by mail, telegraph, or telephone, if con- 
ditions permit, will be faithfully attended to without charge of commission. 
Any purchases so made will be subject to the foregoing conditions of sale, 
except that, in the event of a purchase of a lot of one or more books by or 
for a purchaser who has not through himself or his agent been present at the 
exhibition or sale, the Association will permit such lot to be returned within 
ten days from the date of sale, and the purchase money will be refunded, 
if the lot differs from its catalogue description. { Orders for execution — 
by the Association should be given with such clearness as to leave no room for 
misunderstanding. Not only should the lot number be given, but also the — 
title, and bids should be stated to be so much for the lot, and when the lot 
consists of one or more volumes of books or objects of art, the bid per 
volume or piece should also be stated. If the one transmitting the order is 
unknown to the Association, a deposit must be sent or reference submitted. 


Shipping directions should also be given. 


These conditions of sale cannot be altered except by the 
auctioneer or by an officer of the Association 


OTTO BERNET - HIRAM H. PARKE - cC4actioneers 


AMERICAN ART ASSOCIATION : INC 
Managers 


FOREWORD 


belonging to the famous John Quinn Collection, which is generally conceded 

to be an outstanding collection of modern and ultra-modern art both in 
America and Europe, the American Art Association is well aware of the little 
need of a detailed introduction of its founder to their art patrons. The late John 
Quinn was one of the foremost bank lawyers of the past decade, combining with 
his brilliant professional gifts a discriminating aesthetic sense of extraordinary 
power. He was probably the most courageous patron of the arts of his time—this 
in the literal sense of the phrase, since to patronize anything but the living is not 
to be a patron but a collector, Mr. Quinn had gathered modern sculpture and 
‘paintings on a scale unprecedented and with a taste for those provided with the 
substance of genius. A whole chapter might be devoted to his personal relationships 
with the artists from whom he purchased so many of these works, some of whom 
have been regarded as somewhat revolutionary by the academicians, but unques- 
tionably they are the artists who represent the times. 

The exhibition will afford a glimpse of one of the most admirable selections 
of modern painting and sculpture, and a rare opportunity for the collector who 
cares to enjoy the art of today; an art, furthermore, that is a reaction from cold, 
affected classicism and false idealism. 

A summary of the American artists is as follows: Arthur B. Davies, Maurice 
B. Prendergast, Ernest Lawson, Walt Kuhn, George Hart, Charles Sheeler, 
Morton L. Schamberg, Marsden Hartley, S. Macdonald Wright, Max Weber, and 
the sculptor, Jacob Epstein. The French are represented by Henri Martisse, André 
Derain, Paul Gauguin, Puvis de Chavannes, Maurice de Vlaminck, Robert Delaunay, 
Jacques Villon, Alexandre Blanchet, Albert Gleizes, Jean Metzinger, Gino Severini, 
Lucien Pissarro, Auguste Chabaud, Paul Lafitte, and two sculptors, the late 
Raymond Duchamp-Villon and Henri Gaudier-Brzeska. The British by Augustus 
John and his sister, Gwen John, Charles Conder, Charles H. Shannon, Wyndham 
Lewis, Edward Wadsworth, J. D. Innes, Derwent Lees, C. R. W. Nevinson, John 
S. Currie, Spencer F. Gore, David Bomberg and Geoffrey Nelson. Four distinctly 
Irish painters are represented: George W. Russell (“A. E.”), the late Nathaniel 
Hone, the late John Butler Yeats, and Jack B. Yeats, the younger son of John 
Butler Yeats. All are represented at their best and in their various phases, from 
 luminaristic impressionism to post-impressionism, cubism and vorticism. If, on 
viewing this collection and upon a survey of the progress of civilization with 
its reflection to art, we can still admire the amazing realism of the Van Dycks, 
the intellect and power of Michelangelo, the greatness of Rembrandt, the mysticism 
of Corot, and the vital attempts of the moderns and ultra-moderns to portray human 
emotions, either abstract or concrete, of the vortiginous close to the nineteenth 
century, we may be said to have achieved an ideal understanding of art. 


‘2 , ; : 
if presenting for dispersal by public sale the last important group of works 


It is the suggestiveness to spirit and imagination that is the keynote of this 
collection. Matter is impermanent; the forms in which it appears to the eye are 
temporary. “These present masters have striven to get away as far as possible from 
the accidents of impermanent form. In their attempts to do so they have simplified, 
generalized and conventionalized matter. Briefly, their longing is for the ultimate, 
the universal. While the classicists and academicians strive to give perfection of 
form so that, through a series of means, they may express an ideal of physical per- 
fection, the modern reaches his ideal through the abstract with a perfection of 
beautiful lines, patterns and colors. 


AMERICAN ART AssocrIaATIoNn, Inc. 


Le 
«JULES S$ PASCIN 
oe Bulgarian: 1885— 


a the left a pena youth is seated in an easy chair; 
n the arm at his left. ‘“I’hey are contemplating a young 
al the room through a portiére-draped entrance at the 


—— 


y Ul/ ey AA. 


WALT KUHN 


American: Contemporary 


2. - STUDIES OF CATTLE. Inscribed at lower right: To John Quinn, from 
Fi Walt Kuhn, and dated 1913. 
Pencil drawing: Height, 5% inches; length, 834 inches 


| eis 
a . 10. ; cls 


a a ea ee 
j 


THE OU Sele NaN: COL LE C ieee 


ht SA Serene. <2 


CONST AN EING Gia 


French: 1802—1892 
3. FEMMES A SOLDATS. Two Italian women are flirting with dersaglieri. 


In the background rises a wall with arched doorway. 


Wash drawing: Height, 6%4 inches; width, 5 inches 
[ [dlustrated | 


ff. 16 y 
dp 100. 4c eye 


| First Session Wednesday Evening, February Oth 


CHARLES SHEELER 


American: Contemporary 


_ 4. FARM BUILDINGS. Shaded drawing of rambling barns. Signed at lower 
right, SHEELER, and dated 1917. 
Charcoal drawing: Height, 6 inches; length, 9 inches 


aL t. Gooy CA,” 


i 
CHARLES SHEELER 
American: Contemporary 


5. LANDSCAPE NO. 3 [1916]. Shaded drawing of an architectural land- 
Z scape. Signed at lower right, sHEELER, and dated 1916. 
f -. Charcoal drawing: Height, 7 inches; length, 9% inches 


It a ES Hoyle 
: GWEN JOHN 


_ British: Contemporary 


6. PORTFOLIO OF WATER-COLOR DRAWINGS. Miscellaneous fig- 
ure studies. | 


Purchased from the ee sisi 


Se) Perea ic af’ 
HENRI GAUDIER-BRZESKA [ArrrisuTteD To] 
French: 1891—1915 
7- CONVERSATION. Caricature of the Countess of Oxford, as Lady As- 


quith, in conversation with a French diplomat, each figure holding a liqueur 
glass. Inscribed at lower left: H. Gaudier-Brzeska, 1912, by Horace Brodzky. 
Pen and ink drawing: Height, 8% inches; length, 12% inches 


Note: Irrespective of this inscription, which is partly defaced, the work 
is attributed to Gaudier-Brzeska, and was so sold at the Penguin Sale in 1917. 


2 oa: ANS. Morte : 
JULES PASCIN 
Bulgarian: 1885— 


8. A VISIT. Depicting an interior scene. Signed at right. 
Pen and ink sketch: Height, 8%4 inches; length, 11 inches 


Purchased from International Exhibition of Modern Art, New York, 1913 


17 ) 
34- A. ‘4 hoody a7" 


THE “QUINN “COL TLE @ or 


GEORGES PIERRE *SEURAT 
French: 1859—1891 


| 9. RAIN. Dark, rainy night; at the left a woman under an umbrella. 
Black chalk drawing: Height, 814 inches; width, 11% inches 
eS pj Jaa 
JOC. WYNDHAM LEWIS 
British: Contemporary 


10. THREE PEN AND INK STUDIES. (a) Srarugrre [1913]; (8) 
MovEMENT IN THIRDS [1912]; (c) Dinau. ‘Two signed. 
(A) Height, 9 inches; length, 534 inches 
Pen and ink drawings: ) (B) Height, 7 inches; length, 534 inches 
(C) Height, 714 inches; length, 334 inches 
Purchased from the artist 
TAT ee patel 
35. / 
WYNDHAM LEWIS 


British: Contemporary 
11. PORTFOLIO OF PEN AND INK SKETCHES. Sketches of fishermen 


and bargees. 


Purchased from the artist 


$a. i Atk L4 arti. 
HENRI EDMOND CROSS. 
French: 1856—1910 
12. LANDSCAPE WITH FIGURES. An impression, in blue and green, of 


graceful figures under pine trees; in the background a vista of water with 
sailing craft. 


Water-color: Height, 1014 inches; length, 14 inches 


PA 
ea / ‘ 
(- 6) tf. i A / #4 i: 


EDWARD GORD ONC Rae 
British: Contemporary 
13. DESIGN FOR STAGE SCENE. Formal English garden setting, with 


vista of a sculptured figure, and two figures in eighteenth century costume. 
Crayon drawing: Height, 1074 inches; length, 1334 inches 


From the collection of Maurice Magnus 
18 ree 


1. toedy Coy. 


i 


sm” 


¢ 


irst Session Wednesday Evening, February Qth 


GW.EN-JOHN 
British: Contemporary 


14. THREE PORTFOLIOS OF WASH DRAWINGS. Studies of notable 


European naval and military officers and diplomats. 


Purchased from the artist 


3h : Soy Gees 


PIERRE PUVIS DE CHAVANNES 
French: 1824—1898 
15. DETAIL OF DECORATION FOR THE GRAND AMPHITHE- 
ATRE OF THE SORBONNE. A seated nude female figure with arms 
upraised; finely drawn and shaded. Inscribed at lower left with the initials: 


{32 EM Goi ; 
Crayon drawing: Height, 1144 inches; width, 8% inches 


Purchased from Durand-Ruel & Sons 


Ree. | Lat. 


PIERRE PUVIS DE CHAVANNES 
French: 1824—1898 
16. DETAIL [1889]. Detail of decoration for the Victor Hugo memorial at 
the Hotel de Ville, Paris. Three well-drawn erect graceful female figures. 
Inscribed at lower right with the initials: P Pc. 


Crayon drawing: Height, 1114 inches; width, 9 inches 


Purchased from Durand-Ruel & Sons 


/2o. J, TI EY 


PIERRE PUVIS DE CHAVANNES 
| French: 1824—1898 
| 17. ETUDE POUR “TUDUS PRO PATRIA” [1882]. Erect undraped fig- 


ure, facing to the left and leaning slightly forward. Inscribed at lower 


right with the initials: P Pc. 
Crayon drawing: Height, 12 inches; width, 814 inches 


Purchased from Durand-Ruel & Sons 


19 


MA de. 


18. 


AB nd OF Ue Nee, CO LL E C iif eas 


PIERRE -PUVIS DE CHAVANNES 
French: 1824—1898 
ETUDE POUR “AVE PICARDIA NUTRIX” [1865]. Erect un- 
draped female figure of classic contour, braiding her hair. Inscribed at 


lower left with the initials: p Pc. . 
Crayon drawing: Height, 12 inches; width, 8% inches 


Purchased from Durand-Ruel & Sons 


/ 


19. 


a . 


JOHN BUTLER YEAS Kb 
Irish: 1839—1922 
THREE PENCIL PORTRAITS. (a) Sir J. FoRBES ROBERTSON, the 


actor. Autographed by the subject, and dated Oct., 1909; and inscribed by 
the artist: T’o John Quinn from J. B. Yeats. 


Height, 15 inches; length, 1144 inches © 


(B) JOHN HUGHES, the Irish artist. Autographed by the subject; also signed : 


by the artist and dated 1906. Height, 9% inches; length, 7 inches 


(c) SELF-PoRTRAIT. Signed at lower right, J. B. YEATs, and dated New — 


York, Feby., 1908. 


Purchased from the artist 


HENRI GAUDIER-BRZ hee 
French: 1891—1915 


DEER. Spirited drawing of a stag and three hinds. Fine composition and 
interesting utilization of empty spaces giving an impression of depth. Shrub- 
bery in the foreground. Signed at lower left, HENRI GAUDIER-BRZESKA, and 
dated 1913. 


Pen and ink drawing: Height, 1414 inches; length, 20 inches 


Illustrated in H. Gaudier-Brzeska, a memoir by Ezra Pound, Plate XXX 


20 


| J f 
5 - ME. [rfarke. 


Height, 1134 inches; length, 934 inches — 


‘oo 


First Session Wednesday Evening, February Qth 


HENRI GAUDIER-BRZESKA 
| French: 1891—1915 
21. THREE PEN AND INK DRAWINGS OF PALEOLITHIC VOR- 


TICISM. Each signed. Wrestvers illustrated in H. Gaudier-Brzeska, a 
memoir by Ezra Pound, Plate XX XIII. 


(a) Spirited analogy of wrestlers. 
Height, 15% inches; length, 21 inches 
(s) Two seated figures suggesting a bas-relief. 


Height, 10% inches; length, 15 inches 
(c) An erect figure. 
Height, 15% inches; width, 9% inches 


79. [Late , 


WALT KUHN 


American: Contemporary 


22. NUDE STUDY. Figure of a crouching nude woman. Signed at lower 
right. | 


Crayon sketch on board: Height, 16 inches; length, 23 inches 


Purchased from the artist 


H- 0. Ys. fF 


WYNDHAM LEWIS 
British: Contemporary 


23. THREE IMPRESSIONS. Interesting ideographic representations. 
(A) JoyEuse [1914]. 


Pen and ink drawing: Height, 1134 inches; length, 12 inches 


(3) NEw BLoop For oLp [1915]. 
Water-color drawing: Height, 1814 inches; length, 121% inches 


(c) Frorma [1914]. 


Pen and wash drawing: Height, 1434 inches; length, 1034 inches 


Signed at lower right, WYNDHAM LEWIS. 


Purchased from the artist 


21 


“agg [Sapotd — 


THE. QUINN COLL E Cian 


JOHN BUTLER YEA TS Relies 
Irish: 1839—1922 
24. FIVE PENCIL STUDIES, 
(a) Lity Yeats, daughter of the artist. “Two small studies. 
(B) Dora sIGERSON [MRS. CLEMENT SHORTER]. “Iwo small studies. 
(c) SELF-PorTRAIT. Signed at lower right, J. B. YEATs, and dated 1920. 


Height, 1934 inches; width, 1414 inches 


GINO. SEV Bakes 


Italian: Contemporary 


25. ABSTRACTION. Crayon. 


Purchased from the artist 


20. 


Height, 1934 inches; width, 17 inches. 


ee 7 | of i 
a. ( L. | IpPpAAL ty 
JOHN BUTLER YEAS? Rie 
Irish: 1839—1922 
26. EIGHT SELF-PORTRAITS°IN PERG ie q 
Heights, 20 inches; lengths, 15 inches 9§ 


Purchased from the artist 


~ 3 Lady PO ps 


HENRI GAUDIER-BRZESKA 
French: 1891—1915 


27. PEN AND INK STUDIES OF ANIMALS AND BIRDS. 


(a) Standing and recumbent lions. 
Height, 21 inches;\ width, 1514 inches 
(B) A pelican and a vulture. q 
Height, 1514 inches; length, 19% inches 


a fLryakel 
[ GINO: SEVERIN 
Italian: Contemporary 


28. PORTRAIT OF MADAME FORT. 


Crayon: Height, 25 inches; width, 19 inches 


aia 


“4 ELLA 


? 


’ First Session Wednesday Evening, February Oth 


FRANCESCO GOYA Y LUCIENTES 
: Spanish: 1746—1828 
29. MONK AND WITCH. Two strongly painted heads, in monotone relieved 


with blue. 
Miniature painting on ivory: 2% inches square 


Exhibited at International Exhibition of Modern Art, New York, 1913 


hy. 50. Kye Lore f aA Acl 


MARIE LAURENCIN 
French; 1885— 


30. SUMMER. Ultra-modern rendering of a young girl reclining in a ham- 
mock, wearing a pink frock and blue conical hat; at her side is an embracing 
gallant; in the foreground two dogs. Signed at lower right, MARIE LAUREN- 
CIN. 

Water-color: Height, 434 inches; width, 4 inches 
/5a AS. L NLL 
as fees PASCIN 
Bulgarian: 1885— 
31. INTERIOR. A group of four women en negligée, and another wrapped 


up in a shawl, are seated or standing in a bare interior. Signed. 
Pen and water-color sketch: Height, 514 inches; length, 7 inches 


Purchased from International Exhibition of Modern Art, New York, 1913 


, 


; ' / 
MY. <f f le 


Lj-0 - Paes PAS CIN 


Bulgarian: 1885— 


32. FIGURES AND LANDSCAPE. A small group of women and children 
are standing or sitting in a hilly landscape. At the left two girls carrying 
baskets, stopping to exchange a few words with the group. Signed. 

Water-color: Height, 6 inches; length, 9 inches 


Purchased from International Exhibition of Modern Art, New York, 1913 


60 /Croud hoor 
EUGENE DELACROIX 
French: 1798—1863 


33. LION’S HEAD. The majestic head of a lion, directly facing the observer. 
Signed at lower left with initials, E D. 
Water-color: Height, 7 inches; width, 534 inches 


23 
vy. et pra f{cw, 


F, 


THE QUINN. COLL E C7 


JU ie: ES meas: Ce 
Bulgarian: 1885— . 


a4. A NUDE : RESTING. Sleeping disrobed woman encircling the pillow with 
her left arm, 
Water-color sketch: Height, 8% inchese length, incre 

Purchased from the artist 


Ao. GWEN JOHN 6.4 Tae 
British: Contemporary 


35. TWO STUDIES IN WATER-COLOR 


(a) La cIME. 3 eS 

Height, 834 inches; length, 10 inches 
(B) FLowERs. = : 
Height, 734 inches; length, 834 inches 
Purchased from the artist 


J 


the GWEN JOHN 


British: Contemporary 


fice STUDY OF A WOMAN’S HEAD [1914]. Bust-length figure, ae the 
observer. Interesting study. 

Wash drawing: Height, 914 inches; length, 7%4 inches 

f" 

LA 
; GWEN JOHN 
British: Contemporary 

37. TWO WATER-COLOR STUDIES OF LANDSCAPES. Delicately 


toned in greenish-yellow and grey. 
Height, 9% inches; length, 1134 inches 
Purchased from the artist | 


Lp. 42. Honjte 
JULES SPAS CEN 
Bulgarian: 1885— 


38. NUDE. A woman reclining on a bed: her left arm supports her ae and 
her right forearm is raised. Signed at lower right. 


Crayon and water-color: Height, 934 inches; length, 13%4 inches 


2.4 


: . 
i. 


ry 


EE. . 

(Parst Session Wednesday Evening, February gth 
i | packoe. YRATS, R.A.A. 
4 Trish: 1871— 


39. TWO WATER-COLOR STUDIES. 


(A) Tue Batiap SInGER’s CHILDREN. Signed at lower right, Jack B. 
YEATS. : 


Height, ro inches; length, 14 inches 
(8) A Boreen. Signed at lower left, JacK B. YEATS. 


Height, 1o inches; length, 14 inches 
Purchased from the artist 


eewerew PATS R.H.A. % - 
PLO Irish: 1871— 
‘40. FORTUNE AND HER WHEEL. Dame Fortune holding the wheel, 


portrayed in the centre of a group of itinerant persons; in vivid colors. Signed 
at lower right, JACK B. YEATS. 


Water-color: Height, 1034 inches; length, 17 inches 
Purchased from the artist 7 


Val 
Lo. ‘abt KUHN -" 


American: Contemporary 


41. THE CONTORTIONIST. Figure seated in a curious position, probably 
| a circus performer, before a light green background. Signed at lower left 
with the initials, w kK, and dated 1914. 


Water-color on panel: Height, rz inches; width, 8 inches 


Lar. , 


he ee Stee 
Io | MeoeRT GLEIZES ah as 


French: Contemporary 


42. A BYWAY IN TOUL. Cubistic rendering of an arcaded byway, portrayed 
in mottled tones of reds, blues, browns and yellows shading to green. Signed 

at lower right, ALB. GLEIzEs, and dated Toul, 1915. 
Water-color: Height, 1114 inches; length, 13 inches 


f-0 - . thee f 
fear bo YEATS, R.H.A. C 


Irish: 1871— 
+B THE AMERICAN TABLECLOTH. Interior with an American and 


two Irish figures seated at a large table covered by an unusual map, picturing 
the eagle and stars and stripes. Through the window a vista of blue moun- 

{ tains. Signed at lower right, JACK B. YEATS. 

: Water-color: Height, 11% inches; length, 17 inches 
Purchased from the artist 


= D a = 
1s. harkg otter, 


THE QUINN | 6.0L Dip pou 


W.YNDHAM LEWIS 


British: Contemporary igs a | 


44. THE MENIN ROAD. An interesting rendering of a einpit, ae th 
gunners at leisure, smoking and talking. In the foregeean| are shells _ an 
wire entanglements. Before an ultra-marine sky. Signed at lower lef t 

| WYNDHAM LEwIs, and dated 1918. } 

Water-color: Height, 1234 inches; length, ie ae 


Purchased from the artist 


AK a 
# Jo. WALT KUHN : ee 
American: Contemporary ! oj 


45. INTERIOR. Two female figures eee In bright colors. Signed ir 

foreground, WALT KUHN. a 
Water-color: Height, 13% aaa) vepicttle oe inche 
Purchased from the artist | 3 : 


Z7-% : JACK B. YEATS | Rea 
7 Trishs- 107 te 


46. THE CRUCIFIXION. Our Lord upon the cross, flanked by the two 
thieves; silhouetted before a background of blue a Signed at lower i 
JACK B. YEATS. 

Water-color: Height, 13%4 inches; pores 2834 inca 
Purchased from the artist 


; J LO, L Pf MS Bice 
ID | MAURICE B. PRENDERGAST 
American: 1859—1924 


47. THE BATHERS [1914]. Beach scene, with a group of nude women) 
standing or lying on the shore. 7 3 
Water-color: Height, 14 inches; length, 18 inches 


. : : 
| ; i fy pOA1AN an } 7f 


*. WYN DHA M LE Was 
British: Contemporary 


48. MORNING OF ATTACK. Undulating country, under an early morning 
sky: in the foreground gunners anxiously watching for planes, and on either 
side a view of intrenched guns, with their camouflage. Portrayed in a bronze 
brown, the sky in a yellow wash. Signed at lower right, WyYNDHAM LEWIs.|} 


Water-color: Height, 14 inches; length, 20 inches 
Purchased from the artist : 


26 - 


* 


First Session Wednesday Evening, February th 


WYNDHAM LEWIS 
British: Contemporary 


49. THE STARRY SKY. An interesting definition of masses by shaded planes, 
atteauesque figures; expressing with great vitality an 


depicting two plastic W 
Signed at lower right, 


extraordinary continuity of thought. In monotone. 


WYNDHAM LEwIs, and dated 1912. 
Water-color: Height, 19 inches; length, 23 inches 


Purchased from the artist 
[ Illustrated | 


bs " | 


he Teer OUT INN: CO L-L E C fsijGaes 


MAURICE B: PRENDERGAST 
American: 1859—1924 me, 7 
50. DANCING GROUP [1913]. At the extreme right a scantily clad woman 


dancer. In the background black slave girls carrying platters of fruit. 
Water-color: Height, 16 inches; length, 22 inches 


Bb 27% hse 
( MARCEL DU CH Ati 
French: 1887— 


51. PEAU BRUNE. Nude female figure reclining on a large pillow. Her 
upper body is raised and she leans heavily upon both arms. Signed at lower 


right, and dated IgIo. : 
Water-color: Height, 18 inches; length, 18 inches — 


ANDRE DERN 4 by 


French: 1880— 
52. THE PROCESSION. Brilliantly coloured sketch of animated figures, 


before a suggestion of forest. Signed at lower right, “pour ANDRE DERAIN, 


Alice Derain.” oon 
Water-color: Height, 18 inches; length, 241% inches 


(00. ye CL, sc i a 
JACK B. YEA Us) kee 
Irish: 1871— 
53. DOG WATCHING A SEAGULL. A corner of a thatched, rambling 7 
cottage, with a dog seated upon a stone wall, intently gazing into a cloudy 
blue sky. Signed at lower right, JACK B. YEATS. 


Water-color: Height, 19 inches; length, 14% inches 
Purchased from the artist 


L A Jiiet y cit € VY 
JACK. Bo YEAT Sy Re eee 
Irish: 1871— 
54. THERE WAS AN OLD PROPHECY FOUND IN A BOG. Two Irish 
farmers seated by a bog, the figure at the left reading the proverb. Out- 
lined before a light blue sky. Signed at lower left, JACK B. YEATS. 


Water-color: Height, 1434 inches; width, 10%4 inches 
Purchased from the artist 


py 28 ¢ : 
Ai. ]- ( bg ’ \g Lyn. 


First Session Wednesday Evening, February Oth 


7 


WYNDHAM LEWIS 


British: Contemporary 


55- THE NO. 2. A vivid interpretation of the taut gunner No. 2, wearing a 
leather jerkin, about to discharge his gun. Enveloped in a luminous atmo- 
sphere. Signed in middle foreground, wyNDHAM LEWIS. 

Water-color: Height, 2114 inches; length, 29% inches 


. 


Purchased from the artist 
[ [llustrated | 


29 44 


7 F 


THE. QUINN € 0 LL EC 


AND Rib SDR AGL 
French: 1880— 


56. THE BATHERS. Simplified expression in line and color representing three — 
figures bathing. Signed at lower right, a. DERAIN. 
Water-color: Height, 19 inches; length, 2414 inches — 


aida JACK oo vet qt 


Irish: 1871— 


57. THE PIRATE. Bronzed and picturesquely robed figure, shackled, non- © 
chalantly climbing the companionway. Background of deep blue sea. Signed — 
at lower right, JACK B. YEATS. 

Water-color: Height, 28% inches; width, 21 inches 
Purchased from the artist : 


. a LbLhiiae 
AD MORTON L. SCHAMBERG : 


American: Contemporary 


58. LANDSCAPE [1913]. Abstract rendering of an architectural landscape, 
portrayed in contrasted blues shading to mauve and greens, with a patch of 7 
sunlight. Signed at lower right, sCcHAMBERG. 3 

Panel: Height, 7 inches; length, 13%4 inches 7 


Purchased from M. Knoedler § Co.. New York > 


Lhe : ARTHUR B. DAVIESS leven . 
American: 1862— 

59. AROMATICS. Advanced colorful composition rendered with depth and ~ 
great refinement: ten graceful maidens, before a neutral background. Signed — 


at lower left, A. B. DAVIES. 
Tempera, on panel: Height, 8 oe length, 20 rae 


Zi fe AUR Te r. PRENDE eee Pas 


American: Contemporary 


60. POLYCHROMED AND GILDED WOOD PANEL: DESIGN FOR i 
A FRIEZE. Rectangular panel prepared with a coating of “intonaco” and — 
incised, portraying five nude female figures in procession, wearing slave — 
bangles and curious headdress, the central figure carrying upon her head a 
basket of fruit; white background. Inscribed at lower left with the mono- 
gram, CP. 

Height, 8% inches; length, 16%4 inches 
Purchased from the artist 


fe) 
[2 OQ. * cle, 


irst Session Wednesday Evening, February th 
WALT KUHN 

. American: Contemporary 

| a ‘POW-Wow. Group of American Indians, in full war paint; portrayed 
i in rich Folors before a varicolored background. 


Height, 9% inches; length, 1514 inches 


¥ y . / 
| wall a Lb), Lecllatorn. 


J. D.-INNES 
British: Contemporary 


| 52. THE RAMBERS’ REST [North Wales, 1912]. In the foreground the 

| figure of a maid with a child, seated upon a boulder; in a landscape setting, 
with a mountainous background. Color composition of greens and blues 

; ee to deep violet aN under a lighter toned sky. 

Panel: Height, 11 inches; length, 14% inches 


Exhibited at the International Exhibition of Modern Art, New York, 1913 


/ do. b45 Wo je, 
f 


McusTuSs E. JOHN, R.A. 
British: 1879— 
63. THE OLIVES BY THE POND [Proveneal Study, 1910]. Characteristic 


facile study of rising landscape in deep toned blue; in the foreground an 
olive grove, the dwarfed trees with their gnarled branches vigorously rendered, 
before a background of tinted sky with rolling cloud masses of cumulus 


form. 
Panel: Height, rz inches; length, 14% inches 


Purchased from the artist 
Exhibited at International Exhibition of Modern Art, New York, 1913 


<3 


A715. Jcott, + oe 


Ns 


THE QUINN COL EL 2 Gli 


DER W-EN TD ) bie s 


British: Contemporary 


64. GIRL BY THE POOL [Dorset, 1913]. Neo-classic rendering of a maidei 
wearing an aubergine frock, reclining on a hill and holding a spray o: 
flowers; before a sapphire-blue mirrored lake. Signed at lower left, LEEs 


and dated 1912. 
Panel: Height, 1114 inches; beeen 16 inche 


dt Bo pee ea 


JOST22 GaAs era 


American: Contemporary 


65. TWO CUBISTIC PAINTINGS. Fine color composition in abstract fort 
Each signed at lower right, J. GARVEY. oa 


(a) THE FERRY. : 
Millboard: Height, 9 inches; length, 12 inches 

(B) THE ALLEY. 
Millboard: Height, 12 inches; length, 9% inches 


f hackqartin., 


NATHANIEL HONE? ie 

Irish: 1831—1917 : 

66. SANDS AT MALAHIDE, CO. DUBLIN. Prospect of blue sea with 
small sailing craft, under a deep blue sky. In the foreground a stretch of 


rose-tinted sands. Signed at lower right, N. HONE, R.H.A. 


Height, 12 inches; length, 18 inches 
Purchased from the artist 


/ A | / LY ys 
/HeC: é 6 6 oe pee LO 


C'H AO KUNG 

Ming Dynasty 

67. BULLOCK CARTS CROSSING A STREAM AT DAWN. Delicate} 
portrayal of landscape with bullock wagons fording a stream. Seal mark 


of the artist at lower right. 
Painting on silk: Height, 1214 inches; width, ro inches” 


[eB 2 i ae | 
39. : th st ee 


= 
€ 


as 


irst Session Wednesday Evening, February Oth 


GoAR LES SHEE LER 


¥ American: Contemporary 

=e 58. FLOWER FORMS. Charmingly simple composition in lines and colorful 
planes suggesting lily forms, in golden-yellows, shaded blues and greens, 
before a ferruginous background. Signed at lower left, sHEELER, and dated 


1914. 


Panel: Height, 14 inches; width, 10 inches 


British: Contemporary 


OEP a 
a - 


“66. A SULLEN DAY (1911). Neo-primitive rendering, in imaginative colors 
of enamel texture, of a deep blue, shaded lake enclosed by majestic mountains; 
in the left foreground a flowering shrub; under a blue sky, with heavy, 
i Shae clouds tinged with the glow of che sun. 
| = . Height, 14 inches; length, 18 inches 


Exhibited at the International Exhibition of Modern Art, be ew York, 1913 


GEORGE W. RUSSELL (“A. E.”) Lav ALA LY Ce Se py 


Jo : Irish: 1867— 


70. RACING. Two women and a small child running over shaded sands, ef- 
fectively rendered in pale colors in a softened light. Signed at lower right 


with the initials, A E. 
Height, 14 inches; length, 20 inches 
Purchased from the artist 
: gf ] { / / 
| fo prin (). st INN gd> f[./ctare 
Ming Dynasty / 


‘§ 71. LANDSCAPE WITH BIRDS. Simplified landscape, with a water course; 
in the foreground graceful lotus blooms, geese and flying snow birds. Seal 
mark of the artist, at lower right. 

Painting on silk: Height, 1434 inches; width, 1r inches 


Ao aR ES E. PRENDERGAST 
American: Contemporary 


| 72. POLYCHROMED AND GILDED INCISED PLASTER PANEL 
: PROFILE PORTRAIT. Interesting rendering in the manner of the Italian 
i High Renaissance. Inscribed at lower right with the monogram, C P. [ Dam- 


aged. | 
Height, 15 inches; length, 1x inches 
) 


are. 33 g . J * 7 A ™ £ cl ts 


i A: f - | 
Fo. DERWENT LeEEs Cea. Lieh-etmenr 


a 


“Ul ¢ One0er¢ 
rd 


THE QUINN “C0 Ln Ga 


| SUUE S PASCIN 
~ Bulgarian: 1885— 


73. HORSEMEN. Group of Cuban horsemen seated or standing ee the 
horses. “[heir® straw sombreros and white linen suits form a sharp contrast 
- with the sombre hills rising in the sees ae Signed (signature: Pate 


obliterated). 
Height, 15 inches; qe 18" tea 


$0 § (he th, 


i JULES PACS CIN 
Bulgarian: LO noes | 


TAS WOMAN WITH FLOWERS. A woman, probe the artist? S? wife, lean 
~~ over a table covered with a white cloth. At the left a vase filled with flowers, 
‘and. in the’ foreground a bowl of fruit. Signed at lower right, ‘PASCIN. . 


: Helene 17 inches; width, 12 inches / 


AAD, Ct ( Ue i Lieber manen 4 


PIERRE PUVIS DE CHAVANNES- : 
French: 1824—1898 


75. M. DE FORGE [1865]. Head and shoulder facing the observer. Well 
modeled strong face. Inscribed at lower right: @ Madame de Forge; and — 


signed, P. PUVIS DE CHAVANNES. 


Height, 16 inches; width, 11 inches : 
Purchased from Durand-Ruel & Sons | 


SEO tee Y 
GWEN JOHN 


British: Contemporary 


76. ASLAVONIC MAID. Three-quarter length erect figure of a dark-haired © 
girl, wearing a lilac jacket, full skirt, and a dark scarf loosely tied at the © 
neck. Delicately modeled and shadowing the grey-white wall. 

Height, 16 inches; width, 13 inches — 
Purchased from the artist 


First Session Wednesday Evening, February th 


fees | US Eb. JOHN, R.A. 
British: 1879— 


77- AN IDYLL [1906]. A superb interpretation of movement, atmosphere and 
light: in the foreground a reclining semi-draped figure with a child and a 
standing nude figure, before a deep romantic landscape, having at the right 
trees with a labyrinth of foliated branches possessing a harmony of russet 
brown tones. Signed at lower right, JOHN. 


Height, 15 inches; length, 18 inches 


From the Lord Henry Bentinck Collection 
[ Illustrated | 


3 35 f 


a 


THE 0 0TN NOC OD DietCenn 


Cr. R. Wa gNEVINSON 


British: Contemporary 


78. A VIEW OF BRADFORD [1912]. At twilight, with the lofty smoking 
chimney stacks silhouetted before the fading glow of sunset; in the fore- 
ground the canal waters reflecting the lights from the factory windows, 
and an old bargee standing at the stern of his barge. Rendered with charming 


atmosphere and romanticism. 
Height, 16 inches; length, 20 inches 


[ [lustrated | 


Sg 7% i: ~qarten 


| First Session | Wednesday Evening, February Oth 


GEORGE W..RUSSELL [“A. E.’’] 
Irish: 1867— 


79. HIDING. The fawn-brown trunks of two massive trees with interlaced 
-__ boughs, outlined before rich green foliage; at the left the hiding figure of a 
slender girl. 

Pati Millboard: Height, 18 inches; length, 1134 inches 
Putchaved from the artist | 


. | LUCIEN PISSARR 


French: Contemporary 


¥ 80. VUE DE BAZINCOURT. Hep view of wooded and undulating land- 

scape, enclosing a vilayet, in the foreground a winding pathway; under 
an ivory tinted sky. Portrayed with charming tonality and_ perspective. 
Signed at lower right with the monogram, L Pp, and dated 1907. 


Height, 18 inches; Nene 22 inches 
ae Pijchnied in the artist 


Pn Wee s| b. Finlay ; 
| GEORGE Peer eae ol, | ALB. x 
Irish: 1867— 


81. AT THE GATE. A massive four-barred gate, with a maid and a youth 
standing by the pillar, looking toward the glowing sunset. A study in fine 
blues. Signed at lower right with the initials, A E. 

Millboard: Height, 18 inches; length, 24 inches 


Purchased from the artist 
f 


/ V 
pen. 0" fucks € bok Foe 
GEORGE W. RUSSELL [“A. E.”] 
Irish: 1867— 


85. THE VISION OF ANGUS. A visionary work: at the left an erect, semi- 
draped figure, shrouded in a golden glow and holding a lyre, surrounded by 
birds; at the right a misty figure. Before a glowing sunset. Sioned at lower 


right with the Watats AE. 
Millboard: Height, 18 inches; length, 24 inches 


Purchased from the artist 


90. 37 dd: 


THE QU INN” CO LL Cet 


Ce ER Wee Ne Ver One 


British: Contemporary 


83. THE GASOMETERS AT LAST HOUR (1912). Atmospheric view orm 
gasworks by the banks of a canal, the huge inflated gasometers and the tower- — 
ing chimney stacks catching the fleeting reflections of a golden sun; in the ~ 
foreground bargees are hauling their barge by way of the towpath. Before 
a cerulean blue sky flecked with the illumed smoke from the chimneys. 


Height, 18 inches; length, 24 inches q 


HH Go. fudge La f 
GEORGE W. RUSSELU/[“A. £>] 
Irish: 1867— 


84. FULL TIDE [Evening]. The gently lapping waters of the bay, in trans- — 
lucent green tones, fringed by particolored sand. With a vista of a moun- — 
tain and a heavily-laden sky. Signed at lower right with the initials, a E. 


Height, 18 inches; length, 24 inches 
Purchased from the artist 


bb 6 lluthhay, 
GEORGE W- RUSSELL = £] 


Trish: 1867— 


85. THE WELL. Two forms silhouetted before a mottled background, their — 
features illumed by the light of a lantern; one is kneeling and drawing — 
water from a well; in the background to the right, the peaked roof of a — 
farmhouse. Signed at lower left with the initials, E. 


Millboard: Height, 18 inches; length, 24 inches 
Purchased from the artist 


[3% | V lh Jee 
it GEORGE W. RUSSELL [#A. E.] | 
Trish: 1867— 


86. THE SWIMMER. A vast expanse of bluish-green sea; in the foreground 
is a nude lithe figure poised upon a rock. Signed at lower right with the 
initials, AE. } ? . 

Millboard: Height, 18 inches; length, 2414 inches 
Purchased from the artist 


J p : oll f $i 7 


| First Session Wednesday Evening, February Qth 


GEORGE W. RUSSELL [“A. E.”] 
Irish: 1867— 


37. COME AWAY, OH, HUMAN CHILD! A mystic view of three sylph- 
like figures, enveloped in a golden mist and with flowing hair blown by a 
breeze, appearing to the awed child at the left. Visionary background with 
water. Signed at lower left with the initials, a E. 


: Height, 18 inches; length, 26 inches 
Purchased from the artist 


: 5 , /00 - t 4c tote . 
MAX WEBE 


5. ae: Russian: Contemporary 


6 


388. WOMEN ON ROCKS. An angular rendering of female figures, in har- 
monizing deep sapphire-blue, terra-cotta, faded rose, and browns of ocherous 
tones. An interesting forceful study. Signed at lower left, MAX WEBER, 


and dated 1911. 


4 Millboard: Height, 18% inches; width, 12 inches 


a /y/ S 
Jo e 5 aa C/ & LL-3 ee ~, 


PeORGE W. RUSSELL’[“A. E.”] 
Trish: 1867— 


‘ 


i 


¥ 


89. THE STONE GATHERERS. Portrayed with charming sentiment, in 
blue monotone, two taut figures bearing a heavily laden basket of stones. 
Signed at lower left with the initials, a E. 


Millboard: Height, 1814 inches; length, 23% inches 
Purchased from the artist 


/Oo., Juctge bok Fea Onn 


WOOD GAYLOR 


American: Contemporary 


go. CABARET INTERIOR. ‘Typical cabaret scene, depicting two rooms en 
suite. The walls are frescoed. Various couples are dancing, and lookers-on 
are seated at small tables in the foreground. Signed at lower left, and dated 


1917. 
Panel: Height, 1814 inches; length, 2414 inches 


Uy = UL 44 f / t0t-Gn1Lein 
, Ze Pe on a: : 


THE “QUINN: C0 DL BD Ciao 
JAC KONB a EA Se eCRe eee | 
Trish: 1871 : a 


y % 
: ) 


gt. SIMON, THE CYRENIAN. At the left the figure of Our Lord, in -crim- 
son robes; at the right Simon, the Cyrenian, bearing the weight of the cross; 
around are Roman Centurians. Probably a composition for Ea: eae 
panel. Sans at lower right, JACK B. YEATS. : ABae 
Millboard: Height, 18/2 inches ; length, aay inched 


Note: A small a ecetney of this painting att be sold with the piece. 7 


9 ‘1 
7) 


Purchased from the artist 


ERNEST LAWSON, N.A. 


American: sae ey 


92. THE PLACID LAKE. Richly wooded country enclosing a slacid lake 
of limpid transparent tones. On the far bank are two romantic dwellings © 
mirrored in the water; in the foreground undergrowth in rich colors. Charm-_ 
ing tonality. Signed at lower left, E. LAWSON. ae , 

Millboard: Heivhe 19 inches; length, 23 sacha 


Purchased from the artist 


MAURICE B, PRENDERGl an 
American: 1859—1924 


93. BEACH (1913). A group of young women bathing or standing and sitting f 
on the grassy bank, from which rise slender trees. Signed at lower right, 
PRENDERGAST. : 


: Height, 19 inches; length, 30 inches 3 
| Illustrated | 


DO. ae , Us, hee 


[€161] Hovag *£6 ‘on 


THE QUINN GOD Lp Cem 


GWEN JOHN. 
British: Contemporary 


94.) SLATE De GAD. Gharsereigat work of this artist, portraying a ‘on 
seated figure, facing Sau: to the left, with her hands folded. Before ee 


mauvish background. 4 
Height, 1934 inches wth 35 | 


Ges. oa 


WALT KUHNY 


American: Contemiviem 


Purchased from the artist 


$065 


95. WOMAN WITH WHITE. HAT. Bust portrait ae a | young woman wear- 
ing a white sailor cap, her golden hair hanging down in two long strands 


in front of her shoulders. , - a 


‘Height, 20 inches; with 16 inches 
Purchased from the artist 


Go 4 | Lal laryen 
| E-R NeES-T eee 
American: 1873— 


96. LANDSCAPE. Richly wooded landscape, of autumnal tintings, illumed 
by brilliant sunlight. In the foreground an iridescent watercourse, and a 
woodsman’s cart drawn by a gray horse. Signed at lower right, E. LAWSON. 

Millboard: Height, 20 inches; length, 24 inches’ 

Purchased from the artist | 4 


I$. fone 


NATHANIEL AON Eee 
Irish: 1831—1917 


97- CHALK CLIFFS, ETRETAT, NORMANDY. Centring the composi-" 
tion a huge cliff with a flying buttress jutting into the sea, in the foreground 
animated fisher-folk and three fishing smacks, and to the right a vista of deep 
blue sea with the reflection of a sinking sun. Charming work possessing a rare 
quality of unity and atmosphere. Signed at lower right with initials, n Ho. 


Height, 24%4 inches; length, 40 inches 
Purchased from the artist 


Pt Rex: us we } futlivsn 


irst Session Wednesday Evening, February Qth 


SPENCER F. GORE 


British: 1870—1914 


98. THE AVENUE [1910]. Vaporish impression of a London square, the 
lofty trees with a mantling of spring foliage, casting their shadows. In the 
foreground, upon the winding path, a nursemaid with her charge. 


Height, 20 inches; length, 24 inches 


[ Illustrated | 


THE .9.U INN, (C0 Dip oan 


GEORGE W. RUSSELI= |¢4ahe | 
Trish: 1867— 


4% 


99. PULLING IN ‘THE. BOAT: Fi ine color composition, in wee are di 
picted three virile young maidens straining at the rope of a boat; at 
left vivid blue water, against a sky flecked with ‘golden-yellow cloud 


Signed at lower ene with initials, aE. bs 
Height, 20 inches; “Teng 24 inch 
Purchased from the aan 2 a 


abe. Paaligecrtion, -. 
JACQUES VILLON ~ ae ae 


| French: 1874— : 
100. PORTRAIT DE FEMME. Cubistic impression of a woman’s head, 


vivid colors. Signed at lower right with the initials, J v. 
- Oval: Height, 21 inches; length, wh inche 


GEORGE W. RUSSELL 4, Ea 
Trish: 1867— 


101. MUCKISH (1909). Misty view of mountainous country presented J in 
sombre tones of green with splashes of aubergine, outlined before a dull gray 
sky. In the foreground, sheltering in the valley, are-browsing sheep, with 
their shepherd seated upon a boulder, and a standing figure. Signed at lower 
right with the initials, az. Be. 4 

Height, 21 inches; length, 32 inches 
Purchased from the artist q 


60. ae Fulliven. 


WA Let Gee 


American: Contemporary 


102. THE FROZEN RIVER (1910-1911). An early work of this artist in 
his most vigorous manner, depicting a frozen turbulent river, reflecting many 
sparkling lights; in the foreground a boat and logs coated with ice. Under 
an ivory tinted sky. Signed at lower right, WALT KUHN. : 


Height, 22 inches; length, 27 inches 


ltd. os CL. CL. IAG : 


. 
ee Sa 


st Session W ednesday Evening, February Qth 


ee 
a eee 


WALT KUHN 


American: Contemporary 


§ 


103. GIRL WITH RED CAP. A young woman in a white gown, adorned at 
her breast with a large black bow, is seated on a moss-grown cliff, facing 
the spectator. Behind her an inland creek, and beyond the opposite shore 


crested by a few scattered houses. 
Height, 20 inches; length, 24 inches 


Purchased from International Exhibition of Modern Art, New York, 1913 


[ Illustrated | 


45 ° 
: J 0 . c Ul. J ‘GT; mal. e ‘hed 


THE . Q.U ING 1C ODL DL euCnm———n 


JACQUES VILLON: French, 1874— 


104. PORTRAIT D/HOMME,. Gupte impressoin of a man, in harmoniously y: 
shaded colors. Signed at lower right with the initials, J Vv. 


ONE Height, 24 inches leper, Rae inch 
fh b0- 


GEORGE W. RUSSELL [“A. E.”] _ 
Irish: 1867— Yae 


105: LO@KRING, OUT. TO TY BRAZ ia. imagines wore Rereine five 
female figures, their flowing hair blown by the wind, and illumed by the 
warm light of the setting sun; they appear to be gazing into a distant | mirage 
In the foreground feathery Pg Signed at lower left with the initials, 
AE, 

ai y Peay Milica ete eee 24 inches; width, 18 inch” 
Purchased from the artist | Se 


(20-255 5 | yee i 
MORTON L. SCHAME Ree 


American: Contemporary 


106. THE TELEPHONE. An ideographic representation of the ee Jem 
terously executed with rich, fluid paint in strong, blended colors. Signed at 
upper right, SCcHAMBERG, and dated 1916. 

Height, 24 inches; length, 20 inches 


Purchased from M. Knoedler &§ Co., New York 


ie +- Heer 


ERNEST LAWSON 
American: 1873— 


107. LANDSCAPE, CAPE COD. Undulating pasture lands, the meadows 
fenced with posts and rails; dotted with small huts. In the middle distance, 
to the right, a vista of turquoise-blue water; under a clear blue sky flecked 
with cirrus clouds. Luminous work of cite atmospheric perspective. 
Signed at lower left, E. LAwson. q 

Height, 24 inches; length, 29 inches 

Purchased from the artist 


- 


46 


Aad. | Pee. bamfAbell, 


mm OO 


] 


irst Session Wednesday Evening, February Oth 


feaon eo lb LAWSON, N.A, 


American: 1873— 


108. THE FLATIRON BUILDING. Snow-clad impression of lower Fifth 
Avenue, with the majestic Flatiron Building in the background silhouetted 
before an ivory sky. In the foreground an avenue of slender, denuded 
saplings, and a foot-trodden path. Signed at lower left, LAwson. 

Height, 2214 inches; length, 17% inches 


Purchased from the artist 


[ [Jlustrated | 


SFO, 47 Aer te bes, 


THE QUIN NSC OL De os 


NATHANIEL HONE, > R-H.A. 
_ Irish: 1831-19017 


109. BUNDORAN. ROCKS, CO.. DONEGAL. “Atmospheric rendering 0 
rugged rocks, with deep prospect of greenish-blue sea, under a lavender sky. . a \t 
the right are faintly discernible figures and a gray mule; in the foreral 
brown-tipped gulls. Signed at lower right with initials, NH. 

Hela 2h inches; , length, 40 incl 
Purchased from ks artist | es 


4 120 | | f Ladle, 3 
| JOHN BUTLER YEATS, hguege | ” 
; Irish: 1839—1922 | 


110. POR-PRARIZOR PROFESSOR SADI KUMITANI. ee ee of a library 
with brilliant sunlight | entering from a window stealing throughout the 
room, and subtly detaching into faint relief the armchair in which the 
Professor is seated, leaning slightly forward; a well modeled figure. ‘Signed 

at lower pent ‘J. B. YEATS, and dated 1O0s. aS iS ; 
Heian 25 inches length, 30 inches 

Purchased batey the artist ee : e° 


gk ; | te : : aes 
LQ - JOHN “8: CURRIE js. 


British: Contemporary 


111. THE LAMENT OF AICELL (An Irish Legend). Neo-classic represen- ~ 
tation. Centring the composition the semi-draped form of Aicell, with 
flowing hair, by the prostrate form of her lover. In the background an 
expanse of gray-blue water, with two vultures in the blue and rose tinted 
sky glistening with rain drops. Signed at lower right, J. s. CURRIE, and dated — 
1912, ; 

Height, 28 inches; length, 36 inches 


100. i ole 5 
PAU D LALA 


French: Contemporary 


112. LANDSCAPE. In the foreground, five cows are seen grazing amidst the 
deep grass of an undulating meadow, in the shadow of two huge, heave 
foliated trees. In the distance, bluish hills. 

Height, 29 inches; length, 23 inches 


/3o. | 48 
Le 


irst Session Wednesday Evening, February Qth 


Kad 


midis strk CHABAUD 


French: Contemporary 


113. THE CLOWN. Objective study of a clown wearing a large white cravat, 
against a background of deep terra-cotta. At the right are harlequin figures. 
Signed at lower right, A. CHABAUD. 

Millboard: Height, 30 inches; width, 2114 inches 


Purchased from the artist 


[ llustrated | 


[4S o. a O¢ 7 


THE 9:0 LN N26 0 Doe @auean 


Si) MACD ON AL DW RUG as : 
American: Contemporary oe 
114.. SYNCHROMY IN BLUE [1915]. A iaininene ‘color composition, por 
trayed in cycles. sAigtes at lower right, s. MACDONALD WRIGHT. 


Yieene 30 inches ; length Aa inches 


43 cee age 


AUGUSTE CHABAUD 


, French: Contemporary 


115. THE WAYFARERS. epalicne lighted landscape scene with a snow-clad 
road flanked by cypress and poplar trees. In the foreground upon, the bridge 
are two wayfarers, their costumes enlivened by touches of crimson. Beyond 
is a range of hills of deep sapphire-blue tones delineated before a sombre 
slate- tay. 23 Virile work. Signed at lower left, a. CHABAUD. 


Millboard: Height, 30 inches length, 42 inches 
Purchased from the artist 2 | 


~ 


MORTON L, SCHAMBERG. 


American: Contemporary 


116. THE EMBRACE. ‘Two undraped kneeling figures, ae with laste 
feeling; before verdure and a deep blue sky. sce! at lower left, scHAM-— 
BERG, and dated 1910. x ; 

Height, 3124 inches; length, 26 inches 


Purchased from M. Knoedler & Co., New York 
7 ee 
hy, futt4 ater 
JEANS VEE TD Zien eee 


French: Contemporary 


117. PAYSAGE. Decorative design dexterously executed in brilliant colors. 
representing an ideograph of architectural landscape. Strongly stylized. 
Signed at lower right, METZINGER. 


Height, 31 Y%inches; length, 39 inches — 


- 


A’. = pb Wey ke. 


irst Session Wednesday Evening, February Qth 


PHARDES CONDER 
British: 1868—1909 


118. LA BELLE ANTONIA [1902]. An interior: spirited rendering of the 
statuesque Antonia, wearing a white mantilla and flowing blue and old-rose 
costume; by her side stands a toreador with rich crimson wrap. 


Height, 32 inches; length, 26 inches 
g : ee} 5 


Purchased from the Goupil Gallery, London 
Exhibited at the International Exhibition of Modern Art, New York, 1913 


[ [/lustrated | 


= I VY 0 j— yy 
Jf 0 Feott: » 


Pai OE 0-0 TP NON .-°C O L LE 6 epee 


— 


a 
f 


ee 


AUGUSTE € hip eee t 


French: Contemporary 


119. PLOWING IN PROVENCE. | Post-impressionistic rendering of an un- | 
dulating plowed field with a belt of cypress trees silhouetted against a deep 
cerulean-blue sky; to the right two plowmen are driving their horse-drawn 
plows; portrayed with vividly defined lights and shades conveying a subtle 
quality of forceful motion characteristic of this master. Signed at lower 
left, A. CHABAUD. ; | 

Millboard: Height, 3334 inches; width, 46 inches | 

Purchased from the artist ; 


| [lustrated | 


a 52 ? AM AMEA 4) 


~ 


(ane ene 


rst Session 
= ; ’ 


Wednesday Evening, February @th 


GINO SEVERINI: 


Italian: Contemporary 


TRA IN DE LA CROIX ROUGE TRAVERSANT UN VILLAGE 
ps). Red eros t train ashi g pen a village. Signed at lower right. 
oe Height, 35 inches; width, 45 inches 


American: cae 


NUDE PStadio. interior; in the foreground rises the three-quarter length fig- 
of a. disrobed, dark-haired young woman. Her left hand is resting on 
ck of a chair while the i arm hangs loosely by her side. pighed at 


Height 38 inches: eridtit™ 24 inches 


Bl 2 4 
f. Lust arte 
MARSDEN HARTLEY : 


American: Contemporary 


J 122. ELEMENTS. Rich Fe ici color composition, and an abstract portrayal 
i of emotions, celestial, spiritual, and musical, allied to elemental force. 


- Height, 39 inches; width, 32 inches 
ss 

= fo 4 Le 

\ ALBERT GLEIZES 


- French: Contemporary 

% 123. LANDSCAPE. Color combination of reds, blues, greens, purple and yel- 
low, with strongly contrasted white and black, presenting an abstract por- 
‘trayal of landscape. Signed at lower right, ALB. GLEIZEs, and dated 1916. 


| Tempera painting: Height, 3914 inches; width, 32 inches 
: / Oo. y/ 
Z Lo — an 6 ee) ae 
5 JEAN METZINGER 
i= ; French: Contemporary 


. 124. UN CYCLISTE. A bicycle racer at the velodrome, passing the grand- 
i. 


stand. Signed at lower right. 
Height, 39% inches; width, 32 inches 


64. a8 L. Jel, terger 
/ (eee 


——— 


TH iE). Qual. Ton’ (Noe COLLE cTION 


(CHARI ES: He ern Ay Rosas ee 


British: a Contemporary — 


125.. PORTRAIT OF WILLIAM. BUTLER YEATS. 11908]. Thee 
length seated figure of the Irish poet, facing to the left, wearing a velvet 
jacket and isoiel tied cravat; the hands folded; before a neutral back: 
ground. A superb expression i subjective painting in which the artist has 
aesthetically depicted an idealistic mind, _ Signed at lS right, ‘CHA Es 
SHANNON, and dated 1908. ie a 

“Height, 45 wee width, a8 vhs inches 


Exhibited at Le F wiinbon British Eshibiton London, I 908, under the auspices 
‘e of Sir Hugh P. Lane 


) Purchased ae the artist ; a commission seein for Mr ‘Ohne he 
[J llustrated | 


BGS. 


wt oe Ty 


54 


No. 125. Portrrarr oF WitiiaM BuTier YEATS [1908 | 


ay Mae 


LES. A la 


ws aE ay Chea ae 
background. Signed, at lower righ 


arge t 


oe * 


— 
* rome 
: = 
- 
- 
ot i 
z - ¥ 
x 
* * 
‘ 
‘ 
{ 
~ 
~ ~ 
F 
- 
«+ 


4# 


—_— 


No. 


126. THE Bow. or APPLEs 


THE “QUINN (COL De Geen 


DIEGO -—M. Rivero | 


Mexican: Contemporary 


127. THE SAMARITAN. In a simplified landscape setting a peasant girl in 
purple and shaded yellow, and an old wrinkled and pallid-faced samaritan, 
wearing a flowing brown robe, proffering help with the heavy water jar 
she is about to carry; under a vast sombre sky. Signed at lower right, DIEGO 
M. RIVERA, and dated ‘Toledo, 1912 

Height, 6 feet 6 inches; width, 5 feet 4 inches 


[ Illustrated | 


IA ’ f 
Tl [ - 58 7 fl 


WW ednesday Evening February Qth 


“MARSDEN HARTLEY 
= American: Contemporary 


Bi NOAMPMENT [1915]. Futuristic impression, portrayed 
r contrasts, of an Indian encampment, depicting earthly and 


s. An cd pea work. 
| be Height, 47 inches; length, 47 inches 


ae eae wee f 
ove ALT KUHN 
_ American: Contemporary 


. vivid rendering of a draped interior, with a 
ated ‘two female figures, one in a brilliant scarlet 
, the composition is a standing female figure in a 
re ‘en déshabillé. Signed at lower right, WALT 


ene Height, 5 feet 6 inches ; length, 6 feet 4 inches 


- 


ae 


SECOND SESSION 


+ 
a? 


Seihursday February 10, 1927 at 2:15 p.m. 
4 Catalogue Numbers 130 to 206 Inclusive 


CHARLES SHEELER 


American: Contemporary 


30. LANDSCAPE NO. 1 (1915). Interesting rendering of wooded landscape. 
Signed at lower right, sHEELER, and dated 1915. 


Crayon drawing: Height, 6%4 inches; length, 9 inches 


Hleo . ; # 3 Hoy & | 


) 


JULES PASCIN 
Bulgarian: 1885— 


- 


\ ‘ Din bs, aa i ra 


“13h. COLD DAYS IN HAVANA. Street corner scene with passers-by huddled 
in shawls. In the right background, a shop counter is visible through an open 


a door. Signed. 
- Aquarelle: Height, 614 inches; length, ro inches 


-——s- Purchased from the artist 


‘4 96 les i aes or 


JULES PASCIN 
Bulgarian: 1885— 
132. SIESTA. Interior with couch in the middle distance, upon which a man and 


woman are seated. The man has taken off his shoes and is smoking a pipe. 
A number of bottles are standing at the foot of the couch. Signed at lower 


right. 


Pen and pencil sketch: Height, 6 inches; length, 10% inches 


Purchased from the International Exhibition of Modern Art, New York, 
1913 


Fa. ey Sect, ¥ Fouts. 


JE aks Ji ORLA Nea Ne C O L LOE Giga 


JEROME MYERS 


American: Contemporary 


133. TWO CHILD STUDIES: PENCIL DRAWINGS. 


(a) THE LITTLE SINGER. 

Height, 73%4 inches; length, 334 inches 
(sp) THE SISTERS. | x ; 
Height, 644 inches; length, 434 inches 


Both signed at lower right, JEROME MYERs, and dated 1903 and ‘90% 
respectively. 


& 20. t Pe ie 
ODTE ON shee | 
French: 1840—1916 


134.5 WOlEUEHOGRALHS: 


(a) Profile portrait of Maurice Denis. 
Height, 9 inches; width, 8 inches _ 
(8) Initiation a Détude. 3 
_ Height, 5% inches; width, 334 inches _ 
Purchased from the International Exhibition of Modern Art, New York, : 

I9Q13 « 


40. | ch AV 
JEROME MYERS | 


American: Contemporary 


135. A PARK BENCH. Seated figures on a bench, facing award Fifth Avenue. 
Signed at lower right, JEROME MYERs, and dated 1907. 
Pencil drawing: Height, 734 inches; length, 6% inches | 


WYNDHAM Rc 


British: Contemporary 


136. TWO PEN AND INK IMPRESSIONS. 
(a) ON THE SHORE. 

Pen and ink drawing: Height, 8 inches; length, 934 inches 

(B) THREE FIGURES. | 

Pen and wash drawing: Height, 8 inches; length, 10 inches 


One signed at lower right, wyNDHAM LEwIs, and dated 1912. 


ff Sn ae apd a ISR AD oa ounmeaneion 7 


Purchased from the artist 


/o- 62 i char 


ey | 


Thursday Afternoon, February roth 


CHARLES CONDER 
en British: 1868—1909 


\ND SCAPE WITH FIGURES. Sketch of wooded and mountainous 
e, with groups of figures in the foreground. Signed at lower left, 


Pencil drawing: Height, 9% oF length, 13 inches 
oY Siu) Car 
CHARLES ae 
British: 1868—1909 


xU ITAR PLAYER. Interior, grouped with figures wearing pic- 
mes, the central figure with a guitar. Signed at lower right, 

nd dated 1904. 
/ - Sanguine drawing: Height, 934 inches; length, 14 inches 


ted at he International Exhibition of Modern Art, New York, 1913 


CHARLES CONDER 
British: 1868—1909 


WING OF MRS. CONDER. Profile figure, wearing décolleté cos- 
ne, » seated by an oval mirror. 
Pencil drawing: Height, 9 inches; length, 13 inches 


\ 


FRANCIS DODD 


British: Contemporary 


40. PORTRAIT OF JACOB EPSTEIN. Drawing for drypoint portrait of 
the sculptor: well modeled work of clear outline. Signed at right, Dopp, 
and inscribed at upper left; Jacob Epstein, Sculptor, and dated 1910. 

ae Charcoal drawing: Height, 12 inches; length, 10% inches 


a pected from M. Knoedler & Co., New York 
4 G. GWOZDECKI 


Contemporary 


me 


os e -. 7 ee 
PEI mn ee I my Pe oe ee tr me ee ene —— 
~~ . 
% te N We oe | ‘ 
iacoed F tS 
> 


STUDIES. Group of ee pencil studies: two female nudes in varying 
poses flanking the head of a woman. Each signed. 


63 


E ae oh. Frag cer. 


THE “0:0 TN N03@-0 0b pop Gorn 
MS ke Tae 


142. TWO FIGURE STUDIES.” 


(a) PRIMITIVE DESHABILLE. oo 
Ink | and wash drawing: Height, ar ‘inches length, 834 inches 


Jags 


o) 
‘ 


(B) EIGHTEENTH CENTURY AMAZONS (1915). 
Pen and water-color: Height, 13% inches ; seeath, 2974 inches 


One signed at lower left with the initials, w. L. 


Purchased from the artist — 


tLe. 


WL A Le Ke 
- American: Contemporary _ 


Wi vee BACCHANALE, A vigorous study of two dancers, before a jar- 
diniére of fruit. Inscribed: To J. O. from Wak, 10 ta, | 
Woodcut, on reddish- brown’ paper: es: 8 inches; length, 74 inches 


; Kye. 
“CHARLES RICKETTS. 


British: Contemporary \ 


a i 


(2- 40 


144. SORROW, A kneeling forlorn figure wearing a cowl and flowing robes. | 
Delicately traceried and high- Thahted in white. Signed at upper right with 
the initials, CR. 


Pencil drawing: Height, 9% inches; width, 8 inches 


JO. : a. &. Goody cay" 


PIERRE PUVIS DE CH a 
French: 1824—1898 


145. ETUDE DE FEMME POUR “LA FAMILLE DU PECHEUR” @! 
[1875]. Undraped female figure reclining upon a canapé, delicately outlined © 
and high-lighted in white. Inscribed: @ Madame A. Hui, cordialement P. | 
PUVIS DE C, . 

Pencil drawing: Height, 9 inches; length, 10% inches | 


Purchased from Durand-Ruel & Sons 


a + @t—— 


' 


Jecond Session Thursday Afternoon, February roth 


i 


7 i 
my i 
if 
. 
tl 

: 

t 

A" 


fren BUTLER YEATS, R.H.A. 
Irish: 1839—1922 


3 146. TWO PENCIL PORTRAITS. 


ll (a) GeorcE w. RUSSELL [“a. £.”], the Irish painter and poet. Inscribed 
Le at lower left: George W. Russell [AE], by John B. Yeats. 
Height, 13%4 inches; width, 9% inches 


[ Illustrated | 
[Continued } 
LO. 65 J. (chem, 


‘ 
, 
) 


THE QUINN. (@ 0 ite Gin 


No. 146. [Concluded | 4 


147, 


af {2 0. | Kk Le 


148. 


[0- 


140. 
on his right arm, facing slightly to the right. Inscribed at lower right with 
the initials, Pp Pc. | 
Pencil drawing: Height, 11 inches; width, 9 inches 
; 4 
Purchased from Durand-Ruel & Sons 7 
66 | ' ‘ 


ee: 


(B) T. w. RoLLEston, the Irish scholar. Inscribed: T. W. Rolleston t 
JB Yedis ILOOSR } ¥ -_ | 
Height, 1334 inches; width, 9% inches 


Purchased from the artist 


PIERRE PUVIS DE CHAYV22 
French: 1824—1898 | 


STUDY OF A WOMAN. Seated three-quarter length figure; semi-draped 
and holding her head, the elbow resting upon the back of a chair. Signed at 
lower right, P. PUVIS DE CHAVANNES. a 


Crayon drawing: Height, 12 inches; width, 9% inches — 


Purchased from Durand-Ruel & Sons 


PAMELA. COD MANS Sa 


British: Contemporary 


THREE WASH DRAWINGS. Figure studies. Monogrammed, pcs. 0 


Heights, 12 inches; lengths, 18 inches 1 
cy 


PIERRE PUVIS DE CHa 
French: 1824—1898 


L’HOMME ASSIS. Seated nude male figure, bearded and resting his weigh 4 


V ea tee 


purines 


= 


econd Session Thursday Afternoon, February Toth 


ferme tik YEATS, “R: HA. 
Irish: 1839—1922 


150. ) PORTRAIT OF LADY AUGUSTA GREGORY. Three-quarter length 
| figure seated in an armchair. Interesting drawing of the well-known Irish 
authoress. Inscribed at right by the artist: Lady Gregory, by J. B. Yeats, 


1907. 
Pencil drawing: Height, 13%4 inches; length, 9% inches 


A tot ¥ Joutlts 


Purchased from the artist 


ero: CHARLES CONDER 
- British: 1868—1909 
¥ 1 NUDE. Seated undraped figure of a girl; at the left is a glimpse of another 


=} 
= figure. 
Pencil drawing: Height, 13 inches; length, 934 inches 


a me CHARLES H. SHANNON, Xe su tM ss: fia 


7 


British: Contemporary 


152. HELLENISTIC GROUP. Lunette-shape: before a lapis-blue background, 

a broad portrayal of two Grecian maidens in flowing draperies, seated with a 
cupidon. A sculpturesque composition high-lighted in white. Signed at 
lower left with the initials, CHS. 


, Crayon drawing: Height, 14 inches; width, 131% inches 


( IS. ANDRE penarn Leelg arin, 


French: 1880— 


i 153. STILL LIFE. A bowl of apples, two of them cut. In sanguine, shaded with 
black. Signed at lower right with the initials, aD. 


Crayon drawing: Height, 16 inches; length, 18 inches 


[¥o. MARY CASSATT 7 a cis ociaiae 
American: 1845—1926 


| 154. APRES LE BAIN. A partly disrobed young woman 1s sez ated in her boudoir 


before a mirror, fixing her hair. Inscribed: Edition de 25 épreuves. Im- 
pression pour Partiste et M. Levy, Mary Cassatt. 


Colored drypoint: Height, 17 inches; width, 11 inches 


eC hha. Daly, 


~~ 


THE QUINN GOL DL. Go 


WALT. KUHN 


American: Contemporary 


155... WARVES TERS. Complex rendering in futuristic colors: onided Piers felk F 
with resting harvesters; in the background two mounds, Signed at lowe er 
right, KUHN. a 
. 1 NO Crayon avin on board: Heisne 17 inches; length, 21 i vi he 


A ®. : WALT KUHN okt. 
| _ American: Contemporary | : a 
156. REVERY. Strongly stylized work; portraying in bold outline a Rigs lenge b 
figure of a woman, her head resting on her left hand. Enlivened with 


touches of mauve. Signed at lower right, WALT KUHN. . a 
Crayon drawing: Height, 47 inches; width, aos inches 


3S : “") CHARTS siete Cf 


Ameri ican: Contemporary 


157 INTERIOR. iri view of rooms, and a narrow stairway “in bale 
trading. In vividly contrasted black and white. Signed at lower left, i 


SHEELER, and dated 1917 ge 
Charcoal drawing: Height, 22 inches; width, 17 inches i 


LO. ANDRE DER IS fs tokio. 


French: 1880— : q i 
158. PROFILE PORTRAIT. Half-length figure facing to the left; defi- 


nitely traceried contour. | 
Sanguine drawing: Height, 24 inches; width, 18 inches _ 


0%o- ANDRE ber arn Coe aene 


French: 1880— 
159. NUDE STUDY. | e 
Ink drawing: Height, 24 inches; length, 1914 inches | } 


Ao. : H. & a 


RAO Db De rane 


French: Contemporary 


160. TWO DRAWINGS. Pen and ink and pencil studies of women. : 
Heights, 24 inches; lengths, 19 inches 


A-O . Sa Pp &. [Sf rel 


- 


q 


peo 


Second Session Thursday Afternoon, February Toth 


+o 
sh ‘ | 
Bor. , 


A Se Ji 


faite PAS OLN 
Bulgarian: 1885— 
161. HARBOR OF HAVANA. In the foreground longshoremen are unload- 


ing barrels from a craft moored at the quay. “The choppy waters are full 
of life, and sailing vessels and tugs pass each other up and down the bay. 


Water-color sketch: Height, 714 inches; length, 934 inches 
Purchased from the artist 
| [ [dlustrated | n 


i 4.0. A. f Jere 


69 


~~ 


THE QUINN “@O0 £ Pip eGo 


JULES PASCIN | ae 7 
Bulgarian: 1 8 85— | ; 


4 
162. GOSSIP. Three slovenly dressed women of the Cuban type are standing. ol 
sitting In the foreground of a. shabby interior, conversing. Signed. 

Pen and water-color sketch: Height, 8 inches ; width, 634 inch 


$ 00. = + 6 Gay BNE OL a, 6b ee 


British: Conte, 


163. TWO WATER- COLOR STUDIES OF A CAT, A tabby cat, seated 0 on 
its haunches, with coiled tail. 
Water-colors: Heights, 814 aanen lenges 6% a 


y) * ta 


50. “ALBERT GBE Rape. 


French: Contemporary. aes 


Purchased from the artist 


164. RETOUR DE BOIS. Cubistic rendering os rearing soldiers returning _ 
from the trenches. Portrayed in finely blended colors. Signed at lower | 
right, ALB. GLEIzEs, and dated ‘Toul, 1915. 

Water-color: Hehe 8 inches; eit tee inches 


JO. GWEN JOHN /* Cit | 


British: Contemporary 
165. TWO STUDIES IN WATER-COLOR. 


(a) THE PUMP. q 
Height, 9 inches; width, 6 inches — 
(B) NIGHT AT MEUDON. a 
Height, 9 inches; width, 6 inches 


‘Two studies possessing great charm and atmosphere. 


Purchased from the artist 


h-0- ATTRIBUTED TO Qa. (3. by te 


»HERMIN-E shateD Ae 


French: Contemporary 


166. THE CONVENT. An open veranda, grouped with nuns and children, in a. 


landscape setting. 
Water-color: Height, 9 inches; length, 1014 inches 


a ‘ olla | Senn 


Lie 


Second Session Thursday Afternoon, February Toth 


Yt fee geen 


ee Se See em 


F Moepre it GUEIZES 

. French: Contemporary 

j 

| 167. THE STREET. Animated and colorful rendering of a narrow passageway, 
| . with a panorama of brilliantly colored roofs. Fine color composition. 

. Water-color: Height, 10%4 inches; length, 8 inches 


[ [/lustrated | 


71 / : 


iy a3 Oe LAE ne€e . 


THE  Q.UINN. ‘€ 0 L Do earn 


ATTRIBUTED TO 
HUE RRVESE NEES Soe) Any ee 


F rench: Cone 


168. TROPICAL VILLAGE: The composition is centred by a pond wit 


tropical buildings in the Pepe nd and in the fora a group of natives 
and a mule by a palm tree. - 


bance Height, 972 inches; ine ih inche 


tics 


MAURICE B: PRENDERGAST 
American: 1859—1924 


LJ m 
\ a 


169. DISTANT SHOWER [i910]. Animated view of beach Ai children 
playing, portrayed in colors of fine tonality; the sea a deep blue. with violet t 


tones, under a showery sky. . 
Water-color: Height, Se inches ; jenethy 14 inchel 


216 or Lut 


JACK 3B. YEA Tso 3he peo 
Trish: 1871— 
170. WASHING THE CIRCUS HORSES. Charactersieecen= ain athe ama 
of Ireland, vigorously drawn in crayon, portraying an ostler mounted on a 


gray horse and leading others through a picturesque- village to the water. 
Signed at lower right, JACK B. YEATS. 


Crayon and water-color: Height, 1o inches; length, 14 inches : 


Purchased from the artist 


hy. 0. | tire 9. J 0 Brcand 


WYNDHAM~ LEWYs 


British: Contemporary 


171. MAMIE. Bust-length portrait of a dark-haired woman, with downcast eyes. [ 
Portrayed in a composition of angular contour and delicately-shaded lines. 
Signed at lower right, WyNDHAM LEwIs, and dated I9g11. q 

Wash drawing: Height, 11 inches; length, 1014 inches — 
Purchased from the artist 


SS 


Thursday Afternoon, February Toth 


PAUL SLGNAC 
French: 1863— 


CANAL SCENE. Coming from the extreme right, the water twists its way 


under the steel span of a large bridge, only to disappear sharply round the 
tree-clad right bank. At the left a group of jagged roof-tops of a large 
town. Signed at lower left. 


Water-color: Height, 10%4 inches; length, 16 inches 


Purchased from the International Exhibition of Modern Art, New York, 
1913 
[ Illustrated | 


73 


1q 6. Med etncer 


THE QUINN, ¢€0 Dt Eq 


MAURICE: B. 9 PRRENDER GAS 
RES ee Beem ot 


173. NEW ENGLAND STUDY foi: Animated study of an Sor a 
the foreground a waterway massed with sailing craft and a paddle steamer, 
A vigorous work outlined in blue enclosing an harmonious color scheme 
Signed at lower left, PRENDERGAST. 4 


Water-color: Heehe 1r inches; length, 16 inches 


ff LxXO. te <a 4 


‘JULES PASC IN 
Bulgarian: 1885—_ 


174. STUDY. Young woman en négligé seated on a stool. She is bending over 
to fasten her shoe. Signed at left. : 


Pencil and water-color sketch: Height, pe inches; width, 9 inche : : 


/10. | Bic Jolbeiroore, 


WYN DH AM. Tol Vai 
British: Contemporary 


175. LHREE ABSTRACTIONS IN WATER-COLOR. 
(a) Dancers [1912]. 4 
Height, 1134 inches; length, 1144 inches } 

(B) CENTAURIDE [1912]. | | ei 
Height, 12 inches; length, 1444 inches } 

(6) SYLVANPTRILOGY flOIg |e Bi 
Height, 10% inches; length, 114 inches | 
Interesting works, with a markedly classic spirit of design. Each signed, 1 
WYNDHAM LEwtIs, and dated 1912. | 


Purchased from the artist 


39. Bo: 4 Wyretham Lewes 
‘ n ( | 


Thursday Afternoon, February roth 


mer iGr OVERBURY HART 


American: Contemporary 


—— 
a ss r ee - 
i 


mo. SLUDY OF A NATIVE. Well modeled head, facing the observer, of a 
Polynesian maid. Signed at lower right, GEO. HART; Tahiti. 
Water-color: Height, 13 inches; length, 8% inches 


[ [/lustrated | 


—— ne ore tates? 


75 


O. T , i f a th. / q Oi 


ee 
a ee 


TH E-- Q-U INN ~GOLEL 5 0 7a 


Trish: T8097 | : . 


077. WO PASTELS. Portraying, in slate nee mystic figures. Eac 
at lower right with the atlas AGES A : us 


Pastels: “Heights ne lenaths, “1034 
Pie from the artist « He 


WYNDHAM. Ey iss 
British: Contemporary 


175. . eWO) MODERNISTIC FESTAL SCENES IN WATER- COLOR. 


(a) KERMESSE s brgral. P 
Height, 1134 inches; iene oe ‘h 
(B) Timon oF ATHENS—BANQUET SCENE. eee ee: 
Height, 16% inches; length, 11 i 
One signed at lower left, wYNDHAM LEWIs, and dated 1912. Se 


Purchased from the artist Vio 


WYNDHAM LEWIS 


British: Contemporary 


179. THE MAP ROOM. The interior of a gunner’s dugout, with officers study- 
ing a map, and in the background an orderly. A work of sincere insistence 
on the fundamentals of pictorial representation. Signed at lower right, 
WYNDHAM LEwis, and dated 1918. 


Water-color: Height, Nee inches; length, 1434 inches 
Purchased from the artist 


; | CK: MW. Why ord. 


4 ; 
A? GEORGE W. RUSSEERES| (a 
Trish: 1867— 
180. SET OF THREE PASTELS. Portraying; in delicate tones; spe: foureal | 


_ Each signed at lower right with the initials, aE. 


Approximate height, 15 inches; length, 10% inches iil 
Purchased from the artist it 


76 


D : 
jo. J hus Cyortins| 


4 
L 
| 


> 
econd Session Thursday Afternoon, February roth 


ga 


Wey NDHAM-LEWIS 


British: Contemporary 


181. THE BATTERY SHELLED. A vivid representation tending to cubism. 
A shell is bursting by the gun-pit; in the foreground the gunners are hurrying 
to cover, and one is either killed or wounded. At the right are fifteen-inch 
shells, and to the left a dug-out. Portrayed in a yellow and bronze wash. 
Signed at lower right, WyYNDHAM LEwIs, and dated 1918. 


Water-color: Height, 14 inches; length, 17% inches 


. Purchased from the artist 
[ Illustrated | 


77 


T HE QUINN COLEEGTION 


‘ 


GEORGE OY ER BAU Ry gee 


American: Contemporary 


182. THE PALM GROVE, TRINIDAD. Tuminecee condeee of tur- 
baned figures in a palm grove, with a vista of violet-blue sea and a small 


boat stranded on the beach. Signed at lower right, HART. . a 


Wrater: color: Height, 13 inches ; length, 18 ine hes 


BAS 3 : Lutkg atin, 


ANDRE DERAEN 
French: 1880— 


182. ELYSTAN TIED Ds in theses foreground, a reclining nude figures ‘to 
the right two indefinite forms, and a view of two receding basket carriers. Lr 
a wash of fine green and blue. Executed with extraordinary economy of 
means, the few lines in opposition to the spaces giving an impression of 
great depth. Signed at right, a. DERAIN. 


Water-color: Height, 1644 inches; length, 21% ‘chil 


HERMINE L. DAVID i 
French: Contemporary 7 : 4 | 
184. CUBAN BUNGALOW. Picturesque slant-roofed bungalow, with a figure. | 
in rich blue at the doorway, amidst an intricate patterning of tropical foliage; | 
suffused by warm light. In the foreground a small dog. Signed at lower — 
right, HERMINE L. DAVID. : a 
Water-color: Height, 18 inches; length, 1414 inches 
Purchased from the artist | | 


| ANDRE DERAIN 
French: 1880— . 3 
185. THREE FIGURES IN SILHOUETTE. Characteristic sketehe a) connie 


erect figure flanked by two seated figures in washes of blue. Inscribed at 
lower right: pour André Derain, Alice Derain. * 


Water-color: Height, 18 inches; length, 24 inches 


dae 8 AL, Welly et 


ae 


Thursday Aiternoon February Toth 


JOHN MARIN 


_ American: Contemporary 


Al EY. 4 view of undulating landscape, with a placid water- 
entring the composition, portrayed in delicate pastel colors. Signed 
r right, MARIN, and dated 1915. 

p.* Water-color: Height, 19%4 inches; width, 16% inches 


ANDRE DERAIN 
French: 1880— 


:AVOTTE. Expressive study of figures dancing in a grove. Vividly 
Inscribed at lower right: pour André Derain, Alice Derain. 
} Water- color: Height, 197% inches; length, 24% inches 


- WYNDHAM LEWIS 


British: Contemporary 


* a 


i WO ABSTRACT IMPRESSIONS. 
(A) A nappy pay [1915]. 
| Ink and water-color: Height, 1214 inches; length, 15 inches 


(3) PorTRAIT OF AN ENGLISHWOMAN [1915]. 
a Water-color: Height, 22 inches; width, 15 inches 


| Sine at upper right and lower right, respectively, WYNDHAM LEWIS. 


Purchased from the artist 
i a 


Ul. few , 


ees US E. JOHN, R.A. 
British: 1879— 
THE STREET RIOT. Typical East End of London scene, with a surging 


motley crowd, armed with rifles and bludgeons, about to attack. Rendered in 
subdued tones, realistically and with great vigour. Signed at lower left, 


JOHN. 
Pastel: Height, 20 inches; length, 24 inches 


Purchased from the artist 


79 


A. b. Yooty tar, 


THE” -OUITNN "CO Dt pce 


\| 
} 


ARTHUR, B.D as 5 


American: 1862— 


190. SHEPHERDS. Lunette-shape: rendered in vivid, finely-blended colors, an 
imaginative depiction of shepherds with their flock, delineated before a deep 
lapis-blue sky. Beneath is an allegory of the dance, flanked by two indi- 
vidualistic studies. A most decorative work. Signed at lower left, A. B.- 


DAVIES, and dated 1913. 
Pastel: Height, 20% inches; length, 2914 inches 
Purchased from the artist 


| Illustrated | 


af q a 8 ; f 
f J72%. : T hang CL. 


. 6 PE 
e 4 é, oe 


Thursday Afternoon, February roth 


JACK ae on ACT Sy) ive dis A . 
3 bee teat -1871— tie, See 


CORN. Pihice spirited hevece feraeced to Er edach, driven by a 


beh whi the flowing ribbons silhouetted before a cloudy blue sky, 


at lower left, Jack B. YEATS. 


Crayon and ees ae Height, 22 spches; Lae 30 inches 


. Lf 
ff : \ 


cha a from the artist 


es ang ae i ehe es 
Bay ea 9 
CAT [CH THE LIVERPOOL. BOAT. Realistic and Rreeres com- 
D, portraying ‘two eager figures i in a jaunting car drawn by a swiftly 
he orse. ee the bas under a showery sky. ‘Signed at lower right, 
igen Water-color: Height 2814 inches; rahe 21 inches 
lee Pes = 


Samoerer MONTICELLI 
oe: 1824—1886 


)3- 3. FIGURES AND LANDSCAPE. In the brilliant colors of his rich palette, 
© Monticelli has depicted a seated and a standing woman against a background 
of ‘green and brown trees and patches of confused sky. Signed at lower right. 


4 
‘ 


i Panel: Height, 734 inches; length, 1o inches 
ae the Wm. M. Chase Collection, American Art Galleries, 1912 


g Ree Pope. 
Soo. HERMINE L. DWID (/ 


French: Contemporary | 


'94. CUBAN LANDSCAPE. © Delicate portrayal of gently rising country, in 
shades of brown. In the foreground, glistening under the tropical sun, are 
stucco dwellings, and an equestrian figure. Over the mound to the right is a 
small village. Under a cloudy blue sky. Signed at lower left, HERMINE 


LIONETTE DAVID. 
Tempera: Height, 8%4 inches; length, 1234 inches 


81 L ; 


'e4-0. Ol -Levire 


ee, 


—— | - 


LASSE OPT Naa CO LL E GAs 3@aie 


CHARLES S Hiteh ae, 


American: Contemporary 


195. ZINNIA. Naturalistic rendering of a vivid zinnia; before a blue-gray back- 
ground. 
Tempera painting: Height, 9 inches; length, 7% inches 


Purchased from the artist 


| [/lustrated | 


Ar nisi anempoan | en Sede 2 ’ 


scene. “In the ‘middle’ foreground a man © 


is ee 
st ands chatting with: a woman dressed i in a econ 
ae a 4 ¥ ao i ” 


7 - Panel: Height, 10 anche: lenge 14 inches 


INNES 


Panel: Es 10% inches; Sane 14 inches 


ee, B 


oa Ww. RUSSELL [<tA. noe 
j = Trish: 1867— 


rt cene at. ‘twilight: Eerie: darkness is setting in and 
eek is pe ried. In the foreground a mother and ee two 
re turning, homeward. Signed : at lower left with initials, AE. 


hae o> 7 ‘ 


4 er. - — oo Se ‘ oe 12 inches ; length, 16 inches 
Pure / aa ron: the artist’ beac 


meus! US E. JOHN, R.A. 
- British: 1879— 
199. BOY STANDING ON THE CLIFF [Provencal Study, 1910]. Char- 


acteristic study of a child, wearing a blue smock, before a receding land- 


scape background. : 
Panel: Height, 13 inches; length, 9 inches 


Purchased from the artist 
Exhibited at the International Exhibition of Modern Art, New York, 1913 


83 


‘ / v 


THE O.UINN...6 OL. Lop annem 


Wok, Ne Oo LEN 
British: Contemporary | q 
200.. IN TERIOR: Portrayed in delicately shaded lights, the corner ae a . simple 
brick-red room, with view of an open fireplace, and a drop-leaf table upon 
which are two luminous white cups and an earthenware tea-pot; in the fore- 


ground a stool and a closed book. 
heehee A Height, 13 inches; width, 9% inches 
urchase rom the artist 


HMO. MAX wEBER @ Levine. 


Russian: Contemporary 


201. THE WRESTLERS. Three nude youths in plastic poses. Landscape back- 
ground. Signed at lower right and dated 1909. . 
Height, 13% "pf length, 10% inches 


(lo. a  Prede® 


GEO RiGee 


American: ee 


202. HILLSIDE. Composition in pastel colors suggesting a rising stretch of | 
country, with foliage and rich undergrowth. Signed at lower ere OF, and % 
dated 1914. 


JO. 


Helps 13 Grchess Mati: 18 inches” | 


NATHANIEL HONE SORE 
Irish: 1831—1917 | 
_ 203. SHEEP GRAZING—MALAHIDE, CO. DUBLIN. Impressionistic view 4 


of richly wooded and fragrant landscape, under a sombre ivory sky suffused _ 
with misty light casting shades of violet. In the foreground sheep are brows- 
ing. Signed at lower left with initials, N H. q | 
Height, 13 inches; length, 18 inches 


Purchased from the artist ; ; 
64. e) (Sox - 
R. Hie ea 


JOHN —UBiO Te RR Gr eee 
Irish: 1839—1922 : . 
204. SELF-PORTRAIT. Half-length figure of an elderly bearded man, wear- — | 


ing spectacles; before a bisected background. Well modeled head. 


Height, 14 inches; width, 1014 inches _ 1 
Purchased from the artist 4 


POs a4 cle . 


| Second Session Thursday Afternoon, February roth 


Louis POUCHE 


American: Contemporary 


205. L’ESSOR. Ultra-modern conception of a courtyard, with a female figure 
| at the left with her arms languidly raised and shadowed against the wall. 


Height, 14% inches; length, 16% inches 


— y ‘ 
| i A: CE: hives. 
| GEORGE W. RUSSELL [‘A. E.”] 

3 Trish: 1867— 


208, IN THE WOODS [1909]. Two women are standing in a clearing dappled 
with sunlight and surrounded by dense woods, a blue expanse of sky piercing 

5. through the foliage in the distance. One of the women watches over two 

small nude children about to enter a crystal pool partly visible in the fore- 

ground; the other leans against a branch in the shade, apparently in deep 

reflection. Signed at lower left with the initials, aE. 

Ee . Height, 14 inches; length, 18 inches 

a Purchased from the artist 


(26. | Sen Qeo, Claw 
Seas VW. RUSSELL [“A. E.”] 
dish. 2807— 


207. SKIPPING. Inland creek, with vague hills rising in the distance. In the 
foreground grassy dunes, where three young girls are skipping rope. Signed 


at lower left with the initials, aE. 
Height, 14 inches; length, 20 inches 
Purchased from the artist 


(10. Je Ta Onder 


hae Ho MANS O'N 


British: Contemporary 


208. EFFET DE NEIGE. Snow-clad view of gently rising country, presenting 
a play of delicate color carried over a wide perspective; in the middle dis- 
tance gaily colored dwellings; in the background, silhouetted before an ivory 
sky, a steeple. Charmingly conceived work. Signed at lower mght with 


the initials, R M. 
Height, 14% inches; width, 12% inches 


Purchased from the artist 


3 A 6 
Lh’ ; 7 : ‘a Since f LALA 


Tach OE kOe eae OL DL 2 Gmon 


200. 


ZO: 


ZI. 


, Ca 
oO e : = e ¢, 
( f 


[a.. 


GEORGE W- RUSSELL “A. ee 
nish; 1867—_ 


THE WADERS [1905]. A small silvery stream ‘Sopa in. ‘the 4 
ground, winding its way through a flat, barren stretch of land bord | 
in the distance by sombre rocks. At the right a playful group of three bang 
legged girls, hesitating whether or not to enter the water. Sianeli 
lower left with the initials, a E. ee a ig 

Height, 14% acu length,-22 1 


Purchased from the artist 


% 


JL DN Ne 


British: Contemporary 


PALM TREES AT -COLLIOURE. aes it “Peas portrayal i 


imaginative colors for the verdure and rich cultivation; dominating. the com-, 


“position is a mound with a small white cottage, amidst a formal arrangement | 


of foliage, and in the foreground palms and cacti. Under a purplish- -blue ’ 
sky. Signed at lower right, J. D. InNEs, and dated 1911. 4 


Height, 15%4 inches; length, 18 inches 


Exhibited at the International Exhibition of Modern Art, New York, 1913 | 


GEOFFREY NERS ORw 
British: Contemporary 


PORTRAIT. A striking bust-length portrait, modeled by a subtle rendering 
of values in a clear even light; wearing a severe blue wrap. Background of © 
deep beige. Signed at the right about centre, NELSON. 


Panel: Height, 1534 inches; width, 13 inches — 


Exhibited at the New English Art Club, London, 1914 
$ 


86 


f 


tT me ape pit 


Second Session Thursday Afternoon, February roth 


212. 


‘ oY 
steer a? 


a 


Pin WEN. CEES 
British: Contemporary 
EVENING [1911]. Neo-primitive rendering of a blue lagoon, dotted with 
small yachts and enclosed by mountainous country. In the foreground, on 
the deep green, are minute dwellings. Under a rose and gold tinted sky, with 


cumulous cloud forms. 


Height, 16 inches; length, 20 inches 


Exhibited at the International Exhibition of Modern Art, New York, 1913 


[ Illustrated | 


87 
b0. Sige 5 eas (dry 


TO be OO ee “COLLE Cf om 


GEORGE W. RUSSELL [A. E>] z 

Trish: 1867— ‘ 

213. THE TEAM [1913]. Scmbre, barren landscape, with rocks looming up 
in the distance. The sky is tinged with all the brilliant hues of a perfect 


sunset. In the foreground a farmer and his wife are tugging at a plow, thei “ir 
backs bent under the heavy strain. Signed at lower left with initials, AE. 


Height, 16 inches; length, 21 inches 
Purchased from the artist 


ff bo. oy led 
; GEORGE W. RUSSELL [“A. E.”] : 
Trish: Be | 


214. EVENTIDE. Deep receding view of ison ane at twilight; at er left <a 
lake, and on the mound in the foreground two slender female figures can y- 
ing baskets. Signed at lower left with initials, AE. 7 . 


Height, 16 inches; length, 22 inchel 


Ss 


Te | oa oe 
GEORGE W. RUSSEED a. by 


Trish: 1867— 


Purchased from the artist 


215. THE NEW MOON. Uprising meadowlands at twilight, bisected by a low | o 
stone wall, at the right of which a milkmaid is advancing to the gate in the 
foreground. Signed at lower right with initials, a E. 


Height, 16 inches: length, 24 sachllal 4 
Purchased from the artist | ca 
= ? L 
(04 -G- Ce. 
GEORGE W: RUSSELE (2 Awa 
Irish: 1867— 


216. THE BATHERS [1909]. Vapory impression of landscape, with the deli- 

cately traceried form of a nude girl holding a child in her arms. On either 

side are gracefully posed children, wending their way to the beach, A 
pleasing work. Signed at lower left with the initials, a E. 

Height, 16 inches; length, 24 inches | 


Purchased from the artist 


88 


& ‘ Ge vf Co lige 


Second Session Thursday Afternoon, February roth 


* 


TUES PAS CUN 
Bulgarian: 1885— 


217. “FLOWERS. A vase filled with annie stands upon a mirrored surface. 


-Strewn round the base are oar blossoms. At the right a small jug. Signed. 
- Height, 22 inches; width, 133% inches 


* 


GWEN JOHN 


British: Contemporary 


2 B3. NUDE STUDY. Nude female figure in deep repose seated upon a covered 
stool; her dark hair drawn back from the forehead. Background of lilac 


7 tones. 
Height, 174 inches; rib, 1314 inches 
Be hited from the artist 


“NS 
na 
a 
Ne 
‘eo 
(S 


Meer 1 0S EL. JOHN. R.A. 
eer 1370— 


a gy 7 tne ne a 
Ne) \ Sees Peer 
= ~ *\ ; 


oes 


LOVING COMPANIONS [1912]. Head and shoulders of an elderly 
bearded man with a small child, her arms clasped around his neck; in the 
background a glimpse of another child. Background of greenish-blue. Signed 


os at upper left, JOHN. 

e. Tempera on panel: Height, 1734 inches; width, 13 inches 
i, Purchased from the artist | 

- Exhibited at the International Exhibition of Modern Art, New York, 1913 
EF C 

: Jo. ws Ae EF ostlLa 


GWEN JOHN 


British: Contemporary 


220. SKETCH. Three-quarter length standing figure of a dark-haired woman 
wearing a deep mauve dress, a black scarf [bscly tied at the neck, and 
coral earrings; her hands are folded and she leans by the wall. 

Height, 18 inches; width, 15 inches 


Purchased from the artist 


89 a F ee 
I WA Bb. yi, ( Ce Cincltso O-7 


PHE QUINN. .@ OL 7) 2 ean 


MORTON L. SCHAMBERG 


American: Contemporary 


221. THE WELL [1916]. Charming study in three tones: a plan-like composi- 
tion of the pumping apparatus in the interior of a well. Signed at lower left, 
SCHAMBERG, and dated 1916. . a 

Height, 18 inches; width, 14 inches 


Purchased from M. Knoedler © Co., New York 


# a0 iol 


oa RG Eo Bek eAae 


French: Contemporary 


222. STILL LIFE] Signed. atupperclert: : 
: Height, 18 inches; length, 21% inches 


a. WW. Levee 
GEORGE W. RUSSELL | 7a 
Trish: 1807 


223. THE HEAVY-BURDENED. ~The sun has setwleavinomnconc: diffused | 
light on the horizon. In the foreground, the blurred figures of peasant folk. 7 
bent under the weight of heavy sacks and baskets, making their way home- 
ward along a dreary country road, Signed with initials, a E. a 

Board: Height, 18 inches; length, 24 incliell , 

Purchased from the artist 4 


AUGUSTUS E. [OR @ 
British: 1879— 


224. GIRL WITH THREE CHILDREN, STANDING [Provencal Study, 
1910]. Vigorous study, depicting a central female figure with flowing blue 
dress and brick-red hat, holding the hand of a boy with a sun hat. On either 
side are two other boys wearing blue smocks. Before a pale green landscape 
background. a 

Height, 18% inches; length, 24 inches 

Purchased from the artist & 


Exhibited at the International Exhibition of Modern Art, New York, ‘oo | 


I7 om NM. Hae 


Second Session Thursday Afternoon, February roth 


raw RR E GIRTEU D 


French: Contemporary 


225. HOMMAGE A GAUGUIN. Depicting an open-air banquet in an exotic 
setting. At the further side of the table sits Gauguin, surrounded by friends. 
In the immediate foreground a group of reclining Polynesians. 


Height, 1934 inches; length, 29% inches 


Purchased from the International Exhibition of Modern Art, New York, 
A913 


0: LSS t-O0_y”. 
“3 fee AD CIN 
Bulgarian: 1885— 


226. INTERIOR. Studio scene: in the foreground a young woman is standing 
behind a table, laid with a white cloth, while a young man seated at her left, 
his hand supporting his head, looks on indifferently. Signed. 


Height, 20 inches; width, 16 inches 


es 
7g) . ws ae Pee torrry 
MeweePON L. SCHAMBERG 


American: Contemporary 


227. STILL LIFE. A sensory impression portrayed with a curious arrangement 
of surfaces, in the planes and lines of which is defined the form of a fish; 
in brilliant shaded colors. On the reverse side of the panel is a cubistic 
| ___ portrait. Signed at lower right, scHAMBERG, and dated 1915. 


Panel: Height, 20 inches; width, 16 inches 


: y 
Jo - AA EL/ "gone 


c 
¢ 


Pee kh a. GORE 
British: 1879—I1914 
228. A GARDEN SQUARE IN CAMDEN TOWN, LONDON [1911]. Im- 
i: pression of the wooded gardens with their natural growth in summer foliage, 
ol portrayed in a symphony of luminous colors. Upon the open patch of green 


in the middle distance are two seated figures. 


f Height, 20 inches; length, 24 inches 


g! y, 


S25 A L146 lgatlin 


THE QUINN COLE® On gm 


MASI RUBEN = So 


American: Contemporary 


229. THE LONG HORN. SALOON. Wild West bar interior. Two cowb 
are playing cards, while a man dressed in black frock coat and wea 
large-brimmed black felt hat is looking on. Blurred figures of other player 
in the background. Signed in full at lower left. : \. 

| ; : Height, (20 tat. length, 24% ‘inch 


Purchased from the ee 


CHAR Less He SHANNON, ae R. ne 

British: Contemporary = ae a 

230. SUMMER. Mystic rnd ane , almost in Honorees of a watercourse with 
graceful nude and semi- iene figures grouped in the foreground in an 
admirable composition; at the right an elderly female figure, robed and 
wearing a white headdress. Fine perspective executed with atnosplaias 
effects. 3 
Heione 20 sete length, 43 ideal 

Purchased from es artist ee . a 


OE Ilustrated | 


Lp-90 «: — Be Merman 


GWEN JOHN 
British: Contemporary | | if 


231. LA PETITE MODELE. Three- -quarter length standing figure of a young 
og eirlyaheranands clasped, wearing a checkered dress; before a mauve back- 
ground, = 
Height, 21%4 inches; length, 18 inches 
Purchased from the artist 


92 


GO. 3 A. 


uouuvYyy “FY saj4vyy Vg 
UAWWAS *Of7 “ON 


THE OLIN N AU EEECTIOS 


GEORGE W. RUSSELL: Be Eye 
Trish: —1867—- 


eos. THE SHEEP [1909]: “pathes’ is falling. “Inthe anaes foreground é 
walled path vanishing into the shadows of the night. At the left aa | 
girl are seated upon the stone parapet, and a group of sheep are ae ee 
be led homeward. Signed at ale rer right with the initials, AE. 


Heese 21 inches; length, 32 i inches 


Purchased from the artist : 
#go. | old 


JACQUES VIEGOM: 
French: 1874—_ 


222. Has DEPP @ UR <TRUNE FEMME?” [1912]. Portrayal of a eal figure 
in an attitude of repose; her hair dressed in the Trilby manner. -Post-impres- 
slonistic composition in rich browns shading to ie mene at “ight about 
centre, JACQUES VILLON. 


a wae MIeEeS Vs ae eee —————————s i ts eam N ania EES = 


Height, aan vielieds ara 20 inched 


Benes from the International Exhibition o fM odern Art, New York 
NS 
| Illustrated | 


Zee HL. Grog 


AUGUSTE, CH Apa 


French: Contemporary 


234. LE QUAI. Broadly painted work, depicting a canal spanned by a deep red 
bridge; two shaded, brilliant brown mounds, and a lumber cart. Silhouetted 
before the ivory sky is the arm of a derrick. Signed at lower right, Ax 
CHABAUD. a 

Height, 231% inches; length, 29 inches — 

Purchased from the artist q 


94 


70. pu Duclensing 


No. 233. ErupE pour “JEUNE Femme” [1812] 
By Jacques Villon 


THE “OUINN GOL. 2 ¢. an 
GEORGE W. RUSSELL [“A. E.”] 
Irish: 1867— 


235. LIFE ENTERS THE LAND. The figure of a peasant woman, sowing 
looms up sombrely against a hazy background of flat, barren land. A m 
sweep of light cleaves the blue-gray sky behind her. “I'wo solitary groups 
trees rise at the horizon. Signed at lower right with initials, a E. 


ig 


Board: Height, 24 inches; width, 18 inches 


Purchased from the artist 


JACK BB. YEAS eRe 

Irish: 1871— 
236. THE ACTOR [Willie Reilly].. Depicting the actor in picturesque riding 
garb; before a drop-scene of a pa with waterfall. Signed at lower 


right, JACK B. YEATS. 
Board: Height, 24 inches; width, 18% inches — 


Purchased from the artist 


GEORGE W. RUSSELUS) Aes 
Irish: 1867— 


237. THE BATHER [1906]. Shore scene at dawn: in the foreground the phan- | 
tom-like, disrobed figure of a woman, raising a white drapery before her. q 

In the distance two other bathers. 4 
Height, 23 inches; length, 25 inches ; 


Purchased from the artist 


Exhibited at the International Exhibition of Modern Art, New York, 1913 4 


96 


dd | 


po A a 


f ‘econd Session Thursday Afternoon, February loth 


a 


GeOokRGE’OVERBORY! HART 


American: Contemporary 


38. ‘ENGLEWOOD ICE POND. Post-impressionistic rendering of a skating 
scene, in which the rink attendants are depicted pausing from their labors 
_ to watch the fancy skater who has appeared in their midst; the horse attached 
_ to the snow rake is somewhat startled. Signed at lower right, GEORGE HART. 
; | Height, 24 inches; length, 30 inches 


Memiiieawsi dt HONE, R.H.A. 

4 Irish: 1831—1917 

230. COAST BUNDORAN, CO. DONEGAL. Reed Le with figures 
a... 2, anne a cart to which is harnessed an old gray horse. In the middle distance 
the white-crested waves are seen breaking over the rocks, and various gulls 
with brown-tipped wings, and beyond a view of blue-gray sea, under an 
‘ivory-blue sky tinged with violet tones. Signed at lower right with initials, 


Os Fema 


na oa RO ee ee ee ~ 
..* > me , F 
x . 
hie. os 
. ’ 2 
— 


: ~ Height, 24 inches; length, 40 inches 
Pes hated from the artist 


/m f0o.. | 1% {3 or eae 

& . 

* MA LTHANIEL HONE, Ae He A 

| 3 a : Irish: 1831—1917 ee 

240. GLENMALURE, CO. WICKLOW. Misty view of mountainous coun- 
i" _ try, under a romantic blue sky, flecked with cirrus clouds. In the middle 
distance rising pasture lands of russet-brown tones, and cattle with their 


_ shepherd cloaked by a beam of sunlight. At the left behind the stone wall, 


a donkey is peering into space. 
Height, 24 inches; length, 40 inches 


Purchased from the artist 


a Bi fe . 
/Oo. meee 6. duller 
| eas mae TL ArITT TE 


i. French: Contemporary 


241. BIRDS IN FOREST. Various birds are assembled in a clearing, surrounded 


: by exotic shrubs. 
Height, 25 inches; length, 29% inches 


rf 97 


7 /2o. he 


THE  0U0TNN | @O L L BuGeTON—E 


eS ae 
American: I 873—. eau 


242. TWO BOYS ON A CANAL. BOAT. Canal scene on a summer’s dal 
two lads in a rowboat, stripped. to the waist, are talking to a third in bathing 
trunks seated on the stern Of «2 barge. ee sailboat and a ‘motor boat are moored 
along the far bank. Signed at lower left. 

. | Height, 25 inches; length, 30 inches 


fi 
' 
\ 
i 


. 


Purchased from the artist 


A ISO. 
NATHANIEL HONE, 

Trish: 18351947. 5 | 4 

243. COMING HOME. A vast expanse of blue-Beeen sea with three sailings 
craft steering for home under a limitless stormy sky. In the foreground 


graceful gulls are skimming the water. Signed at lower left with inital 
N H. 


RUH A. 


rey ag 26 inches; length, 38% inches | 
Purchased from the artist — : e | 


60. We lon e7n 


MAURICE: DE VLAMINCK_ 
Flemish: 1876— | et 

244. STILL LIFE. On the table is.a coupe filled with fruit wrapped i in a napkin 
standing beside a stoneware jug and a terra-cotta bowl. _ Signed at loweame 


right. 
Height, 25 inches; length, 30 inches 


ZL AO. ee. 6 /ushirmall 


der: W-ACL T= -K (Gen 
American: Contemporary ai 


245. SALT MISTS [1910-1911]. Luminaristic impression of a waterway of } 
shimmering opalescent tones, with a jetty in the foreground to which a boat |} 
is moored while two men converse; beyond are two further jetties, and an |} 
expanse of undulating country, beneerh an ivory sky shrouded in a miso | 
atmosphere. Signed at lower left, WALT KUHN. 

4 
a 


Height, 25% inches; length, 30 inched 


’ is i i 
rN dapecseti ae een ois 


Second Session Thursday Afternoon, February Ioth 


Mirco M. RIVERA 


Mexican: Contemporary 


246. STILL LIFE. Angular rendering of a liqueur bottle in biscuit color, a cup 
and a smoldering cigarette before a panel of deep bottle-green. Interestingly 
executed upon compressed cork. Signed at upper left, DMR, and dated 


7.1V.16. 


Panel: Height, 28 inches; width, 15/2 inches 


[ [lustrated | 


99 


(10. iL: WM wl 


THE QUINN GOLLEGTION 


JEAN’ METZINGER 


French: Contemporary 


247. TETE DE JEUNE. FILLE. Head and shouldees™ ee a young Sue cu: 
- bistically rendered in a complexity of form units with intense contrasts _ of 
warm browns, greens, blue and brick-red; at the left an open door, and in th 
background an oval portrait, suggesting naturalism, oe at lower ret 
METZINGER. 


“a 


Height, 28% inches; width, By inches 


AOS ne Mb, Mirman 


ERNEST. LAWSON See 
American: 1873— q 

248. BOYS BATHING. Landscape wooded with beech trees-in Seba roliage | 
portrayed in a burst of sunlight; in the foreground a view of limpid trans- 7 
parent backwater, in which youths are bates Signed at lower left, zB. 


LAWSON. aa 
Height, Bn sie poe 3672 inches : 
Purchased from the artist : 


- 3 y 
3 
4 


| Illustrated | 


$00. 


AUGUSTE CHABE ae 


French: Contemporary 


249. LABOUREUR PRES DES CYPRES [Provence]. Vivid depiction of a 
partly plowed field in strongly contrasted lights and shades, upon - 
plowmen are seen at their task. In the middle distance to the left are a row 
of eight cypress trees, silhouetted before a turquoise-blue sky, as is the barn 
with a golden-yellow roof. Signed at lower left, a. CHABAUD. : 

Millboard: Height, 29% inches; length, 414 inches } 

Purchased from the artist i 


[lo. 


Duclensing 


Y Teen Ep Py 
» 


ry 


. % ong 3 
sy 
Paap Bw > 


ATHING 
st Lawson 


. 248. Boys 


By Erne 


O 


N 


— 0 att we 


ey cont | Oe QU. ENO Neo oe ieee LEO T 7 Gae 


GEORGE OVERBURY HART 


American: ‘Contemporary 


250. BOWLING NIGHT. Post-impressionistic view of a bowling slley rendemm 
in vivid reds, greens, blues and terra-cotta. ‘To the right is a prospect oF 

an Indian encampment, and in-the foreground an angular figure wearin 1g 

_. a crimson coat. Benet at lower right, GEORGE OVERBURY HART. = a 


Height, 30/2 Ynehes’ length, 37 inches 


Ki T0060, | ea y 


MAURICE DE VLA NG 
Flemish: 1876— 


251. THE OLD HARBOR OF MARSEILLES. Vigorous rendering in semi- 
opaque “flat” colors of the majestic hill of Marseilles, with its picturesque — 
buildings outlined and shading the deep blue waters of the harbor, massed 
with sailing craft, under a canopy of grayish-black sky splashed with lumi-_ 
nous whites. A sumptuous transposition of the hues of nature. Signed at 
lower right, VLAMINCK. , 


Height, 30 inches; length, 37 inches ! 


Exhibited at the Loan Exhibition of Impressionist and Post-Impressionist 
Paintings, Metropolitan Museum, New York, 1921 


[I llustrated | 


4-10. “a oe Deby. 


No. 251. THE Oxtp Hargor oF MarsEILies 
By Maurice de Vlaminck 


THE © U TN, NOG OW © plenmern 


WALT KUHN 


American: ‘Contemporary _ 


oe “MORNING: ares “Luminaristic view of landscape with cattle gra 
flooded with brilliant light from the rising sun; in the middle -distan 
vista of peer water, and graceful Sune craft. Saas at lower ri 


WALT KUHN. 
ee 33 inches ; Tenge, 40 inche 


1913 


ROBERT DEL AU Naam 


- French: Contemporary 


~ ——_ = _ 


253. SAINT SEVERIN. Ree view of the auleede ranean the Bisley, 
rendered as a sensory impression of charming proportions, in beautif 
shaded blues and greens, illumined by a warm light. Bape se left, 
R. Bee ESE DS and dated 1909. _ ae 

Height, 36 fice Se tire ca inches. 


/4O. : : ee 13. Nearer 


CHARLES CO DER 
British: 1868—1909 


i] 


254. FANTASIA. Within an arbor setting, two semi-draped female oe 
and the bust of a fantastic amorino against a vaporish blue sky. Signed at 
lower right, CONDER. 


Painting on silk: Height, 31 ‘inches ; length, 174 ‘che 4 
Exhibited at the International Exhibition of Modern Art, New York, 1913 ~ 


@. 
200i: Py JH. : 
J. (DS Neniae 


British: Contemporary 


255. GARN LAKE [ 1913}. Interesting composition rendered with atmospheric 
and linear perspective, depicting mountainous country enclosing a lake by 
which is a seated female figure; in the foreground delineated with minute — 
precision are shrubs and tiny floral forms; before a brilliantly lighted sky. — 
Signed at lower right, J. D. INNES. ; 


qo : 104 


Height, 30% inches; length, 50 inches 


A. fot. 


Second Session Thursday Afternoon, February roth 


fem FON L. SCHAMBERG 


American: Contemporary 


256. CANEPHOROS. A modernism, depicting with an extraordinary continuity 
and flow of rhythmic line, in strongly contrasted colors, an Athenian maiden: 
the basket bearer. Signed at lower right, MORTON L. SCHAMBERG, and dated 


1913. 
Height, 30 inches; width, 25 inches 
Purchased from M. Knoedler & Co., New York 

| Illustrated | 


105 y y, 


IX. - UW/erfhe. 


ee + ae eo = 


. 
+ 
‘ 
? * 
Cd y 
«* 
. 
* 
* 
, 
as 
4 - 
ex 
#, 
<<. 
~ 
ao. 
ca 
= 
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wt 


259. 


> 
* 
= 
2 
“ 
t 
#e-< 
e 
f 


"MARINE VIEW. Unters 


a 
“and! a deep. prospect of the . open oa clin 


oe are. ee rocks seat cole | 


_ Foreground, E. LAWSON. eee aa oa oo < 
- ee [ [dlustrated | 
“4 ‘ es - Me : 
> : ie a 
| z 
7 


106 


: pid ate ) 


No. 257. Marine VIEW 


By Ernest Lawson 


T. H.E QUINN. CO hf a0 


S$. MACDONALD WRIGHT 
American: Contemporary 


BinO: SYNCHROMY IN BLUE- GREEN [1916]. aan oittienee study j 
exhibiting an extraordinary continuity and flow of rhythmic line, su; 
an abstract thought. Signed at lower right, ‘8. MACDONALD WRIGH 


edated, "1G 16: 
Height, 36 ie wide 


GIN:© STOVE RelaNes 


Italian: Conte 


259. DANSEUSE. Cubistic composition and sumptuous Solon display, ¢ d 
ing a vivacious dancer, in a combination of abstract forms; on her a 

OF 4 Cre | : A AE 

symbol of music. At the right a figure is Seated ates table. Vis worl 


Signed at lower right, G. SEVERINI | , ae 
eae 39 inches; width, ae ‘inch 


o [ [/lustrated| — fe Mew 


RACLOU Es VibLom 
French: 1874— 
260. L?>ACROBATE. An emotion possessing the qualities of unity, infinity and 


vitality. Suggested in a luminous array of colors. Signed at lower left 
with the initials, J v, and at the back, JACQUES VILLON. : 


Height, 39% inches; width, 28% inches 


ae | F: Hourele, 


DIEGO M. Riva 


Mexican: Contemporary 


261. LA FEMME ASSISE. A cubistic impression of analytics; the seated lady 
with musical emotion, wearing a figured dress and holding a fox-fur muff, 
before a synchronizing background in black and brown. Signed at lower 
right with initials, DMR; and at back, D. M. RIVERA, and dated 1915. 


Height, 39% inches; width, 32 inches" 


108 


JO. b Weg he. 


. DANSEUSE 
Gino Severini 


259 


No. 
By 


BH YE OFC TaN CO DL LE. GT J Om 


=) ai ane 2. 


WALD] Koga 


American: Contemporary 


262. PORTRAIT OF JOHN BUTLER YEATS, Rin Aye seleer yy eee 
haired artist in a half-length seated pose. “he keen bearded and spectacled 
face confronts the observer. “The left hand droops over the arm of his chair 
and the long, tapering, sensitive fingers lightly touch the left knee. 

Height, 40 inches; width, 30 inches 
Purchased from the artist 


[ [/lustrated | 


P 110 f fe ; 
aid A oi (o. JTthi toe 


; a ees — 


‘cond Session Thursday Afternoon, February roth 


ALBERT GLEIZES 


‘French: Contemporary 


63. THE BROOKLYN BRIDGE. Cubistic ideograph of Brooklyn Bridge, 
portrayed in strongly contrasted colors and with fine arrangement of sur- 
faces. Inscribed at lower right: Brooklyn Bridge, genet ALB. GLEIZES, and 


dated 1915. 


fs ein ane aT chee ear er Sey i . 
_— = P 


es 2 Size, 40 inches square 
Purchased from the artist 


Bo. 7 SAS Meum. 
: Peewee be RT GLEIVZES 


French: Contemporary 


26 64. THE HOUSE AMONG Ee CREES. Sioned at lower right and dated 


1915. 
Height, 40 inches; length, 40 inches 


GINO SEVERINI 
Italian: Contemporary 


i. TRAIN BLINDE EN ACTION [1915]. Armored train in action. Signed 
; at lower right. _ | 


Height, 45 inches; width, 35 inches 


fe Si 4 L y 
a ; C 
wa 1O. ns < : 6 ° ob Belial. : 
a JEAN METZINGER 

French: Contemporary 
266. AU VELODROME. In the foreground the figure of a bicycle racer, in a 


Parisian velodrome. At the extreme left a portion of the crowded grand- 


stand is visible. Signed at lower left. 
Height, 5114 inches; length, 3834 inches 


C ¢) pe 
7 O- jhe [J.C CPt 
[END OF SECOND SESSION] 


III 


THIRD ‘SESSION. 
qur sda y February 10,1927 at 8:15 O'clock 


. Jatalog ue eee is to 383 Inclusive 


ae 


a AS 


—! _ z ar 
x 
7 . 7 - 


ee . 
a GAUDIER-BRZESKA 
re French: 1891—1915 


4 


7 { on Height reach], 5% inches; length, 8% inches 
8) Five abs ; Tact drawings, similarly treated. 

| ae Height [each], 5% inches; length, 8% inches 
oe | IY cured 
JA C K B. ome 5, R.H- ae 
“Trish: 1871— 


a MAN’S ‘TROUBLES. An interior with three figures seated 
D One table; the pensive figure to the left with visions of migrating. 


at lower Bent, JACK B. YEATS. 


} a Pe Crayon: Height, 514 inches; length, 18% inches 


fo ; 
ida | a ee oh Murphey. 
PIERRE PUVIS DE CHAVANNES 
: French: 1824—1898 


9. | ET ‘UDE DES MAINS [1875]. Detail of decoration for the Hotel de 
‘Vi ille, Poitiers. Well drawn and shaded hands. Inscribed at lower left: 


eens A. Hui,” and signed, P. PUVIS DE C. 
Sanguine drawing: Height, 7% inches; width, 9 inches 


/— : g. ‘ : | 
on POLES eg 6 Gerety ees 


Bulgarian: 1885— 


. B EIGNADE. Scattered group of nude women drying themselves after the 
p - bath. At the right a reclining woman is being massaged, In the distance 
another entering the bath. 
Pen ae pencil sketch: Height, 71% inches; length, 11 inches 


L s 
_ i 113 


-? : ol. 


THE “QUTUNN © COL terete. 


271. 


67 FO. 


22; 


273. 


42-G0. =f; Namitiae 


HENRJ GAUDIER- Be 
French: 1891—1915 


THREE PEN AND INK SKETCHES. 


(A) ELONGATED SPHINX. 


a 


Height, 5% inches; length, 15 inches — 
(B) A PELICAN. a . 

Height, 914 inches; length, 15 inches — 
(c) SIx sTUDIES OF BIRDS. | | 


Hew 8 inch S72 length, 13 inches | 


PIERRE PUVIS DE CHAVANNES 
- French: 1824—1898 

L’ESPERANCE. Delicate drawing of a seated anna ree with shaded — 

background. Inscribed at lower right: @ Leon Bouillon, P. Puvis d Ch. — 


Crayon drawing: Height, 8 ray length, 10 inches 


WYNDHAM LEWIS me 
British: Contemporary j 
TWO IMPRESSIONS OF THE HUMAN FORM. > 3 | 


(a) It cANDELAIO. ress DE 
Pen and ink drawing: ee oi inches ; Peat 634 nches — 


(3) ‘Ev Ojo. % 
Pen and wash drawing: Height, 1234 rachees length, 6%4 inches 


fF 


JOHN BUTUER-YEATS, RUHIA 
’ Irish: 1839—1922 
IRISH PORTRAIT STUDIES: Pencil ea em 


(a) JoHN HUGHEs, the artist. —TTwo small studies, in one frame. Both auto- 
graphed by the subject, and dated June, 1903, by the artist. 


Purchased from the artist 


Height, 934 inches; length, 14 inches. 
(B) KaTHERINE TYNAN HINKSON, the authoress. Two smell studies in one 
frame. Both inscribed by the artist, Katherine Tynan Hinkson, and one 
dated March, 1903. 

. Height, 834 inches; length, 11 inches — 

(c) Srupy oF Two FicuREs. Inscribed by the artist: John O’Mahony and 
K. Tynan Hinkson playing cards. 

Height, 7 inches; length, 934 inches 
Purchased from the artist 


nea 


tc hs namin 


Pa 


Sie «ws 


«Spat oP na ne 


Thursday Evening, February roth 


Pees PUVIS “DE CHAVANNES 
French: 1824—1898 


275. ETUDE DE JEUNE FILLE [1872]. Head and shoulders of a young 


girl, with large, wistful eyes and a Rossetti-like mouth, delicately modeled 
and shaded; wearing a loosely-tied scarf at the neck. Stamped at lower right 


with the initials, p Pc; an indecipherable inscription at upper right. 
Crayon drawing: Height, 12 inches; length, 9% inches 


Purchased from Durand-Ruel & Sons 
[ [/lustrated | 


115 C / f 


[2% Jectt + Fou 


THE 0 UTNN 9 COL Y pian 


JACK Bey gas) ope ee 
lyase: 1 ee 

276. TWO DRAWINGS IN WASH. 
(a) Ir MusT HAVE BEEN AN ALLEGORY. ‘Tinted drawing. ; 
se : Height, 3% inches; length, 6 inche 
(8) INTERIOR, WITH FIGURE. Washed in brown. “s 
. Height, ro ‘inches; length, 7 inche 
Both signed at lower right, JACK B. YEATS. 4 


Purchased from the artist 


BIS. a Verney on 
WYNDHAM LEWIS 


British: Contemporary 


ee 


277.. [IWO;PEN ANDANK STUDIES: 


(a) Fire. en 
Height, 9 inches; length, 15 inches 
(B) FAUNESQUE. 
Height 9% inches; length, 12 inches 
Both signed at lower left, WYNDHAM LEwIs, and dated 1912. ; 


Purchased from the artist 


HENRI GAUDIER-BR7T eS 
French? 1801--1G.85 


278. TWO ANATOMICAL STUDIES. Interesting drawings of a human fig: 
ure; probably self drawings. | 


Pen and ink drawings: Heights, 1434 inches; lengths, 934 inches | 


30. AU. {een 


JUDGES seAteale 
Bulgarian: 1885—- 


279. STUDY OF A GIRL. Scantily draped young woman fe: ina careless 
attitude, her left arm supporting her head. Signed at lower right. e 


Crayon sketch: Height, 13% inches; length, 934 inches : 


/ a _ SANA. Suge 


ee 


ird Session Thursday Evening, February roth 


io 
a 


WYNDHAM LEWIS 
British: Contemporary 


80. THREE PEN AND INK DRAWINGS. 
(a) ARGoL. 


~ 7 


Sire Melty Gag ia ag Be a! engineer 


Height, 13 inches; length, 8 inches 


(8) ENEmy oF THE sTars [1913]. 
Height, 17 inches; length, 8 inches 


(c) THE FLUTE PLAYER [1915]. 
Height, 12'4 inches; length, 9% inches 


Clever studies. Two signed. 


Purchased from the artist ; 
2 Q- 5o. TY, eae Lg 
HENRI GAUDIER-BRZESKA 


4 French: 1891—1915 
281. FIVE CHARCOAL STUDIES. 


Geometric abstractions, executed with economy of means in broad outline 


and shaded. 


* 


SPE) (diet 


_ Height, 184 inches; length, 12 inches 


(62-50. ahh yt en 
| ae “f JACQUES Mion’ ® 


: French: 1874— 


282. THREE WATER-COLOR DRAWINGS. 


(a) STREET MUSICIANS. 
Height, 191% inches; length, 1234 inches 


— (s) Two sruptes. 
Height, 8 inches; length, 5 inches 


42 ee. ATTRIBUTED TO af Cee : 


Peis) “PPO AS SO 
Spanish: 1881— 


283. STUDY OF A MAN. Bust-length, with arms folded; the head modeled 


in a cubistic manner and vigorously outlined. 
Wash drawing: Height, 24 inches; length, 18% inches 


big : Boas BUTLER jYEATS, ee wf 


Irish: 1839—1922 
284. NINE PENCIL DRAWINGS. Self-portraits. 


Height, 20 inches; length, 15 inches 


Zo. ae E Soy eh. 


A NERS AO Re ee 


4 ek 18 Ou a ieNeN: COLLEGTIOg 


WYNDHAM LEWIS 


British: Contemporary | 


285. THREE SATIRES IN WATER-COLOR. 


(a) ARCHITECT WITH GREEN TIE. . Re 
. f Height, 914 inches; length, 5 Vy i inche 
(p) La RELIGION [1912]. 
Height, 1244 inches; length, we inch 
(c) Derstcn For Box LID [1912]. 3 
Height, 4%4 inches; length, 1214 inch et 


Two signed at upper right and lower right, me WYNDHAM LEWIS 
and dated 1912. 4 


Purchased from the artist 


& JO. ot ye 


CHARLES CONDER 
British: 1868—1909 a q 
286. PRINCE CHARMING. Erect figure, in a garden setting. In bright ¢ clos 
Signed at lower left, CONDER, and dated 1906. 


Water-color: Height, 9 inches; length, 7 inches | 


“oft: | hl. Ff. ale 
HENRI GAUDIER-BRZESKSA 
French: 1891—1915 
287-- 9 LUDIES INCWATER-COLROR: 


(a) A grotesque fish. «| 
Height, 9 inches; length, 1434 inches _ 
(B) Two studies in sanguine, a Buddhistic figure and an X-ray impression. 


Height, 934 inches; length, 14% inches 


lo. tL. aed 


CHARLES COND 

British: 1868—1909 q 

288. INTERIOR WITH FIGURE. Erect, semi-draped female figure; at the } 
right a chair with hunting costume. Inscribed at top: Theodore dans la cos- 


tume de Rosalind. : 
Pastel: Height, ro inches; length, 634 inches — 


JO. a } 4. i 


4 


Third Session Thursday Evening, February roth 


y WALT KUHN 
: American: Contemporary 
289. AMUSEMENT PARK. Figures performing upon an open-air stage, hung 


with gaily colored flags; in the background an impression of the audience; 
at the right, figures seated upon a bench. Signed at lower right, WALT KUHN. 


= 


Crayon and water-color: Height, 1o inches; length, 1234 inches 


F SAAR ULES CONDER 
British: 1868—1909 


290. A VENETIAN SCENE. Two figures in fancy-dress, carrying masks. In 


a Venetian setting. 
. Water-color: Height, 10%4 inches; length, 8 inches 


iD. INNES 


British: Contemporary 


iat ene 


- 


291. SPRINGTIME IN PARADISE. Humoristic sketch of Paradise, with nude 
a figures at various pastimes, and in the air a winged figure. In the back- 
ground a volcano. Signed at lower right, J. D. INNES, and dated 1909. 


i aetna Ege +34, 
rg 


= Water-color: Height, 101% inches; length, 15 inches 


eo: i # Jhortone 
Perr RICK -ETCHELLS 


British: Contemporary 


292. THREE VORTICIST STUDIES. 


(A) PROGRESSION. 
Water-color: Height, 534 inches; length, 9 inches 


(B) STILTs. 

Water-color: Height, 1214 inches; length, 8 inches 
(c) ENGLIsH COMEDIAN. 
Pictorial expressions appropriate to modern sensibilities and outlook. 


Pen drawing: Height, 1034 inches; length, 7 inches 


Each signed in foreground, ETCHELLS 


Purchased from the artist 


pet 40. oe /: Lures | 


~ em 


TE. Se ies. I 


‘ey 


HE OU TN N16 OD Den cman 


WYNDHAM SAE Wes 
British: Contemporary 


293. TWO GEOMETRICAL ABSTRACTIONS IN WATER- COLOR. 


(a) Soxprers [1915]. : 
Height, 10%4 inches; length, 12% inches 
(B) Ascension [1916]. be 

Height, 1214 inches; lene 934 inches 


Signed at lower right and lower left, respectively, with the initials w 1. 


Purchased from the artist 


1S @ Y) D Daly 
FREDERICK ETCHELLS a 
British: Contemporary 


2947 1. WO VORTICIS Re stupires: 


(a) Hyper park. An arch of the bridge over the Serpentine, with figures. 
Pen drawing: Height, 7% inches; length, 11 inches - 

(B) Post AND TELEGRAPHS. A scientific thought. = 
Water-color: Height, 14 inches; length, 1o nctell 


Both signed at lower right, ETCHELLS. 


Purchased from the artist 


Une fp K. Vale | } 


JACK B. YEATVS 33 
Irish: 1871— 
295. TWO WATER-COLORS. 


(a) THE SHADOW ON THE ROAD. ; 
Height, 10 inches; length, 14 inches — 
(8) AFTER THE HARVEST’S SAVED. Ae q 

an Height, 15 inches; length, 11%4 inches ~ 


~ Signed at lower right and lower left, respectively, JACK B. YEATS. 


Purchased from the artist 


Jo. "UW A. Mpaaly 


[hird Session Thursday Evening, February roth 


WALT KUHN 
_ American: Contemporary 
6. ACROBATS. A vigorous study, showing female forms in six acrobatic posi- 
tions; washed in red and blue. Signed at lower right, w. KUHN. 


Water-color on panel: Height, rr inches; length, 16 inches 


ee Cea’ 5, 


Purchased from the artist 


ye 


Nw mad 
slate 
. : 


Wey ke. 
Booker lS LEIZES 
French: Contemporary 


= 


7- SUNRISE. Cubistic conception of a brilliant gold sunrise, viewed through 
an arcaded way in finely blended colors. Signed at lower right, ALB. GLEIZEs, 


and dated Toul, 1915. 
Water-color: Height, 1114 inches; length, 1514 inches 


+ Z Hells I Penn 


he : ~ ee. 
~ : 


ek 


eee eo. yk Al's, 
Trish: 1871— 


98. THE THRUSTER. Depiction of an Irish sportsman, wearing rat-catcher 
~ kit, mounted on a bay horse, leaping a stone wall. Signed at lower right, JACK 


B. YEATS. 
Water-color: Height, 12 inches; length, 15 inches 


Purchased from the artist — 


= f a if io L : 
g- Maes pascin & /* hs 
Bulgarian: 1885— 


a STUDY OF A GIRL. A young woman, her black hair falling down upon 


her shoulders, is leaning on the arm of a sofa, absently gazing at the spec- 


tator. 
Water-color: Height, 1214 inches; width, 9% inches 
Ae 4 
/30. A / By. ( TOY Coy 
Meer 6. YEATS, R:H.A. Ad. 
Irish; 187 1-—— 


bor. THE RACE-COURSE TOWN, GALWAY. Many figures grouped 
| around an accordion-player; characteristic [rish types. Signed at lower left, 


JACK B. YEATS. 
Water-color: Height, 1214 inches; length, 18% inches 


Purchased from the artist 


121 


250. : PO Me Lalor. 


THE. 0 Ud NON GNGlO) DUDE nCnT aan 


oS 


EES 


393. 


18, WYN: DiH Agi — tharige 


304. 


So. 


oar 


So. 


JOHN SLOAN 


American: Contemporary 


‘MME. DUBOTTE AND M. CALLE. Two figures in evening. clot 
seated in a loge, with reflections of the footlights. Strong work portrayed 
in monotone, with a grayish wash. Signed at lower right, JOHN SLOAN, an 


dated 1904. 4 
| Water-color: Height, 13 inches; length, 8% inch 
Purchased from the artist % m 


JACK B. YEATS, Ream 
Trish: 1871— 
THE DAY OF THE SPORTS. An animated Irish country scene; in the” 


foreground a figure mounted on a cantering horse. Signed at lower nigh ee. 


JACK B. YEATS. 
Crayon and water-color: Height, 13 inches; width, 1814 inches 


Purchased from the artist 


British: Contemporary 


TWO ABSTRACT DESIGNS. 
(a) TImMon oF ATHENS [1913]. F 
Ink and water-color: Height, 1344 inches; length, 10% inches — 

(B) KERMESSE—DESIGN FOR PROGRAMME COVER [1912]. | 4 ; 
Pen and ink drawing: Height, 1114 inches; length, 12%4 inches 

Signed at lower right and lower left, respectively. Pi 


JACK B. YEATS) Reem 
Irish: 1871— 


Purchased from the artist 


SEA FOG. Figure of an old seafaring man, wearing a pea-jacket and 
muffler, sauntering from the quay, enveloped in a dull mist through which 
the masts of a brig faintly gleam in the background. Signed at lower right, 
JACK B. YEATS. : 
Water-color: Height, 14 inches; width, 10% inches 


Be J omer. 


Purchased from the artist 


i 


= a ° ; 
Third Session Thursday Evening, February roth 


MAURICE B. PRENDERGAST 
| American: 1859—1924 
306 “THE RIDER [1912]. Equestrian figure; against a background of blos- 


Water-color: Height, 14 inches; length, 18 inches 


do. WYNDHAM LEwISs LEPAT! COO 


British: Contemporary 


ais 


307. LAYING. A vigorous rendering of a gun crew: erect, virile figures, wear- 
___ ing leather jerkins, and the No. 4 laying the gun. At the left are sandbags, 
_and the drapings of a camouflage. Before a deep-gold sky. 


a 


_ Purchased from the artist 


Water-color: Height, 14 inches; length, 20 inches 
0. WYNDHAM LEWIS 


British: Contemporary 


3 08. BATTERY PULLING IN. A peisonal expression, rendered with ultra- 
modern feeling, of a shell-ridden area, with the gun crew hauling their guns 
___ into position with drag-ropes, and others preparing gun-pits; before an early 
____ morning sky, with shrapnel bursting in the air. Signed at lower left, wyNp- 


HAM LEwIs, and dated 1918. 
| Water-color: Height, 14 inches; length, 20 inches 


Are . € [Sory ob 


Purchased from the artist 


Id. JULES PASCIN 
Bulgarian: 1885— 


9. “THE SIESTA. Reclining figure of a nude woman, the left arm raised and 
bent over the head. Signed at lower right. 
a Water-color sketch: Height, 1734 inches; width, 1414 inches 


a2 /o. WYNDHAM LEwIs, Stcen ly 
> British: Contemporary 


310. TWO WATER-COLORS. 
(a) Derecrives. 


7 
30 


Height, 1834 inches; width, 1244 inches 
(Bp) MounraINn OF LOVES. 
Height, 12% inches; length, 19 inches 


One signed at lower left, WyYNDHAM LEWIs, and dated 1912. 


Purchased from the artist 


JO. a M. Shmey 


THE 0° NN 21@O DD plone 


ANDRE DERAIN. 
French: 1880— x 
211. THE RED BOAT. Symmetrical boat in brick-red, with the wine boat 


- man pulling at the oar; in the stern are figures in blue; in a green sea. 
scribed at lower eae pour André Derain, Alice Deas | | 
Water-color: Height, 1834 inches; length, svi les 

ES. : A hee 4 
GEORGE OVERBURY HART inst a 


American: Contemporary 


312: TRINIDAD. Colorful and impressionistic view of the core mae sil- 
_ -houetted before a deep blue sky. In the foreground various turbaned few 
proffering their wares of fruit. Signed at lower left, Hart, Trinidad, and 
dated 1916. : UY a an 

. Water-color: Height, 19 inches; length, 27%4 inches 


e see 
ah 2.1. JACK B., YEA PS. Rei 


Trish: 1871— 
$18: AN EMIGRANT. Wistful face of a young girl at ‘the window of a rail 


way carriage, bidding farewell to her mother, a back view of whom is seen — 
in a green shawl; at the right stands the guard. Signed at lower left, a 
B. YEATS. 


Water-color: Height, 20 inches; width, 15 inchea , 
Purchased from the artist a 


: ALBERT GUEDZ. : ; 
French: Contemporary 


314. STREET SCENE IN TOUL. Signed at lower right and dated 1914. 


Water-color: Height, 21 inches; width, 14, inches — 


fhe GEORGE W. RUSSELL AA EL] a 


| Irish: 1867— 
eas, WHERE ‘THE RIVER RUNS UNDERGROUND. A winding yale ; 


disappearing in the foreground under massed boulders, and in the distance — 
an expanse of rising country; under an azure sky. Charming atmospheric 
effects. Signed at lower right with the initials, aE. a 

Millboard: Height, 12 inches; length, 1814 inches — 
Purchased from the artist oe 


30, a le 


il 


Third Session Thursday Evening, February roth 


FE ANDRE DERAIN 
French: 1880— 
316. STILL LIFE. A table arranged with a pestle and mortar, and various pot- 
tery jars; in the foreground a dish of peaches with a delicate bloom. Har- 


monizing wash background. Inscribed at lower right, pour André Derain, 


Alice Derain. 


Water-color: Height, 26 inches; length, 32 inches 


[ Illustrated | 


| Ee K. lowe 


eee Su 


THE: QUINN-»C OL TL E Gime 


DERWEN DoLEERS) i 

British: Contemporary | P oe 

317. THE BLUE HILLS. A starry blue sky, with a clear full n moon; anal 
surrounded by a primitively arranged olive grove, and a range of blue in 


tains in the background. To the left, a massive ae tree. Sena at 
right, DERWENT LEES, and dated 1912. ae 


. : Panel: Height, 4s inches; Teng, "7 | 
| DERWENT LEES mm 
British: onto | | 25. cal 
318. OLIVE FARM [Banyules, 1912]. Mountainous eee Be a bull ia 


in the valley surrounded by glistening olive trees; under | a clear blue sky. 
Signed at lower left, DERWENT LEEs, and dated TOL2¢.7 Saweneee > 


Panel: Height, 14 inches eed, inches 

WR We ee | 
MAX JACOB Sd i een 

French: Contemporary area a | 

319. AU CIRQUE MEDRANO. Brilliant small wore duplivine 4 the: interior 


of a circus, with two figures performing upon the trapeze. A vigorous im- 
pression. Signed at lower right, Max JAcop, and dated 1919. j 


Gouache: Height, 14 “inches; length, 17 inches 


Purchased from Max Jacob Exhibition at the J oseph Brummer Grileram 
1923 


(o0. ; ¥). ff. Freede . 
GEORGE W. RUSSEEL 2 Aaa 
Irish: 1867— 
320. THE TWILIGHT HEARTS. A meadow at twilight dotted with trees 


in a veil of mist; in the foreground a seated youthful female figure, a small 
boy nestling by Heh side. Signed at lower right with initials, a E. 


Height, 14 inches; length, 18 inches q 
Purchased from the artist ; 


0 0. C Ung (9° {See 


‘hird Session Thursday Evening, February roth 


mous US E. JOHN, R.A. 
British: 1879— 


321. THE WHITE KERCHIEF. The head and shoulders of a gypsy, wearing 
a white kerchief knotted under the chin, and facing slightly to the left; before 
a background of gray-blue and yellow. A superb example of this master’s 


work, painted with brio. 
Panel: Height, 16 inches; length, 13 inches 
Purchased from the artist 


[ [llustrated | 


127 


ty 4 


goog 


: 7 


96 
ej e« 


324. 


CIO. 


] 


ae 


aes cre 
/ 12 : | Cc ott % Foust eg ; 


Purchased from the artist 


DAVID BOMBER G i 

Bas Contemporary cae oa . 

MEDITATION [1913]. Tutetior with a sleeping: fee : 
figure mirrored against | the door in mediation Brilliantly i 
clear, even light. Signed at lower left, BOMBERG. 


4. Panel: Height, 15% incilean 


EDWARD: WADSWOR’ 
British: Coney 


Tempera « on board: Height, 16H, inches} "lena, ne nch 


aig 
j 


Purchased from the artist = na 


GWEN JOHN(/ es 


British: Cont 


yt), 
PLES Soe bene 


NUDE STUDY. Seated semi-draped female Roa of Taste ae contour” 
olive oe ae and highly arched brows: her dark hair drawal, back 


Background AE lilac tones. ee ree 
Height, 17 "inches; width, 13 i 


JEAN AUGUSTE BOMIN QUE INGRES. 
tr oy 1/80 Jk eee cry = 


-RAPHAEL ET LA FORNARINA eres Aa. Rls length seated 7 4 
ure of the painter, wearing a black cloak, at his easel; his model, La For- 
narina, leaning over him.with. her hands. about his.neck, while her brown 
silk gown slips from off her bare shoulders. In the rear, a bearded man, 
carrying drawings. Dark green background. 
Height, 121%4 inches; width, 10% inches 


Collection Baillehache 
Exposition Ingres, Paris, 1911 
The Alphonse Kann Collection 


Reproduced in Ingres: sa Vie et son CEuvre, by Hen Lapauze, page 517g 
| Illustrated | 


No. 325. RAPHAEL ET LA FORNARINA 


By Jean Auguste Dominique Ingres 


a THE CLIMBERS. View of a deep ravine, shrouded in blue haz 


328. THE SANDS AT LISSADIL. Centring the composition is a ‘oldena a 


= 


THE QUINN’ CO 070 2 Gen 


GEORGE-We RUSSEL SAN eal 
aoc Bais. 


pool of evanescent water; in the foreground seven graceful maidens, 
_ linked hands, climbing ie rocks. Under a greenish blue 17 ie wath 
shades. Signed at lower left with the ae A eee 


Height, 17s inches; Teng : in 


Mifeel 


GEORGE W. RUSSELL we F.”] 
riser st Oye 


Bunche: from a artist 


TWILIGHT IN THE PARK. Mystic portrayal in transitory tones of 
green and blue of a massive oak tree, and to the right a eee fem 
figure. Signed at lower right with initials, a. E. 


-Millboard: Height, 18 inches; ie 721 inches 
Di shoed from the artist ae 


lo GEORGE W. RUSSELL oe Be 2 em 


Trish: 1 Yala 


yellow sun, imparting shaded lights over an expanse of sands, and to the left 
a vista of azure water; in the middle distance are faintly discernible wo 
figures, and beyond a range of low-lying hills. Signed at lower right with | H 
initials, A E. ; : . | 
Millboard: Height, 18 inches; width, 12 inches _ 
Purchased from the artist S| 


NATHANIEL HONE, &.H.A. 


Irish: 182 I—1917 


COAST KILKEE, CO. CLARE. Subduedly-lit view of jagged coastline, 
with grayish-green water and the white crested curl of an incoming breaker. 
Two figures are faintly discernible at the edge of the rock, under a sky _ 
heavily laden with nimbus clouds of cumulus form; in the foreground 
graceful gulls. Signed at lower right with the initials, n H. | 


Height, 1844 inches; length, 2814 inches — 
Purchased from the artist 


130 


Thursday Evening, February roth 


GEORGE W. RUSSELL [“A. E.”] 
Trish: 1867— 


THE SHINING SHALLOWS. Beach scene at low tide, with a small boy 
and girl wading through the glistening shallow pools along the shore, re- 
flected in the light of the setting sun. Signed at lower right with the initials, 


AE. 
i Height, 16 inches; length, 24 inches 
_ Purchased from the artist — 
[ [/lustrated | 


¢ WALT KUHN “i 
American: Contemporary 
331, STUDY OF A GIRL. Bust-length portrait; oval face of deep flesh tones, 


Cloaked by long golden hair; before a background of varying greens. 


Signed at right, WALT KUHN. 
Height, 20 inches; length, 16 inches 


a 


Purchased from the artist 


131 {] ‘ 4 


/Oo. 74 "VUE yh 
( 


Je do hs foi ORE sane COLLE CYT 1 Ole 


GWEN JORW 
British: Contemporary 


332. DOMINICAN NUN. Three-quarter length reposeful figure, with highly 
arched eyebrows, seated before a table, her hands resting upon a missal; she | 
wears a dark habit, the cowl and loose sleeves delicately delineated and | 
shaded. Finely modeled, sensitive work. On the back of the canvas is @ 
clever study of a woman. 


Purchased from the artist | 


| 
Height, 18 inches; width, 15 inches 
| Illustrated | | 


et ae 


1 Bhird Session Thursday Evening, February roth 
H 
nn peek SLAW S.O:N; oNwA, 
' q | . American: 1873— 


3: 33: UNIVERSITY. HEIGHTS. A work of infinite vitality portraying a 

snow-clad impression of the wooded heights; in the middle distance the 
_ turquoise-blue waters of the Harlem River, and against a sky of fleecy 
yaporous texture is outlined the dome of the Perey’ Hall of Fame. 
Signed at lower left, E. LAwson. 


Millboard: Height, 20 inches; length, 24 inches 
Purchased from the artist 


 Fetargel 
p> 6. SPENCER F. GORE 

z | | British: 1879—1914 

| 334. A FROSTY MORNING [i910]. An impression in a subtle color scheme 

of a natural garden flooded with the light of a brilliant wintry sun. In the 
background, edcdnite forms of buildings seen through the cool mist. 


Height, 20 inches; length, 24 inches 


H-0. aa lH. f. Loy Le 
= 4 | feet LAWSON, N.A. 

. | American: 1873— 

335- CAPE COD. Landscape bathed in sunlight of fleeting transitory mood, 
7 dotted with gaily colored peaked-roof dwellings; in oe background a 


ribbon of deep blue water, under an azure sky with vaporous tufted clouds. 
Charming work of great breadth. Signed at lower left, E. LAwson. 


Height, 20 inches; length, 24 inches 


3 ee ftlncg 
| 300. GEORGE W. RUSSELL [“A. E.”] 
e Trish: 1867— 


Purchased from the artist 


336. JAPANESE WEATHER [i910]. Colorful and mystic rendering of 
i maidens reclining upon rocks by a blue sea, under the shade of Japanese 
parasols. In the foreground are nude children; before an ivory toned sky 
with a changing aspect of clouds. Signed at the lower right with the 


initials, A. E. 
Height, 20 inches; length, 27 inches 


Purchased from the artist 


133 


a Gf 
Yo. ll. f- Voy me 


ws 


T.-H E © Q U-IONIN). C0 0 L 2p Ga 


GINO SEVERINI 
é Itahans i AS 


327 3 NATURD MORTE. Abstract tedden of bottles, a phe cea a goble 
in particularly fine, clear tones of green, terra- -cotta and golden- -brown 
against an orchid-mauve background, | Signed at oe Hehe ‘SEVERINI; an 


at back, GINO SEVERINI. 4 
. Height, Bey incheanerate 18 inch 


ff 4b. aN ae | Az 
GWEN JOHN 
British: Contemporary 


338. -E Ay PiAE iE MODELE. ‘Three-quarter- length eure Me a young gin 
‘standing by a table, her straight hair hanging over her shoulders and dressed 
wtih a bow at the top. Before a shaded mauve background. | 


‘ 4 
a 


. Height, 21% inches: Side 33 inches 
Purchased from the artist ) 


100. a eS ee ne. 
PoE BR 

Contemporar y 4 

339. SELLE LIFE. A deep blue bowl, massed with naturalistic nee in the 


‘background a renaissance sculpture. Charming rendering pon aae with 
impressionistic realism. Signed at lower left, BRUCE. - , 


Height, 22 inches; Teer 1814 inches 


0. f2 A. fonuce | 
> (Dy EN 


British: Contemporary 


340. THE PALM TREE [1913]. Formalized landscape scene of interesting | 
perspective, in tones of aubergine and green, against which are hoa 
small white dwellings with peaked roofs. Dominating the composition 18 | 
a graceful palm tree, with its lofty head outlined before the clear, brilliantly 
lit sky. Signed at lower right, J. D. INNEs, and dated 1912. » | 


Height, 22 inches; length, 30 inches — 


134 


ILO. LW, Kees. i 


Third Session Thursday Evening, February 10th 


341. 


BUCIEN PISSARRO 


French: Contemporary 


A FOOTPATH, ACTION. A shaded pathway, flanked by lofty trees 
in spring foliage: in the middle distance a figure carrying a sunshade ad- 
vancing toward a patch of moist green grass; the air is a-tremble with 
silky opalescent mist through which the low-lying dwellings in the background 


faintly gleam. Signed at lower left with monogram, LP, and dated 1907. 
Height, 2114 inches; width, 18 inches 


Purchased from the artist 


[ [/lustrated | 


135 ; 


342. 


JULES Pees 
Bulgarian: 1885— 


PORTRAIT OF HERMINE L. DAVID. The artist’s wife. Portray-" 
ing a young woman with blond short hair and sharp, intelligent features.” 
Her right elbow rests upon her right knee and she supports her chin with 
both hands, the face expressing deep reflection. Signed. 


Height, 17 inches; width, 1% inches — 
Purchased from the artist 


| [/lustrated | 


136 


- 


| 


SN SE 


ati a 


—  —.————— SS 
Third Session Thursday Evening, February roth 


SEORGE W. RUSSELL [“A. E.”] 
Irish: 1867— 


} 343. IN THE FOREST. Dense wood of deep brown tones, with the gnarled 


trunks of four lofty trees, their foliage glistening in the sun, under which 
are grouped graceful girls, portrayed in green, white, rose and violet cos- 
tumes. An unusual work of this artist, suggesting Venetian influence. 
Signed at lower right with the initials, a. E. 
Height, 24 inches; width, 16 inches 
Purchased from the artist 
[ Illustrated | 


137 / 


/$0- Lb fore. 


THE 0 UTN.N OC 0 Do) peace 


GWEN JOHN 
British: Contemporary 


‘we 


344. STUDY OF A WOMAN. Three-quarter length seated figure of “7 
mien, facing to left, wearing a drab costume, shadowed against the mauy 
background. Portrayed with sincerity and fine craftsmanship. 


Height, 24 eG bilge rs inch 
Purchased from the artist . 


GEORGE W. RUSSELL [“A. £7 | : q 
Irish: 1867— | a 
345. A QUEEN OF THE SIDHE. An erect, semi-draped figures in profile te 


the right, holding a lyre and portrayed as a celestial being, in a burst of 
sunlight. A fine color harmony. Signed at lower right with the initials, A. ae 


Millboard: Height, 241%4 inches; length, 16 i incl ; 
Purchased from the artist 7 


40. pe dome. 


CHARLES 3: ia 

American: Contemporary q 

346. LANDSCAPE NO. I [1916]. Charming =colorsiiamanonr. ‘an abstract 

view of landscape rendered in geometrical form with a decorative unity of — 
design; in finely shaded colors. Signed at lower left, sHEELER, and dated 


TOTO: : | 
Height, 24 inches; width, 18 inches — 


MORTON L. SCHAMBERG 
American: Contemporary . 
347. SEATED FIGURE OF A WOMAN. ° ‘Threelqueeenaien=ieeamm 


woman, with her face resting upon her hand. A luminous study in blues 
and yellows. Signed at lower right, scHAMBERG, and dated 1911. 


Height, 24 inches; length, 20 inches — 


138 ; 
0. f Ne PO ea 


ow” 


fl 


i. 


‘third Session — 


— 
a 


Thursday Evening, February roth 


DIEGO M. RIVERA 
= Mexican: Contemporary 

8. ist ILL LIFE. A decorative composition, in soft colors, portrayed in an 
oval enclosing a veined marble-topped table, on which are a bottle of pre- 
_ serves, two apples, and a knife. ‘The spandrels in bright blue. Signed in 
the foreground with the initials, p. M. R., and at back, DIEGO M. RIVERA, 
and dated 1915. 
- h Height, 24% inches; length, 20% inches 


JULES PASCIN 

Bulgarian: 1885— 

349. THE LOVERS. Cuban exterior scene: in the foreground a seated man 
__ and woman, both dressed in white, the man wearing a sombrero, are talking; 
_ between them stands a decanter. Other figures in the background at the 


* ee 
. right. —} 


| 


= ER Ey eee 
+. ae : : * ‘ ¢ 
x. a ~ 
e > 


* 


‘Height, 26 inches; width, 23 inches 


6 a0. F t, ws / Gucinring 


f 


MerrANIEL HONE, R.H.A. 
Irish: 1831—1917 


350. HASTINGS, SUSSEX [1890]. In the middle distance the cliff shadowing 
a the small village, and the strand fringing the bay dotted with fisherfolk 
drawing in their nets, while to the right is a vista of the open sea; under an 
angry gray sky with hanging clouds. Signed at lower right with initials, N. H. 

Height, 27% inches; length, 42 inches 
Purchased from the artist 


Exhizited at the International Exhibition of Modern Art, New York, 1913 


139 


TH EO UE N ON | GLO Dalene Gna 


351. 


ia.  _—_ 


352. 


Sipe 


Jo. 


wooded banks. Gulls are gliding and cresting the wae fe 
___ blue sky. Signed at lower left with initials, NH.) = Soeeee = EHR 


Purchased from the artist 


c mae 


NATHANIEL HONE, R:H.A. 
Irish: 1831—1917 | | 


‘THE FERRYBOAT. The foreground i is acenbiad by ‘i rich. gee : 
way, with the ferryboat carrying various white-capped figures, stee 
the far shore, upon which other. figures are seen, shadowed by the 


Height, 24 inches length, 40 nch 


[ Illustrated | 


AUGUSTE CH ype 


French: Contemporary 


CHEMINEAUX SUR LE PONT. Undulating landscape scene, the local: 

color of which is slate-gray, with the road over the arched stone bridge 
brilliantly portrayed in shaded white. “Two wayfarers are resting, and are 
touched with splashes of rich crimson. ‘To the right of the bridge are popla : 
and cypress trees. ‘The sky of deep kingfisher-blue tones. Signed at lower 


left, A. CHABAUD. : 
Millboard: Height, 29% inches; length, 42 inches 
Purchased from the artist 3 


ATTRIBUTED TO 
WYNDHAM LEWIS 
British: Contemporary ! 
INTERIOR. A vorticist impression of a studio, portrayed in brilliant, 


fresh colors, laid on thinly and boldly. 
Height, 30 inches; length, 24 inches. 


140 
rf : 


) 


No. 351. THE FERRYBOAT 
By Nathaniel Hone 


fps ah ee Dene ts. Tia tee 


THE QUINN @OLDE Gy a 


ROBERT DELAUNAY 

| French: Contemporary Sia 

354. NOTRE DAME. Otic vista of the chevet of Note Dante 

winding course of the Seine spanned by four bridges, under re 

low-lying clouds checkered by innumerable lights. ‘Vividly rendered J 

in a monotone of shaded blue. Signed at lower left, R. _DELAUNAY, ane 
dated Paris, 1909. ae | Nek Uape 


Ngee 30 inches ; width, 24 inches s = 
4 I lustrated a | 


# OCs | kre. a. Vu L hee Kol | 
ATTRIBUTED ‘TO. hh Ao ; 
JESSTH” DISMORR 


British: Contemporary 


355. MOVEMENTS. An abstract thought sikeavete in ae ‘olor suggesting 


vital movement. Signed at lower right with indecipherable signature, — 


, Height, 30 inches ; width, 25 nc 
Lo. oe a. # ee 
WALT KUHN: | | 


American: Contemporary 


356. WOMAN IN SHAWL. Seated half-length portrait of a woman in. 
Spanish costume. Her arms are crossed before her breast, and the head 
is inclined to the left. Signed at lower left, and dated 1920. } 


Height, 30 inches; width, 25 nd 
Purchased from the artist 3 


60. She Ligh 


MORTON Ly SCHAMB ERG 


American : Contemporary 


357. NUDE [i910]. Plastic expression rendered with ultra-modern sentiment, 
of a three-quarter length nude figure with banded hair of blue tones, wearing | 

a bracelet and holding a white drapery; before a deep green background _ 
suggesting foliage. Curious flesh tints. 
Height, 32 inches; width, 26 incles ei 


Purchased from M. Knoedler €? Co., New York 


t uley ke 


142 


fay 
1) 


O. . cog © 


s 


No. 354. Norre DAME 
By Robert Delaunay 


THE 0 UTM Ne Oe eee 


Tae 


French: panera 


ahr 


Phen dressing table, ‘neltttng a mirror in her left hand. nd 
of form in vigorous colors. Signed at back, bee 


AUGUSTUS E. JOHN, RA. 

) : British: 1879—_ 
359. PORTRAIT OF ARTHUR SYMONS. Superb study ae 
térateur seated, facing slightly to the left but looking to the c 
head in a finely distributed light is modelled with a sculptural e 


hand of intimate expression resting hee upon his. sic Before a 


background. 
“Heine 34. inches width, asi 
Purchased from the artist, 1918. . 


cof 


; | : Be De 2). 
§ 00. eat : Jas 


4 
‘ 


GINO SEVERINI 
Italian: Contemporary 


360. LA DANSEUSE A PAILLETTES. Signed at lower right. 
Height, 36 inches; length, 29 i 


AUGUSTE C HABeiaae 


French: Contemporary 


361. PORTRAIT DE JEUNE HOMME. Seated profile figure of a young 
man of intellectual mien, wearing lounge clothes and a soft collar; before a 
gray-blue background; the well-modeled observant head silhouetted against 
a lighter ground. Painted with brio. Signed at lower left, a. CHABAUD. 


: Height, 39 inches; width, 29 inches 
Purchased from the artist 4 


(90. Tat 4 af Q) 


No. 359. PorTRAIT OF ARTHUR SYMONS 
By Augustus E. John 


T- Hos, 230 20ers 


JEAN MEDVZEN Gi. ; 


French: Contemporary j 


cigarette. Upon the table, in geometric abstraction, are a goblet of wine, a 
fan and box of cigarettes. Strongly portrayed with intense color contrasts. 


Signed at lower left, METZINGER. Pp 
Height, 36 inches; width, 26 inches” 
€ 


e 
> 


| [/lustrated | 7 


oe 146 
Iho. 


Third Session Thursday Evening, February roth 


MORTON L. SCHAMBERG 
American: Contemporary 
363. SMILING GIRL.  Three-quarter-length seated figure of a vivid com- 
plexioned girl, with banded hair, facing slightly to the right; wearing a 


white blouse and purplish-blue skirt. Portrayed in luminous colors of 
excellent values. Signed at lower left, scHAMBERG, and dated 1910. 


Height, 30 inches; width, 25 inches 


Purchased from M. Knoedler & Co., New York 
[ Illustrated | 


147 


| So. 13 Bey hs Song. 


a 


THE QUINN “CODD: Gomes 


364. 


A boo. 3 : ALBERT GLEIZES 


365. WOMEN AT A> WINDOW. Cubistic oe o two women seate 


J - PIERRE PUVIS DE CHAVANNES a® 


366. BEHEADING OF JOHN THE BAPTIST. ‘Phe eaindlyeaeure agi 


000. 148 Dee {a 
y q 


“ERNE Se LAWSON, eNe PaNc 


American: Lage 7 Ba a 
MORRIS HEIGHTS. ~ Vaporous- view of a pellucid wate with 

gaily colored tug; on the far bank, ascending country wooded with slende 
beeches and dotted with dwellings, and large buildings silhouetted again 
the sky. Massed in the LOR ar ey are bulrushes. Signed at lower | er 
E. LAWSON. Shad, PA Height, 40 inches: length, 50 i ine 
se PELE from the artist e te a 


SRA PTE a a 2 


pBrench; Contemporary — 


at a latticed window facing on a wooded courtyard. | Dexterously execute 


— 


with richly laid colors. Sere at lower left, ALB. GLEIZES, and dated 19! ‘- 


Ne eee ee 


; Height, re ‘inches ; length, 58 inche: 
Purchased from the artist ee 
; a 


French: 1824—1898 


luminous nebula is depicted kneeling before a massive fig tree, in the flagges 
courtyard, draped with the proverbial sheepskin: an expression of devout 
resignation, though the hands are taut. To the left the powerful headsman 
with sword raised, is about to strike the deathly blow; to the right the seem- 
ingly unobserved figure of Salome in flowing dark aie, holding the charger 
to receive the head. Signed at lower right, PUVIS DE CHAVANNES, and dated 
1869. Height, 4 feet; length, 5 feet 4 inches 


Note: As an example of easel- ‘picture from this master’s ; brush, it has been | a 
considered the finest in America. ‘The portrait of the woman, too tender for 
the true Herodias, is that of the Princess Cantacuzene, who later became the 
wife of the painter. : 


Exhibited at the Paris Salon, 1870 

Exhibited at the Universal Exposition, Paris, 1889 _ 
Exhibited at International Exhibition of Modern Art, New York, 1913 
On loan and exhibited at the Metropolitan Museum of Art, New York, fro 


1915 until its removal to the American Art Galleries 


Purchased from Durand-Ruel & Sons, 1911 
[ Illustrated | 


C 


7 


Nous Bodo Se elect 


SIUUDADYT) AP SION atsaig tg 


IsLLdvg AHL NHOf AO ONIGVAHAG “99% ‘ON 


THE Q Usi NN "CO 2 pee 
208 3) Uae bs COMpesItOn of lines and planes, in fresh, brilliant 


ff 1k. - WILLIAM ROBERTS 


369. 


Oe: AUGUS QU 9 er 


370. 


i C / 00. 150 1) g onpek j 


WILLIAM ROBERTS 


British: Contemporary — 


Purchased from the pee 


British: Contemporary 


OVERBACKS. A vorticist impression, portrayed mee great vitality in ; 
ultra-modern composition of colors, against a millet-yellow backgr in 
Signed at lower right, WILLIAM ROBERTS. . 
Hehe 52% inches i a 424 in 
Purchased from the artist : lag 


British; 1879— a a Stee 
THE MUMPERS [ioia}; In the tbackeronac are symmetrically disposi 


olive trees outlined. before a fine blue sky hung with lavender-tinted clou 
and a ribbon of low-lying mountains. In thé foreground a strip of waste 
land fenced with palings, the encampment of a nomadic people, some : 
whom are arranged around the glowing embers of a campfire emitting 
volume of dense “plastic” smoke: a kneeling figure in a rose-colored dre 
her head banded by a white kerchief, preparing a meal; two bearded me 
the gaunt figure with flame-red hair holding a child; an elderly woman 
two youthful figures. At the left is a group, dominated by the virile fig 
turned from the spectator, wearing a greenish-blue frock and _ brilliant 
crimson shawl, with a child in her arms. To complete this lucid and logical y 
linked composition are a sleeping youth, a donkey and a dog. 


Height, 9 feet; length, 13 feet 


Note: An exceptionally important work of this master, powerfully drasea 2 
and essentially modern in spirit, reflecting an influence of Puvis de Chavannes, 
combined with a pellucid rendering of color values that is quite Manetesque. 


Purchased from the artist, 1912 

Exhibited at the New English Art Club, London, 1912 © 

Exhibited at the Coffee House Club, New York, 1916 

Exhibited at the Architectural League Exhibition, New York, 1921 


| Illustrated | 


9° 


UuYyof “q snisninp Ag 
[c161] suaawnayy aHy ‘olf ‘on 


THE Q UTNE : LL ee T I Om 


37 1. 


apse 


30. 


373: 


50 : Ais Aare. 


CHARLES: H. 2S Aen OINes care ie 
British Connor ae oe a 29 


PORTRAIT OF LILAH McCARTHY | [MRS, GRANVILLE. 
KER aie brilliant actress is seated in deep contemplation, wearl 
hooped, décolleté costume and plumed headdress of the character of Do 
in Shaw’s “Man and Superman,” in the act usually omitted from 
acting version; by her side is a small table with her personal objects _ 
it, and a reflecting mirror. The background of grayish-green with a_ 
terious sense of space rendered in the Velasquanesque manner with pi 
of subdued richness. Signed at lower right, CHARLES SHANNON, and 
1907. : Ber. = 
: Height, 6 feet 4 inches s length, 3 feet 11 inche 
Purchased from the artist Bee a 


On loan and Sr hibied at the M Linonnee Museum , Art, New York, fr 
1915 until its removal to the American Art Galidies a 


[Illustrated] — 


DIEGO Ms RIN 


Mexican: Contemporary 


A GRANDEE OF SPAIN. An expressive cubistic work of convention- 
alized renaissance design; depicting an erect figure, wearing a coat of chain: 
mail and full leg armor; a sabre and pistol girdled about his waist.. Geo- 
metrical background of harmonizing colors with fine gradations of tone.” 
Interesting abstract work. Signed at lower left, p. M. RIVERA, and da ed 


1914. | 
Height, 6 feet 4 inches; width, 4 feet 3 ing es 


WALT KUM . a 
American: Contemporary 

YOUTH. A stalwart young girl, wearing tights and trunks, her left foot 

raised on a forged iron stand; before a draped background. Euerecticag work, 


Signed at lower right, WALT KUHN. 


Height, 6 feet 6 inches; length, 4 feet 11 inches 
Purchased from the artist 4 


152 


No. 373. Porrrarr oF Liran McCarruy 
By Charles H. Shannon 


THE © UP NN, ©ClO lee y GP ie 


VE DoW eB) VW AL DIS Vs O) he hots 


Bunch: Contemporary 


394. ROTTERDAM? (A vorticist conception of the harbor of Rotterdam 
brilliantly colored funnels of moored ships, depicted in the _ abstra 
strong blues, reds and black and white. Signed at lower ae E. WADSV 

- and dated 1914; and at back, &. wADSwoRTH. ; 

: Height, 50 inches; wa ne 

Purchased from the ae a 


$30. a blah, 
| : WALL KUN RF 4 


_ American; Ont 


375. MAN AND SEA BEACH. An impression: a ai bern Hath many 
people engaged at various pursuits. Dominating the curious composition a 
two figures, one in peacock-green, the other crimson, standing by a bez 
parasol; at the right a horse and above a diving figure, and a vista of blue 
sea; under a shaded sky. Signed at lower left, wALT KUHN. ’ 


Height, 7 feet; length, ro feet 


Exhibited at the Paper ee International Exposition, San Francisco, | 


California, 1916 


ARTHUR BY DAY. 

American: 1862— 
376. DANCERS. A lyrical emotion, portrayed with a flow of rhythmic line 
and the logic of space relationship, in a color scheme at once gorgeous and 
fascinating. Depicting harlequinade figures enveloped in whirling drapery, 


gracefully dancing. A superb representation of this master’s classic mod- 
ernism. Signed at lower left, A. B. DAVIEs. ] 


Height, 7 feet; length t2teers© inch . 


Exhibited at the Panama-Pacific International Exposition, San Francisco, — 


California, 1916 
Exhibited at the Architectural League Exhibition, nen York, 1921 


| Illustrated | 


; 154 de 


ae > 
~Pa 
d 


No. 376. DANCERS 
By Arthur B. Davies 


jhotal Ae O UTES Aiea eas aT ay 


WALT KUHN. 
American: On EOL aE 


297. “HARLEQUIN itoistse ethadl sme: figure, larger than life size, e 
and facing slightly to the left, wearing a costume checkered in blue ai 
golden-yellow, with a white ruff; his hands clasped in front of him, 
at his side the harlequin’s bauble. Before a deep Bt 2 | 
blue-black. Signed at lower left, WALT KUHN. 


Height, 8 fect; length, 2 feet 103 nch 
Purchased ie the artist a 


Exhibited at the A rchitectural League Exhibition, New York, 1921 


df 9 ky | 13 —e 4 wey 4 


PAUL GAS UI N 
French: 1848—1903 


378. DECORATED WOOD CEILING. In the central panel two conven 
tionalized swans are suggested mirrored in similar forms to balance the 
simple composition, before a light brown background, with a deep leaf-greer 
border, on which are portrayed primitive fruits in rather barbaric colors 
Inscribed with the satire: Oni soie ki méle y panse. 


Height, 9 feet 3 inches; length, 12 feet 8% i inches 


Note: A unique and highly interesting souvenir of Gauguin. It was — 
painted about 1888 or 1889, at the inn where the artist todard during his i 
famous sojourn in Pont- Aven, Brittany, France. a 


(Fo. : Od, Baker 
- KAKEMONO 

Wu-tao-tze: T’ang Dynasty 4 

379. WINTER LANDSCAPE. AND GEESE BY NIGH Tes Depictinaans the 

foreground two graceful geese, the texture of the feathers perfectly indicated 

with hardly a line or shade of internal modeling, standing by a snow-laden 


willow tree with two perched snow-birds, and water plants; in the back- 
ground a mystic portrayal of water. Signed on the reverse at upper right. 


Painting on silk: Height, 9 feet 8 inches; width, 3 feet 8 inches 
From the Collection of A. W. Bahr 


156 


No. 377. HARLEQUIN 
By Walt Kuhn 


4 


MAURICE BS PRENDERGAST 
_ American: SST 


at 


380. PROMENADE. A fia: vere 3 impressionistic -realis 
3 - foreground a promenade with two. ee Bs and ae ue é 
with a olen child in naturalistic pose; at the ene as ‘tal fi 
ae sunshade. A background of ultramarine sea. flecked with gree 
» sailing boats. A descriptive personal inter ptceaa of. move 1ent, 


Exhibited at site Panama Page International Boonen 
California, TOUOs ss > mae 


ide ave 


[J iam 5 


ff [o0. ie 4 


158 


? 
| 
‘ 
: 


No. 380. PROMENADE 
By Maurice B. Prendergast 


THE QUINN (GO nm oun 


EDWARD WADS W._© hee 


British: Contemporary 


381. COMBAT. An interesting definition, in strong colors, oe masses by plane 


depicting the vitality of a combat. 
Height, 6 toe length, 7 pe 
Purchased from the artist 


A. A doe 
Fi WYNDHAM LEWIS : 


British: Contemporary 


ae & 


382. KERMESSE [1912]. Cubistic rendering of three festive figures, the cen 
tral figure in rich yellow, the others in varying shades of red and —_ 
Signed at lower left, wyNDHAM LEWIs, and dated 1912. 


eek 8 feet 9 inches; enue 8 feet 11 inche 
Purchased from the artist 


re AY. fess 
WYNDHAM, LE Wa 

British: Contemporary ‘ 

383. PLAN OF WAR. A passionate attempt to express a profound emotion; fine | 

arrangement of planes and lines, in strongly contrasted colors. Signed at — 

lower right, WyYNDHAM LEWIS. — | 


Height, 8 feet 4% inches; length, 4 feet 84 inches _ 
Purchased from the artist . 


j ty ji— 
/ AY oe @' ¢] e che 


[END OF THIRD SESSION] 


) ' 


Se 


160 


be p ue 


ae: | are 
iad, 1927 at 2:15 p.m. 


Pie. 384 to 519 Inclusive 


CHARLES SHEELER 


American: Contemporary 


Crayon drawing: Height, 5 inches; length, 7)4 inches 


Crayon drawing: Height, 534 inches; length, 7 inches 


s ch subtle atmospheric effects produced by a filmy 


oe 


mere 


GWEN JOHN 
-_ British: Contemporary 


/ A. Uncdetron, 


MARIE LAURENCIN 
French: 1885— 


a i 


6. . TE HE LITTLE MULE. Figure of a mule with long mane and forelock, 
“4 decorated with a blue and rose collar. Signed at lower right with the 


Wash drawing: Height, 634 inches; width, 4 inches 


aE ae 


161 


THE  0U LN NG O°f ner aCe 


207 DLAC KSEE cis, 
large black eyes, 


hang over her right shoulder. Signed at lower left, MARIE LAURENCIN. 


mi (70. 


MARIE DLAURENGCIN 
French: 1885— 


‘Three-quarter length standing, sparsely draped figure, with ~ 
wearing highly coiffed and coiled hair, strands of which 


Wash drawing: Height, 8 inches; width, 5%4 inches 


[ Illustrated | 


oe poe Freese 


Fo Pourth Session Friday Afternoon, February IIth 


MARK GERTLER 
British: Contemporary 


. PORTRAIT STUDY. A well-drawn head of a girl with large, languid 
eyes; delicately shaded. Signed at lower right, MARK GERTLER, and dated 
1g12. Pencil drawing: Height, 814 inches; length, 714 inches 


Ad, Muthey’ 


i 4 | 


-_ 


Qo. MARK GERTLER 


British: Contemporary 


89. STUDY FOR A PORTRAIT. Head of a middle-aged lady, facing 
slightly to the left, wearing a draped head covering; of clear outline, deli- 
cately shaded and well modeled. Signed, MARK GERTLER, and dated 1911. 


Pencil drawing: Height, ro inches; length, 8% inches 


40. he 3 : Oe. 
f HENRI GAUDIER-BRZESKA 
French: ots 


390. A CARICATURE. Facile drawing of the Countess of Oxford; in vivid 


2 colors. Crayon: de ro inches; length, 8 inches 
. 2o = ee oe | Le. K“e_. Ohete 


EDWARD GORDON CRAI 
E British: Contemporary 


391. GRAY WELLING. A mass of chestnut trees fronting a rustic building. 
Signed at lower left with the initials, E.G. c., and dated 1902. 
Pen and ink drawing: Height, 1014 inches; length, 7% inches 
From the collection of Maurice Magnus 
16 ae 
EDWARD GORDON CRAIG 
British: Contemporary 


| 392. AN OLD THEATRE. The colonnade and portico of a classic building, 
with figures in the foreground. Signed at lower left with the initials, 
E. G. c., and dated at lower right, Berlin, 1904. 


Pen and ink drawing: Height, 10% inches; length, 8 inches 


From the collection of Maurice Magnus 
ae 


6 py 
22-80. tU/ - Mee Taek ee fs 


Vas 


&.* 


THE 0 UPN N OO Toe rn 


JOHN BUTLER YY AVIS ohare 
Irish: 1839——1922 


393. SEVEN STUDIES OF THE IRISH PUAYERSS9Portrai ee 
the actors of the Abbey ‘Theatre Company, Dublin, known as the Irish | 

- Players: SARA ALLGOOD, WILLIAM G. FAY, ARTHUR SINCLAIR, SYDNEY J. 
MORGAN, J. A. O'ROURKE, FRED O'DONOVAN, EITHNE MAGEE. Each signed, — 

J. B. YEATS, and dated 1911; and, with one exception, each autographed by 

the subject. Pencil drawings: Heights, r0}4 inches; lengths, 11 inches © 


Purchased from the artist 


§ i209. _ tent Crees 


SIR WILLIAM ORPEN, AR 
British: 1878— 


_ 


204% NUDES RUDY sucated andtinen figure, with flowing hair, facing 1 to 
the left. Finely modeled and shaded work. Signed at lower right, ORPEN. 
Pencil drawnig: Height, 11% inches; length, 8 inchae 


Purchased from the Goupil Gallery, London 


eas et 
£10. | GWEN oe 4 


British: Contemporary 


395. PORTFOLIO OF NINE WASH DRAWINGS. Charming child studied 


Purchased from the artist 


fa i 
oe ee eed Ie © cttA~nr 
[19 - r f= SID AV ED vomit , : 


‘British: Contemporary 


bar eneance Bite: ME aay Saas 


396. HEAD OF A POET. Well drawn and finely shaded head with clear cut 
features and wearing bushy hair. Signed at lower right, DAVID BOMBERG. 

Pencil drawing: Height, 1134 inches; width, 9% inches | 

JACK B. YEA TO} tie : . 

Irish: 1871— . 


207.” VHE CONCER A a intero. of a hall, with figures grouped upon the stages. 
and the back view of a tense audience. Signed at lower right, JACK B. YEATS. 
Crayon: Height, 12 inches; length, 18% inches 

Purchased from the artist 


7 16 Je 
[O. : A {9 ay “o 


th Session Friday Afternoon, February 11th 


a 


rie HONORABLE NEVILLE S. LYTTON 


British: racy a 


O RTRAIT OF WILFRID SCAWEN BLUNT. Finely-modeled and 
led head and shoulders of the late poet [father-in-law of the artist]. 


ee at lower right with the monogram, NsL, and dated December, 1905. 


Sanguine drawing: Height, 12 inches; length, 9 inches 


rch from the Lytton Exhibition at the Ralston Art Galleries, New 


York, 1914 : 
AD i oJ Yo tl ame : 


WALT KUHN 
* a American: Contemporary 
\UDE STUDY. Vigorous drawing of a reclining female figure, with 


. be wed head. Signed at lower right, WALT KUHN. 
: Crayon drawing: Height, 13 inches; length, 21% inches 


ia based from the artist 


4 Pa: . ; 

, a \ A, b atthe 

4 PIERRE PUVIS DE CHAVANNES 

. 3 French: 1824—1898 

: 00. ETUDE POUR LE PLAFOND DE L7HOTEL DE VILLE, PARIS. 
a Memorial to Victor Hugo: an undraped erect male bearded figure, facing to 


‘the right, his left arm supporting a tablet. Inscribed at lower right with 


t, the initials, P P C. 
iCyayol drawing: Height, 12 inches; width, 7 inches 


Purchased -,, Durand-Ruel && Sons 


“108: | ant Y tur lew 
fon BUTLER YEATS, Brg hia 
Irish: 1839—1922 


PORTRAIT OF PADRAIC COLUM. Three-quarter length portrait 
of the Irish playwright and author. Inscribed at lower right: Padraic Colum, 


_ by J. B. Yeats, 1907. 
Pencil drawing: Height, 1314 inches; length, 9/% inches 


Purchased from the artist 


165 C ; 
| 1b: cf. den sng Micali 
/ J 


opera ayewapeet 


THE 9 UIN NOOO Den oan 


ALD Re wipe Nee) 


French: Contemporary 


402. > LUDYIORINUDE: Full length standing figure of a nude an the ia Q 
slightly inclined to the left, pensively fingering a strand of her wavy L 
which falls over her right shoulder. 

India ink drawing on silk: Height, 14 inches; length, 9 1 inl 


From the James Gibbons Huneker = ollection 


ff 30. Polish Renee PUVIS DE CHAVANNES 
French: 1824—1898 a 

403. ETUDE POUR “LA MUSE DES BOIS.” An erect classic female figure 
undraped and holding a lyre; her right arm upraised. Inscribed at lowe 


right with the initials, Pp Pc. 
Pencil drawing: Height, 18 inches; width, 11 inl 


Pi hee from Durand-Ruel & Sons 


O60: PIERRE PUVIS DE CHA VeINEeS 
French: 1824—1898 q 
404. PORTFOLIO OF TWENTY-SIX PENCIL DRAWINGS. _Intereste 


ing studies. 


Purchased from Durand-Ruel & Sons ep 
2 bo. JOHN BUTLER vente Rs, a 
Irish; 38239—-1922 
405. PENCIL DRAWINGS OF THE ARTIST AND HIS DAUGHTERS. 


(a) Lity yEats. “Two small studies. 
(B) Lity AND ELIZABETH C. YEATS. “Two small studies, in one frame. 
(c) SELF-porTRaIT. Signed at lower left, J. B. YEATs, and dated 1920. _ 

Height of (c), 1934 inches; length, 1334 inches : 


Purchased from the artist 
/0. WALT [ke Hf 


American: Contemporary 


406. NUDE STUDY. Erect female figure, with her hands resting against her 
back. Signed at lower right, WALT KUHN, and dated 1915. 


i) ae 


Crayon drawing: Height, 2014 inches; length, 1034 inch 


Purchased from the artist 


Lo. em FHedle 


Pourth Session Friday Afternoon, February I1Ith 


TOHN BUTLER YEATS, R.H.A. 
Irish: 1839—1922 


07. FOUR IRISH PORTRAIT STUDIES IN PENCIL. 

F tA) YorK POWELL. Small study. Inscribed by the artist: York Powell, 
Dublin, 1902. ; : 

(8) Witurm «. Fay of the Irish Players. Small study. Autographed by 
the subject, and dated May roth, 1903. 

— (c) Smact serF-portraiT. Inscribed: J. B. Eats, by himself, 1902—to 
John Quinn. | 

(p) Serr-porrrarr. Inscribed: To John Quinn, from his friend, J. B. 
YEATS, who here presents the unflattered truth—June 11th, 1919, N. Y. 


Height of (D), 19% inches; length, 1414 inches 


Pe 


“CS 


Purchased from the artist 


10. WALT KUHN 


American: Contemporary 


08. NUDE STUDY. Nude female figure, curiously poised on one foot. Signed 

at lower right, WALT KUHN. 

Neg Crayon drawing: Height, 2014 inches; length, 1434 inches 

Purchased from the artist : 
i 

a 6 —- 

fury arin. 


WALT KUHN 


American: Contemporary 


4 ' - " r ~ ‘ca . —— ” seni — 
a eer eee ee 4 5 3 inet a = 
- 7 — as j -/ TF e J 
; 7e . oe ieee) ose _~ een ‘ : 
€ 7 
s 


ann 


a 
ee i] 


09. NUDE STUDY. Back view of an erect female, with her left hand 


a resting upon her hip. Vigorous drawing. Signed at lower right with the 
3 initials, W. K. Crayon drawing: Height, 2214 inches; length, 9/4 inches 
Purchased from the artist 

+. , ole . 

a7 . PIERRE GIRIEUD 


French: Contemporary 


410. VITRAUX. Depicting the baptism of Christ by St. John in the River 
Jordan. Apparently a study for a stained-glass window. Signed at upper left. 
Crayon: Height, 23 inches; length, 18 inches 


Purchased from International Exhibition of Modern Art, New York, 1913 


167 


f mae 6a. dd 


THE QUINN COT intoemn 


WYNDHAM LEWIS 
British: Contemporary 


Betie THREE SATIRICAL DRAWINGS. 

| (a) Nube [1912]. | 

(B) BALZAC#L TO LG |e 

(c) THE ARCHITECT. 
All signed. | 

(a) Water-color: Henn 1034 fochere foe 


(B) Water- color: Height 714 inches; length, 
(c) Pen drawites Height, 714 inches ; ee 


Purchased from the artist 


GINO eee 


Italian: Contemporary 


412. PARIS SUBWAY, FERRIS WHEEL AND EIFFEL TOWER. ay 
Crayon: Height, 23% inches; width, 19 inche 


4 O : Mr net 
ANDRE DERAIN 

French: 1880— 3 

413. STUDY OF A WOMAN’S HEAD. Characteristic head, draped, modeled 

in sanguine and outlined in black. Interesting work. 


Wash drawing: Height, 2414 inches; length, 181% inches — 


a ah te 


MAX WEB 


Russian: Contemporary 


414. TREES IN CENTRAL PARK. Signed at lower left, and dated 1911. 
| Water-color: Height, 9 inches; length, 114 inches ) 


LA ae 4 Wephe 


Vourth Session Friday Afternoon, February I1th 


| meee. YY EATS, -R.H.A. 
Irish: 1871— 
415. THE POLITICAL MEETING [1909]. Vigorous drawing of a surging 
crowd, with banners flying, listening to the address of their compatriot, 


delivered from the window of a Paildine to the right. Of sombre tones 
enlivened with touches of emerald-green. Signed at lower right, JACK B. 


YEATS. Crayon and water-color: Height, 21 inches; length, 2844 inches 
Purchased from the artist 


Exhibited at International Exhibition of Modern Art, New York, 1913 


| Illustrated | : 


tf 169 bef tel Lesa : 


Tt Be Oe Ge Laan oan GOL D puGtai- 


JACK “Bye SVE AVS 4 Rese 
bas Irish: 1871— a 
416. TWO WATER-COLORS. pee 

(a) A TALE OF PIRACY. 


(8) CATCHING THE DONKEY. 
Both signed at lower right, JACK B. YEATS. 


Purchased from the artist 


fis. ee 7a 


TACK Be YEATS, an 
Irish: 1871— 


417. A WARNING AGAINST BOOK BORROWERS. The ferocio 
| of a pirate, armed to the teeth with pistols, knives and a ee ‘Sig 
lower right, JACK B. YEATS.  Water-color: Height, 104 inches I 


A commission executed for Mr. Quinn 


¢ 
Xo. ai Nee 
MAX” W Bi 


Russian: Contemporary 


418. STILL LIFE. Signed at lower right, and dated 1910. : 
Water-color: Height, 1r inches; length, 7%4 inch 


ALBERT Gina 
French: Contemporary 
‘419. THE MUSICIAN. Futuristic portrayal of an interior, with a musicia 


seated at a piano. In the foreground an armchair in vivid mulberry-crims¢ 01 
Signed at lower right, ALB. GLEIZEs, and dated Toul, 1915. | 


Water-color: Height, 1034 inches; width, 8 inch 


170 


is 02 Dubbs 


fourth Session Friday Afternoon, February IIth 


3 

i 

( 

a Peis ANNES 
E British: Contemporary 


420. THE MOUNTAIN. Neo-primitive conception of mountainous landscape, 
i] with the high mountain clearly patterned and silhouetted before an opal- 
7 escent sky. Signed at lower left, J. D. INNEs, and dated 1910. 

. Water-color: Height, 11 inches; length, 15% inches 


[ Illustrated | 


171 


TH Ep OE COLLECTION 


JACK BUS Ye AT se tee 
Irish: 1871— 


42 DONKEY RACE. Three urchins mounted on donkeys, galloping alo. 
the beach; background of blue water. Signed at lower right, JACK B. YE 


Water-color: Height, 11 inches; length, 17 inches | 


-* : 4 
- a _ ‘ 
O saa a 


JACK. B. YEATS,~ Ral 
Trish: 1871— 


Purchased from the artist 


HIS. 


422; THEeRAING Hie RATING Interesting drawing of a coach and varion | 
jaunting cars returning from the Galway races; with wash of pale blu | 
Signed at lower right, JACK B. YEATS. | 

Pencil and water-color: Height, 11%4 inches; length, aS inch es 


Purchased from the artist 


(h- 60. WYNDHAM - 


British: Contemporary 


423. THREE VORTVICIST STUDIEs: 
(a) HELL For iron [1914]. 2 
(p) IN THE ForEsT [1912]. = 
(c) Prorraction [1913]. 3 


Expressions by pictorial and plastic form, in fine color compositions. All 
signed. |? 
(A) Tempera: Height, 8 inches; length, 1934 inches a 
(B) Water-color: Height, 1144 inches; length, 15 inches 
(c) Water-color: Height, 6 inches; length, 12 inches | 


Purchased from the artist 


ae eae CHARLES oh fie 


British: 1868—1909 


424. CASINO DE PARIS. An arcaded view of the casino, and its a 
gardens, with an animated group of reveling figures. In softly toned 
colors. Signed at lower left, CONDER. F 


Water-color painting on silk: Height, 12 inches; length, 16 inches 


fino: 172 fee 


7 ee oy ee i eo : wares": _ 


va riday A fternoon, F ebruary TIth 


ca TrAUL SIGNAC 
French: 1863— 


OR OF MARSEILLES. In the foreground, on the placid, mirror- 
hree “small sailboats are anchored, In the distance the sky-line of 
opped by a steep clock tower. 


4 Water-color: Height, 114 inches; length, 17 inches 


d t from | International Exhibition of Modern Art, New York, 1913 


GEORGE vt ne URY- HART 


eee: American: Contemporary 


Byay 
«) & La 


pea _Inceresting rendering of an interior, with a powerfully 


“upon : a eee In effective wash eae Signed at lower right, HART. 


> 


a - Water-color: Height, 14 inches; width, 11 inches 


L 
‘ A tin ae 


mile 


WALT KUHN 


American: Contemporary 


-ERMEZZO. Group of, three seated women, probably circus per- 
me oa oetaam their turn to appear. Signed at lower right. 


Water-color: Height, 14 inches; width, rz inches 


ch, Hore 


FREDERICK ETCHELLS 


British: Contemporary 


a: ed from the artist 


28. aT WO VORTICIST STUDIES. 


a $ 


(4) Eccentric. 


“Pictorial expressions of abstractions; portrayed in intriguing color schemes. 
As Both Spel at lower right, ETCHELLS, and dated 1915. 
Water-colors: Heights, 14 inches; lengths, ro inches 


Bly 
a 
at 


Purchased from the artist 


he 
2 
- 


zz 173 » re MW / nade 
; f- {) (5 ged 


THE QUTN WN? “Cc 0 LE m Gum 


C,H Asker oe CrOsNe 7 Dere 

| British: 1868—1909 j 
429. LA TOILETTE. Interior: two figures and a lapdog; the undraped figu e 
to the left, with her right leg resting upon the divan, trying on a hat. 
Signed at lower left, CONDER. Pastel: Height, 14 inches; width, 1o inches 


Exhibited at International Exhibition of Modern Art, New York, 1913 


‘id £7 9. JACK Bia yebenelace r.H.A WW Mac 
Irish: 1871— | 
4320. 1 WY ORS iat Dis: 


(A) THE oRATOR. Impressive figure of a man, with head delineated before 7 
a green banner, addressing an audience. 
Water-color: Height, 14% inches; width, 10 ine + 


(B) Two female figures, seated by placid green water, conversing. 
Water-color: Height, 1014 inches; length, 14% inche s 


Both signed at lower left, JACK B. YEATS. 


Purchased from the artist ; 


; 3 
HELEN SAUNDERS hac 


British: Contemporary 
431. FOUR VORTICIST SUUDIES 


(A) IsLAND OF LAPUTA. 

(B) THE DANCE. 

(c) CANNON. 

(D) BALANCE. (a) Pen drawing: Height, 10 inches; length, 8% inches 
(B) Water-color: Height, 1434 nches; length, 11% nches 
(c) Water-color: Height, 1434 inches; length, 1134 inches. 
(p) Water-color: Height, 1434 inches; length, ee inchig 


The three water-colors are signed with the Bee Zi CF | 
Purchased from the artist | _ 

~ EDGAR HILAIRE GERMAIN Bete 

French: 1624-=1617 

432. PAYSAGE. A steep, jagged rock mountain rises at the right, from a 
cleaved, rugged foreground. From the left a road enters the middle dis- 

tance and winds about a knoll. Vigorously rendered. Signed at lower right. 
Pastel: Height, 15 inches; length, 19 inches 


From the Hayashi Collection, American Art Galleries, 1913 


174 


p ol 
(} . ae ae 


= 
| Sr 


~ spoceee ame 


ir th Session : Friday Afternoon, February IIth 


Pomeu RICE B. PRENDERGAST 
American: 1859—1924 


I DEC ORATIVE COMPOSITION [1914]. Landscape: in the foreground 


up of animals and human figures, interspersed with trees. Signed at 


_ 
a 


Water-color: Height, 16 inches; length, 22 inches 


MAURICE oie thon ee Neo AS 1 
American: 1859—1I924 


ROCKS [191 1]. The cliffs in the foreground are crowded with the 
figures a men, women and children, standing or sitting, and in bathing 
costume or fully dressed. In the background the blue-green water, with 
st cattered sailboats. 


oCd 


rae ay Water-color: Height, 16 inches; length, 22 inches 


a JOHN MARIN 


ia | American: 1869— 


oz ioe 


LANDSCAPE. Impressionistic view of a wooded mound under a wash of 
blue sky. In the foreground rippling blue water. Signed at lower right, 


“ea and dated 1915. 
—| Water-color: Height, 16% sco et 1914 inches 


{ 
- 


ace 3. Gallet 


ee C 
i Meee YE ATS, R.H.A. 4 
tg 167 i-— 


3 6 6. BESIDE THE WESTERN OCEAN. Colorful illustration depicting a 
group of four figures dominated by a stalwart bearded figure, in a seascape 


setting. Signed at lower left, JACK B. YEATS. 
Water-color: Height, gp inches; length, 2014 inches 


4 Purchased from the artist alee 


90. FREDERICK ETCHELLS 
: British: Contemporary 


437. ‘STUDY OF A HEAD. A cubistic depiction of a bust-length male figure, 
* smoking a pipe and resting his head upon his hand, with an interesting ar- 

rangement of surfaces in shaded tones, the planes and lines of which are 

td defined in black. Signed at lower left, ETCHELLS. 

3 Water-color: Height, 17 inches; length, 12 inches 

Purchased from the artist 


Sane ey Se. 


w 


/ eo ta of {? ¢ ware , 


ANDRE DERAIN 
French: 1880— 


unity of design; in the foreground a gondola-like boat, and angelic form 
silhoutted before a golden sky. At the upper right a colorful motive. 
scribed at lower right: pour André Derain, Alice Derain. 


Water-color: Height, 19 inches; length, 24% inche 


[ Illustrated | : 


ft 510. Ee f2. é. . j 


176 "4 


“<— 


rth Session me Friday Afternoon, February 11th 


ANDRE DERAIN 
4 French: 1880— 

D ANSE ABANDONEE. Expressional rendering in vivid reds, blues 
and gi eens; in the foreground a crouching and a reclining figure centring the 
vigorous dancer. Signed at lower right, a, DERAIN. 

= Water-color: Height, 19% inches; length, 2514 inches 


AC, pT a aa ; 


h 
z 


* 


7 ANDRE DERAIN 
amy French: 1880— 
9. MUSIC. Emotional rendering of a musical festival. A simplified com- 


“position in brilliant colors. Inscribed at lower right: pour André Derain, 
ype . 
a lice Derain. - 


OO a 
] 


Water-color: Height, 1914 inches; length, 25% inches 


; JOHN MARIN | ne 
; American: Contemporary 

| ARCHITECTURAL STUDY WITH TREES. Delicate abstract ren- 
Bitcns of architectural forms: centring the composition is faintly discernible 
a ‘a tree amidst foliage, and a wash of violet-blue sky. Signed at lower right, 
_ MARIN, and dated 1915. 


- oe oa | PTE RS Sa 


Water-color: Height, 19% inches; width, 16% inches 


tw Mew Ze 


sr 


WILLIAM ROBERTSE” 
British: Contemporary 


ae mayo VORTICIST STUDIES. 
~ (A) Dancer. 
_ (B) ReExiction. An expressive work, rendered with sincere aforethought. 


Signed at lower right and lower left, respectively, WILLIAM ROBERTS. 
(aA) Tempera on board: Height, 20% inches; length, 20% inches 
(Bs) Water-color: Height, 2934 inches; length, 22 inches 


Purchased from the artist — | re, , 
T<. {3 ( UatLe Z 


2 
20. WALT KUHN 
American: Contemporary 
43. WOMAN IN ARMCHAIR. Three-quarter length figure of seated young 


woman dressed in a loosely hanging peignoir. Her hair is braided and falls 


in two tresses upon her breast. Sianed at lower left. 
Water-color: Height, 24 inches; width, 19% inches 


60. 177 if fe) ] 


) te « < - 


THE. 0.U INN) “6.047 Lol Gare 


y 


. 


uo 


JACK B. YEATS, SReveee 
Irish: 1871— Coie Als 


444. THE BIG PEDLAR. A massive man, wearing a drab coat and blue 
trousers, his wares slung over his back, silhouetted before a blue sky with white 
cloud masses. Signed at lower left, JACK B. YEATS. 


Water-color: Height, 21% inches; length, 1514 inche 
Purchased from the artist 


[ Illustrated | 


7 aS q 
B MeO. Sots ¥ ye ott ae 


178 . 


i 


comme 


ur rth Risin . > _ Friday Afternoon, February r1th 


<2 


PIERRE PUVIS DE CHAVANNES 
_ French: 1824—1898 


[1891]. Sketch of mural painting at the Hétel de Ville, Paris. 
Mystic rendering of wooded landscape, with a rivulet, and nude and semi- 
draped classic figures, by the banks and bathing. 

Pastel: avant 33 inches; length, 53 inches 


Purchased from Durand-Ruel & Sons 
; oo . 


me" Seek Be YEATS, RHA. 

+9 7 Irish: 1871— 

IE OLD ROAD TO CAHIRCIVEEN. Undulating landscape scene, 
vith figures grouped on the road in the foreground, also a mule and a 
she eep dog. Before a sombre sky. Portrayed in charmingly shaded colors 
3 with broad brush work. Signed at lower left, Jack B. YEATS. 

a Panel: Height, 9 inches;. length, 14 inches 
SPirchased he Exhibition o if Society of a Artists, New York, 
1923 : 0 : 

cae | + aie ay. Qibhh roux. 
ANGEL ZARAGA 

French school: Contemporary 


®' 
a iS a 
’ 
ry 


_ THE PARROT. Vividly colored bird, depicted perched in its cage. 


: : Height, 1074 inches; length, 3¥4 inches 
” ? 
‘= | ie: ACE. IV_#ALT 


7 


a MmoRITON L. SCHAMBERG . 


American: Contemporary 


= 


— Ce eer es Se ce 


aa ~, 
e 


| 8. SEATED NUDE. An ultra-modern conception of an undraped seated 
' girl, in luminous colors. Signed at back, scHAMBERG, and dated I9gII. 
ve ’ Height, rz inches; length, 734 inches 


Purchased from M. Knoedler & Co., New York Se fs 
Ae O-hiacAt= 


a 
. 


: DERWENT LEES 

Be British: Contemporary 

: 9. CHEVAL BLANC, BASSES ALPES. Expanse of rugged country, and 
: > skyline of snow-capped mountains; under a blue-gray cloudy sky. Fine 


impression. Signed at lower left, DERWENT LEES, and dated 1913. 
Panel: Height, 11 inches; length, 15 inches 


jas: 9 Ftrargel 


THE 0 \0TN NO UC OL iene 


450. 


- | j 
df Li 2 : ADOLPHE -MONT 1] CBee na ; 


451. 


/6 


453. 


4. 


454. 


bo. 0. . if 


fe- “DIEGO Mo Ret ees 


@ 


DRE SRAW ENS Ee 

British: Contemporary 7 

REFLECTIONS [Dorset, 1913]. A pool of limpid blue water, enclose 
by rugged country, reflecting the tones of a blue sky massed with vaporot 
clouds of cumulus form. Signed at lower left, LEEs, and dated 1913. 7 
Panel: Height, 1144 inches; length, 1514 inche 


French: 1824—1886 


THREE GIRLS. A group of three young women against a wooded back 
ground of blue depths, the overhanging leaves above their heads being yellov 
and green and sharing in the warm golden light that falls upon the gi : 
themselves. Signed at lower right. q 

Panel: Height, 1214 inches; width, 8 inche 
The Wm. Burrall Collection, Glasgow 4 


The Wm. M. Chase Collection, American Art Galleries gh ge is 


As Bay 3 GEORGE W. RUSSELL [“A. cae 
, ( 
Trish: 1867— 
452. TUG OF WAR. Misty impression of landscape with five graceful femal 


figures in the foreground, tugging on a rope against youths. At the upper 
right a vista of water glistening as if plated with silver. Signed at lower 


left with the initials, A. E. Height, 12 inches; length, 18 inches 


Purchased from the artist P LE ba -- 4, A tena 


GEORGE. W. RUSSEL ae 
Trish: 1867— : - | 

THE DOVE-GRAY SANDS. Atmospheric landscape scene, with strand 
of dove-gray beach fringing the bay. In the receding distance a mountain 
and a glimpse of penetrating sunlight. Signed at lower right with the | 
initials, A E. Height, 12%4 inches; length, 18 inchil 


Purchased from the artist f? ae 
F othion é 


Mexican: Contemporary 


STILL LIFE. Cubistic depiction of an artist’s palette as a backprounl to 
a tumbler and a cigar. Interestingly rendered by the aid of a palette knife; 
in vivid green and brown. Signed at lower left with initials, D M R, and 
dated 1915, and at back DIEGO M. RIVERA, with the date 1916. 

Height, 13 inches; width, 9 inc | 


I ourth Session r Friday Afternoon, February I1th 


meno Us ES LOHN, R.A. 
att Bet... British: 1879— 


| 55. BOY ON CLIFF LEANING ON A STICK [Provengal Study, 1910]. 
~ Colorful study of a chubby, fair-haired boy, with his head turned to the 
ator, and bearing his weight upon a stick. In the background green 


~ meadowlands. Panel: Height, 13 inches; length, 9 inches 
| Purchased from the artist 


| Exhibited at the International Exhibition of Modern Art, New York, 1913 


+ PN 
ore 
_ fs 


— American: Contemporary o 

56. TWO CUBISTIC STUDIES. 

: a (a) Vicrory. 

a (8) Houses. 
Studies in soft colors. Signed at upper right and lower left, respectively, 
| SCHAMBERG, and dated 1915. Heights, 14 inches; lengths, ro inches 
BRar chased from M. Knoedler &F Co., New York 


50. British: 1879— 
457. RHYD-Y-FIN [Welsh Study, 1910]. Vigorous study, depicting an erect 
; peasant woman, wearing an aubergine shawl. By her side is a child, in rich 
blue with splashes of yellow and red. Ina hilly landscape setting. 
Panel: Height, 14 inches; length, 16 inches 
Purchased from the artist . 
Exhibited at the International Exhibition of Modern Art, New York, 1913 


British: Contemporary 


: PLAGE AU HAVRE [1911]. Colorful composition of animated figures 
on the beach; in the background, gaily striped bathing tents, and the structure 
of a boardwalk, silhouetted before a gray sky. Signed at lower left, 
WADsWoRTH, and dated Havre, 1911. 


} Millboard: Height, 14 inches; length, 18 9. 
: y ; 
do. GEORGE W. RUSSELL [“A. 5.2] C4*8. oS. Te 
| Irish: 1867— 


459 THE SWING. Delicate impression of a wooded meadow, with hayricks: 
! in the foreground two graceful figures swinging a child. Signed at lower 
& left with the initials, a E. Height, 14 inches; length, 24 inches 
| ——- Purchased from the artist 


1 ” ¢, 
- 7 181 Kl pele 
x 


Boo. MORTON L. SCHAMBERG -Y, Gy ree 


lo. EDWARD WADSWORTH @cottl ¢ fowls 


4 
MeGUSTUS FE. JOHN, R.A.6- ye Mall 


f 


THE “QU TN IN ClO eG 


GEORGE W. RUSSELL [“A. Ee 
: Trish: (1867— 


460. THE WELL. Misty view of rising meadowlands, with figures in 
foreground drawing water from a well. In the background to the right 
peaked-roof farmhouse, and hayricks silhouetted before a sombre sky. Signec 
at lower left with the initials, a. E. Height, 14 inches? length, 24a 
Purchased from the artist. : Ne : _ 


Gd. GEORGE W. RUSSELL [“A. E.”] a 
Irish: 1867— | , . = 

Us edu, VISION. Mystic rendering: moorlands in deep-toned greens tinge¢ 
with russet-browns, with the figure of a peasant affrighted and loosening th 

hold on his spade as the vision of a maid appears with flowing gold halt 
under a canopy of sky splashed with rich red. Signed at lower right witl 

the initials, A E. +a Height, 15 inches; length, 20 inches 


Purchased from the artist qortin | 


Or ee Se a a ea, 


a7 
3 


LO. GEORGE W. RUSSELL [“A. E.”] 

) Irish: 1867— 4 

462. THE SLEEP OF THE WORLD. In delicate tones of purplish- green S 
and blues illumed by a subdued light: an impression of a spiritual thought. A 
mystic figure reclining upon the grassy bank of a headland; in the foreoroulll 
graceful rushes and water plants. Signed at the lower right with the 


initials, A E. Height, 15 inches; length, 20 inche Z 
Purchased from the artist te -\ 
0 a ea GEORGE -W. RUSSELL] 34 my q 


Irish: 1867— 
463. THE DARK ROAD. Darkly shaded view of a pathway leading to wood 


country, and four mistily delineated figures, the two in the foreground 
conversing and carrying baskets. Deep brick-red sky. Signed at lower 


left with the initials, a E. Height, 15 inches; length, 20 inches 
Purchased from the artist — 
JO- ARTHUR “Be Dea sy 


American: 1862— 


464. PRISM FRAMING. Angular figures portrayed with prismatic effect, emit- 
ting oblique rays of light. Rendered in harmoniously- blended colors. Signed 

' at lower left, A. B. DAVIES. ts % 
Tempera painting: Hielehe isis inches: length, 8% inches 


ALO. bin a Werke | 


a eb an 
Dee ee : = a ” 
Sig pine aig oH 


Tourth Session Friday Afternoon, February I1Ith 


a. 
. | 
. | 
L 

= 

d a s 
a 


d 


EVV IN JH TN 
British: Contemporary 


465. GIRL READING AT THE WINDOW [rtog11]. Interior of a simple 
room, with the standing figure of a tall, slender girl, wearing a simple black 
dress and holding an open book, her foot resting on a chair by the window. 
This is a self-portrait of the artist, and is an interesting early work. 

Height, 1544 inches; length, 914 inches 
Exhibited at the New English Art Club, London, 1911 
Exhibited at the International Exhibition of Modern Art, New York, 1913 


Purchased from the artist 
[ Illustrated | 


boo. 2 Be C. Uncle 


jdge Jo QUINN Coa 


PoltBeRe Rot eR Uey eee CHAVANNES 
French: 1824—1898 
466. FEMME NUE [1868]. Graceful nude female figure seated before a 


brook, her left arm upraised; before a background of wooded landscape 
Signed at lower right, PUVIS DE CHAVANNES. “ 


: 


Height, 16 inches; width, 9% inca 
The Henri Rouart Collection, Paris, 1912 2 a 
F E26. WALT KUHN : 
_ American: Contemporary 4 


467. GLOW. Bisected panel, in white and terra-cotta, depicting at the left an 
erect figure in shaded crimson outlined in blue. Signed at lower le 


W. KUHN. 2 
Panel: Height, 16 inches; width, rz inches 


ins GWEN JOHN J f2. L 
British: Contemporary 


fee AN IMPRESSION. Three-quarter length seated resigned figure, facing 


slightly to the left; wearing a dark gray dress. Neutral background. 
Height, 16 inches; width, 13 inches” — 


poe 
46: AUGUSTUS ih ! Lut at en, 
Sbicveies. gl. ie f, British: Re 


469. WOMAN IN BLUE AND PINK—ST. CHAMUS. Gracefully-poised 
“figure of a woman, wearing a long rich blue dress and a faded rose jacket; 


with a meadow as background, sae in the distance an orchard. Expressive 
work, rendered with great appeal to the “tactile” sense. 


: 


Purchased from the artist 


Panel: Height, 16 inches; length, 13 inchell . 
Purchased from the artist 5 


bso : thd. 6. 
(yO Gs:: %. 
SPENCER) Fo3Gpaw 
British: 1879—1914 = 
470. MORNINGTON CRESCENT, LONDON [1911]. Charming depic- 
tion of the picturesque Crescent, and a subtle accentuation of architectonics | 
in shaded sunlight; the railings of the gardens to the left enclosing a ves | 


of foliage. Under a violet tinted sky. 7 
Height, 16 inches; length, 20 inches” | 


eG 184 ps fy - i gee ge 


| rth Session — Friday Afternoon, February I1th 


GEORGE W. RUSSELL [“A. E.”] 
Irish: 1867— 


ND CASTLES. An impression of four nymphs, on a mound by the sea, 
fie the light of a glowing gold sunset, depicted in delicately shaded colors 
of igric quality filmed in a blue haze. Signed at lower left with initials, a rE. 
f. Height, 16 inches; length, 20 inches 
-urchased from the artist 
GEORGE W. RUSSELL [“A. E.”] 


Irish: 1867— 


,. HAULING IN THE BOAT. Poetic impression of two sylph-like maids, 
; pulling their boat onto the shore; portrayed in fluctuating shades of green, 
_ in a mystic atmosphere. Signed at lower left with the initials, a. E. 

Ye Height, 16 inches; length, 20 inches 
Purchased from the artist 


WALT KUHN 


American: Contemporary 


73. SURROUNDED BY INDIANS. Vividly imaginative work depicting a 
- cowboy surrounded by Indians in full war paint mounted on _varicolored 
horses, plunging and charging, firing rifles and pistols. Portrayed in spectrum 


= colors. _ Signed at lower! left, WALT KUHN, 
: Height, 16 oe Ge length, 23 inches 


- 5 cig OO oo 


2 C 
; Perens tk. PRENDERGAST 


American: Contemporary 


¢% POLYCHROMED AND GILDED WOOD PANEL: DANCING 
FIGURE, WITH STAG. Rectangular panel prepared with a coating of 
“intonaco” and incised, depicting a semi-draped Eastern figure dancing, and 
by her side a prancing black stag with gilded antlers. Before a convention- 
alized sea background. Inscribed at lower left with initials, c Pp. 

Height, 18 inches; length, 1144 inches 


Purchased from the artist 


Irish: 1867— 
5. THE SILENT SHORES. Mystic composition, presenting in glistening 


colors of opalescent tones a seated and a kneeling figure. Signed at lower 
left with the initials, a. E. 


‘an 
oe 


pe tes Tap 


Height, 18 inches; length, 1134 inches 
Purchased from the artist 


oi i J. Purk 


A ne 


4 Ys, 
o7° GEORGE W. RUSSELL [“A. B.”] 0X pace t ag ei 


T HE QU IAN WN (COD eae og 


Gr WEEN 9 S:Os Nees 
British: Contemporary — P 
476. THE MAUVE DRESS. Three-quarter length seated figrive easitig lig 


to the left, wearing a deep mauve dress and a black scarf tied locke 
neck. Background, of lighter tones. 


High, inches; width, 113 ‘in 
Purchased on the artist 


Ee ae 474 Wer 
| GW E N Ed O HN 

} British: Contemporary igo ee 

477. GIRL READING A LETTER... Portrayed tin appre Ror tones, 

figure of a young girl seated in a wicker chair, intently reading a let t 


the sombre costume is relieved by an old rose banding at the neck, 
Height, 18 : inches ; width, I 


——— ee 


Purchased from the artist 


AUN G Eee ne 


French school: Contemporias 


478. STILL LIFE. Bowl of fruit in strongly contrasted colors; portrayed in 
futuristic manner. 
Height, 18 inches; lots 15 i inch 


iO fo Pell] 


De Ee 


co 


WeaAyio: KUHN 


American: Contemporary 


479. THE DANCER. Gold lacquered panel ce a sdancen fora lly 
carved in intaglio-rilievo and outlined in blue. Neo-classic with futuristi 
sentiment. Incised monogram at upper left, w x. : 

Panel: Height, 18% inches; width, 1572 inch 

ibis ay . Ww A 

MORTON Dis Gres BERG 
American: Contemporary 
480. PORTRAIT OF A LADY.  Bust-length figure, facing the observer, 


banded hair; in the characteristic manner of this artist. Signed at back, 
SCHAMBERG. 


Height, 20 inches; length, 14 ine 
Purchased from Mo Krcedler ate .» New -York 


186 Y 


Me fur a 


A 


Fourth Session Friday Afternoon, February Ith 


Meas l US EF. JOHN, R.A. 
British: 1879— 


481. GROUP OF BOYS PADDLING [Proven¢al Study, rg10]. Luminaristic 


work, depicting youthful figures wearing colorful garb and large sun hats, 
paddling in vivid blue water, lightened in areas with the reflections of the 
sun. Beyond is an undulating landscape. 

Height, 18%4 inches; length, 24 inches 


Purchased from the artist 
Exhibited at the International Exhibition of Modern Art, New York, 1913 


[ Illustrated | 


Tae . I- NW. Wok rte 


PH GE OUT NaN COLLECT O—- 


MARS D-E.N -HAReiia 


American: Contemporary 


482. THE FAENZA JAR. An early work of this artist, presenting a deep 
blue majolica vase, shadowed before the ivory wall, which is hung with a — 
brilliantly embroidered panel. In the foreground apples, a lemon, and a 
small black pitcher. Portrayed with a subtle rendering of values. Signed at 

| 


lower left, MARSDEN HARTLEY. 
Height, 20 inches; length, 16 inches 


| Illustrated | . 


f v° 188 f {. > 4 ( nf APN €. 


eT = ee 


Friday Afternoon, February IIth 


WALT KUHN 


American: Contemporary 


RAIT. Bust portrait of a young woman in a white blouse with 
lar fastened at the neck with a gold brooch. Her face is long and 
; and the features sharp and masculine. A heavy strand of her blond 
hangs down upon her breast. Signed at lower left. 


“ee 


Height, 20 inches; width, 16 inches 


M. butthe . 


GEORGE W. RUSSELL [“A. E.”] 

Sa Trish: 1867— 

OSS THE RIDGES. Ridged and furrowed field with a maid and 
th enveloped in the hazy atmosphere of twilight; in the background the 
ish hills of Donegal, before a deep blue sky. Signed at lower left 
/ with initials, a. FE. 2 . | 

iP, rchased from the artist 


Eo ne (a ey . 


MiGustTeE CHABAUD 


Height, 20 inches; length, 27 inches 


ce fiat}, : -French: Contemporary 

r 85. NATURE MORTE. | Broadly painted depiction of a tea and a coffee pot, 

in slate-gray high-lighted in white, and a candlestick in brillant yellows and 
greens, outlined before a gray-sky background. Signed at lower left, a. 


CHABAUD. 
: Millboard: Height, 2014 inches; length, 29% inches 


ee 
Purchased from the artist 


ParCIEN PISSARRO ’ fe 
French: Contemporary 


‘a | | if 
| q Ss pts =x, & we Wis . 


486. EVESHAM ROAD, STRATFORD-ON-AVON [1906]. The winding 
road, in charmingly blended colors, with the violet-toned shadows of the 
flanking lofty trees. Deep prospect of country enclosed by hedgerows, and 
a distant view of Stratford. Under a blue sky with massed violet-tinted 
clouds. Luminous work. Signed at lower left with the monogram: L P, 
and dated 1906. 

Height, 21 inches; length, 251% inches 


Purchased from the artist 


a 189 F - 
ee 2 O. FT. -W. Wet + 


{' 
: 
: 
I 
i 
i 
t 


“ 


GEORGE W. RUSSELL [“A. E.” | 
Irish: 1867— 


487. THE COCKLE GATHERERS. On the sand-dunes in the foreground — 
are three graceful figures outlined before a stretch of evanescent still water, — 
and beyond is a range of blue mountains, under an atmospheric blue sky 
flecked with ivory clouds. Signed at lower left with the initials, a E. 


: 


Height, 21 inches; length, 32 inches 


Exhibited at the Art Institute of Chicago, 1917 
Purchased from the artist 


[ Illustrated | 


190 


| 
| 
| 
| 
} 


it 


i 
7 


Jourth Session Friday Afternoon, February rith 


Peer ea NIEL HONE, R.H.A. 
Irish: 1831—1917 


88. SHORE MALAHIDE, CO. DUBLIN. In the foreground an inlet of 
placid water, reflecting the tones of a deep cloudy blue sky, and the crescent 
of a rainbow. By the bank is a fishing smack. Charming rendering of 


reflected lights. 


Height, 26 inches; length, 40 inches 
Purchased from the artist 


[ Illustrated | : 


BzTO . ser (Bide Baty ES. 


THE QUIN N© 60 7 DG 


MO -ReD @ N 60, 8 CH AB ie 

| American: Contemporary e a 

489. HOLLYHOCKS. Flowers massed, in studied arrangement, in a glaze 

pottery jar; before a varying blue background. A work of impressionist 

realism. Height, 23% inches; bes 1794 inch 

Purchased from M, Knoedler 8 Co., New York Nr 
War 
& 50. MAURICE B. PRENDERGAST — 

| American: 1859—1924 

490. THE WATERFALL [1911]. A nude young woman, Batt flowing h 

and poised on one leg, stands at the foot of a small waterfall. She is sur : 

rounded by trees and flowers, in a setting dappled with brilliant sunlight, 

Signed at lower left. Height, 24 inches; length, 20 inch 3s 


a. 


. 


u 2 


[LOO . MAU RCE eta VLAMINCK 
4 Flemish: 1876— 


491. STILL LIFE. On a kitchen table stands a coupe containing plums and§ = 
pear, beside an earthenware jar. On a shelf against the plaster wall are a 
candlestick and a jar with cover. Signed at lower right. q 

Height, 24 inches; _ length, 29 inches f 


te Oe NATHANIEL HONE, 4: A. Se 
| Irish: 1831—1917 | : | 

. 

492. ROCKS. AT KILKEE, CO. CLARE? (iVitctye ie eee sea 
under an ivory-blue sky; to the right massive cliffs casting deep shadows. 
Around are numerous graceful gulls. Though few colors are used in m | 


composition the artist has divided them into an infinity of tints, obtaining | 
an amazing effect of depth and recession. 


Height, 24 inches; length, 4014 inch 


$ fllirane | 


Purchased from the artist 


G 6. ERNEST LAWSON, 
American: 1873— 


493. SEA GULLS. A late winter afternoon on the river: a pale orange sun is 
faintly piercing the congested sky, its rays palely reflected in the waters 
covered with drifting ice. A flock of sea gulls is seen circling closely over 
the surface. Signe at lower left. 


Height, 25 inches; length, 30 inches — 
From the James Gibbons Huneker Collection 


’ a. é 
TA.'9. 192 — L 


. || 
5 


. | 
e of 


| 
: 


4 
; 
4 
: 


Fourth Session Friday Afternoon, February Ith 


HOLES PASCIN 
Bulgarian: 1885— 


| 
| 
| 
if 


d 494. TWO ENGLISH GIRLS. Two young, partly disrobed girls are seated 
i} side by side in an attitude of confidential chatter. A fine example of the 


work of this gifted artist. Signed. 


Height, 22 inches; width, 17 inches 


[ Illustrated | 


| hoo re | 
; (JCJ e ci < OAL’) vain 


THE QUINN  € 0. D eiGetan 
PEAR Ut Stele seis tee leate 


French: Contemporary a 


a 


495. ARCADIAN LANDSCAPE. ‘Tall, slender trees rise in the foregrou n 


forming a vaulted colonnade. At the right a dryad is reclining beside a we 


fA. 


a 251% inches; length, ate inch 

CHARLES a 
~ American: Contemporary = 
496. LANDSCAPE NO. 3 [1916]. An ultra-modern rendering of lm 
. formative power, suggesting a mental vision of an architectural landscay 


in finely contrasted blues, brick-red and green. Signed at lower. righ 


SHEELER, and dated 1916. a 
Height, 26 inches; length, 3 32 inl 


[10. da Howell, 
JUDE Sa ee CIN 

. Bulgarian: 1 885— . 4 

497. SPRING IN TAMPA. A tent rises in the middle foreground and a wor nd . 

is seated under its shade. At the left a little lad is pushing a girl seated } 


a swing. Palm trees and dense shrubs surround the little group on all sida 
Height, 26 inches; length, 30 ine 


(70. - tle. Ke. 
NATHANIEL HO NERS ae 
Irishs: 1831-1917 
498. SPRAYED CATTLE. Impressionistic view of richly wooded countr 
enveloped in autumn foliage. In the foreground two massive elms, an 
grazing and resting cattle, flecked by innumerable lights and shades; at the 


upper left a vista of deep blue sky. Signed at lower right with initials, nw” 
Height, 28 inches; length, 36 nches 


Purchased from the artist 


JACQUES Wom | 
French: 1874— 


Sie “ 
) ed 
wd 

ES 


By a 


499. ATELIER DE MECANIQUE. A scientific emotion of fore power 
exhibiting the interior of a workshop. An ideographic representation, execute 

in charmingly blended colors. Signed at lower left with the initials, 7 v 
Height, 2814 inches; length, 3534 inche 


/ 7 . 194 - Nowra | 


pe gee 


——————— iss _aa=a==—aama 
Fourth Session Friday Afternoon, February 17th 
a 


" 
f 
| 
| 


A A ta A al tly ch 


Pore MINE OL. DAVID 


French: Contemporary 


} 500. LAKE, CENTRAL PARK. View of the limpid transparent water, with 


rowboats, and the trees in summer foliage; in the background tall buildings 
silhouetted before a finely-toned sky, and at the left a glimpse of a bridge. 
Signed at lower right, HERMINE L. DAVID. 


Tempera on millboard: Height, 16% inches; length, 19 inches 


. Purchased from the artist 
| [dlustrated | 


0. 195 Ls A. AY Ce TA 


THE QUIN N* CO foun 


JEAN METZINGER 
7 Ae rench: Contemporary | 


500A. TETE DE FEMME. Bee in upper right-hand ¢ corner. 


REDE PEGs ETCHELLS 


British: Contemporary 


501. PIGEON AND JUGGLER. _A work of sincere contemplative 
geometrically defined. Portraved with great vitality, in charming gre 
of tone. Signed at lower right, ETCHELLS. Bi) 

Height, 30 renee? rents a inche 
Purchased from the artist a 


1& ae TS hoa = 
i 


AUGUS LE CHAR 


French: Contemporary 


502. LE CIRQUE. Post-impressionistic view of an arcaded domed arena, witl 
a gray horse mounted by a Columbinistic figure in yellow, and two clown 
standing upon a crimson carpet; around, portrayed with a certain tensenes 
is the audience, and in the foreground a back view of two spectators 
Signed at lower right, 4. CHABAUD. | | 

Height, 29 inches; length, 36 inches 

Purchased from the artist | 


/ko. 196 dual yori | 


Fourth Session Friday Afternoon, February rith 


; 
A 
, 4 
|| 


houN -S.7CURRIE 


British: Contemporary 


p 503: THE WEEK’S WAGES. Interior view of a peasant dwelling: in the 
foreground a table about which are grouped factory maids awaiting their 
pay; at the open doorway an elderly figure wearing a crimson hat. Por- 
trayed with an excellent rendering of values. Signed in the foreground, 
J. Ss. CURRIE, and dated 1911. 

Height, 30 inches; length, 4014 inches 


[ I/lustrated | 


me. & « 197 - Zs egy fF 


‘THE QUINN COLLE OT Igm 


ERNEST LAWSON, -N.A. 


American: TSyg— 


504. WASHINGTON HEIGHTS [1905]. ‘The wooded height 


summit. of the hill is aie: a eaten edeeoee building. 
charming atmospheric perspec unos Signed at. mae boy 


AUG WS: TE CHABAUD 


French: Contemporary 


505. LE TROUPEAU SORT APRES LA PLUIE erect. “vivide pe 
of landscape, with a large barn from which the sheep are emerging 
pasture after the rain, with their shepherd shadowing the right oe 
wearing an old red coat and followed by his dog. ‘To the right are three 


massive pollarded trees with their curious branches delineated before a grayish 


blue sky. 
Millboard: Height, 30. inches; ea 41 inches 


Purchased from Grafton Galleries, London, Second Post-Impressionist Ex 
hibition, 1912 


Exhibited at International Exhibition of Modern Art, New York, Ig! 3 j 
[ Illustrated | | 


e 8 0. ae L.- . e) Ucinéc 


' 
3 
, 


Le TrRoupeAU SorT APRES LA PLUIE 


FHE °+Q UI NN © 0 0 fi pG—n 


J; Di UNiNeES 


British: Contemporary 


| 


506. ARENIG [North Wales, 1913]. Brilliantly lighted view of mountains, 


; 


delineated before a vast sky of clear blue, veiled by heavy, low-lying clouds 
In the foreground masses of bulrushes. Portrayed in imaginative colors 
suggesting the texture of enamel. Signed at lower right, J. pD. INNEs, an 


dated 1913. - 
Panel: Height, 34 inches; length, 45 inches 
a » [Illustrated | 
| 
c L i 


; a UW hh: 


—_—_e—n—n—neaeeeeeasaaas=~=~$q$qaummm ee 
) Fourth Session Friday Afternoon, February r1th 


M a nn 


Pec OUES]-VILLON 
French: 1874— 


507. FILLETTE AU PIANO. Abstract impression of a young girl playing a 
piano, executed in brilliant colors, the dominating tones of which are blue, 
violet and mauve. A sincere expression. Signed at lower left, JACQUEs 


VILLON. 
Oval: Height, 51 inches; length, 58 inches 


Purchased from the International Exhibition of Modern Art, New York, 
1913 
[ Illustrated | 


201 


QO. 
Lh -(L. Cle 6 


PH SE O UT NN" C OL EGS an 


WA slo te Kary 


American: Contemporary 


508. FLOWERS. Large flaming-red, brown and yellow blossoms rise majes 
tically from a vaporous white glass bottle against a background of old rose 


curtains. Signed at lower right. 
Height, 36 inches; width, 20 inch 


Purchased from the eee a 
H 100. Ce Jie 


CHARLES) COIN ieee 

British: 1868—1909 : 

509. A RIVER NYMPH [1905]. A semi-draped figure seated by a waterfally 
and a lake with idling swans. In the background a classic pavilion, and in 


the left foreground a sculptured putto as a fountain. Richly wooded scene, 
in charmingly blended colors. “Signed at lower right, CONDE: and dated : 


1905. y | 
Height, 36 inches; length, 28 inch | 


* 


Purchased from the Goupil Gallery, London 


Nae) a4 
[00- —s 4A : 


JEAN METZINGER 


French: Contemporary 


5094. PAYSAGE. Landscape; in the foreground a cabin. Signed at lower right. — 
Height, 36 inches; length, 29 inches — 


qo: | Bel: 


GIN Of S32 V EAR aie 


Italian: Contemporary 


510. LA DANSEUSE. Figure of a woman dancer, with her right leg raised iff : 
a high kick and supported with her right hand. Signed at lower right. 


Height, 36 inches; width, 29 inches 


7 < : ve F. 24 Decree 
(] 


~oe _ _ i en ae 


rt 7 Session - Friday Afternoon, February rth 


Bate Bt iy AWS OIN | NA: 


American: 1873— 


HOBOKEN HEIGHTS. Luminaristic view of the deep ravine, wooded 
with slender saplings finely powdered with driven snow; rendered broadly 
with a subtle quality of movement. Among the boulders are two goats, and 
to the right a vista of the Hudson and a colorful array of buildings and 
chimney stacks. Signed in the foreground, E., LAWSON. 


i Height, 38 inches; length, 48 inches 
Pui chased from the artist 


2. on LinrG ACen 


Baer 1  GLEIZES 


a French: Contemporary 


2. LANDSCAPE AT TOUL. Signed at lower left and dated 1913. 
. | Height, 36 inches; length, 29 inches 


Pe 2m ~ 


Purchased from the artist 


Jio0 : 4- ort sel. 


JOHN BUTLER ical is mg aed 2 ee es 
Irish: 1839—1922 
PORTRAIT OF MISS MAIRE O’NEILL [of the Irish Players]. “Three- 
quarter length seated figure, with lustrous black hair and gray-blue Irish 


eyes, wearing a blue blouse with shades of violet and a black skirt; before a 
draped background of shaded green. Signed at lower right, J. B. YEATS, and 


___ dated New York, 1913. 
. 7 Height, 44 inches; length, 3314 inches 
| Purchased from the artist 
bf 203 gt 


So. Boe Micirc x, 


T HE. 0. UT NN SOO 1 poe 


mn 
ac 


CHARLES.H..SHANNON, A.R.A, 3 


British: Contemporary F 


S04. SAPPHIRE BAY. Romantic rendering of water nymphs: at 
right a gracefully erect undraped figure holding a flowing white drapery | 1 
the foreground a seated figure with coiled gold hair fondling a small child; 
by her side are glistening sea shells. Charming work, Venetian in arabesqu 
and, despite the flat modeling, modern in sentiment. Signed at lower 1 righ 
C. H: SHANNON, and dated -1903-1906. Me : 3 

: : Height, 46 inches; width, 3414 inche 

Purchased from the artist - 


Ce +7 4 


. 


JACQUES VIER Owe 
French: 1874— ‘ | 


515. PORTRAIT-DE M.:J.-B., PEINTRES Gunes relativity: of form, sug-_ 
gested in brilliant blues, greens, rose, biscuit and a brown of ocherous t tones. : 
Signed at lower left with initials, 7 v. | 

Height, 51 inches; ean; 35 tne les 


7 te Howell, 


WAL To * Kiara 


American: Contemporary 


516. ‘THE TRAGIC COMEDIANS. A vigorous work: two erect figures, 7. 
and female, larger than life size, in theatrical make-up and wearing tights and 
trunks; the male figure of distinctly tragic mien, the companion figure in 
an Meade of boredom. Before a background of SETA, black curtains. 
Signed at lower right, WALT KUHN. | | 

Height, 7 feet 1144 inches; width, 3 feet 9 inch 

Purchased from the artist 


204 


io ° ee . Aate 


eA et I le ala 


ae 


oem 


Pourth Session Friday Afternoon, February I1Ith 


ANDRE DERAIN 
French: 1880— 


517. LE JOUEUR DE CORNEMUSE. Neo-primitive depiction in “flat paint- 
ing,” the colors laid with little indication of modeling by means of chiaro- 
scuro: a low-lying hamlet and shaded lake, with a road flanked by poplars 
leading into the foreground to the mound at the left where the bare-legged 
piper is playing. At the right, dominating the composition, is a tree, and a 
fluttering bird silhouetted against an expanse of sea and a sky with menacing 
gray clouds. Signed at the lower right, a. DERAIN. 

Height, 6 feet 1 inch; width, 4 feet 11 inches 


Purchased at Third Kahnweiler Sale, Hotel Drouot, Paris, 1922 
[ Illustrated | 


205 


q 


THE QUIN NOC 6 Tete 


ALEXANDRE BILANG So 


French: Contemporary 


518. DEUX AMIES. Interior with two figures, one standing ina reddish-brown 
dress, the friend kneeling and measuring, wearing a shaded blue dress. 
Before a neutral background and a hanging chintz panel. In the foreground 
a work-basket. A broadly painted work. Signed at lower right, A, BLANCHET, 
and dated 1912. : > : ‘ 

Height, 6214 inches; width, 4414 inches 
Purchased from the International Exhibition of Modern Art, New York, 


tS 
[ Illustrated | 


et ) 206 7 €4-0Ar-90 + A 


] = fern February rth 


awe wi 


E ). PRENDERGAST : 
American: 1859-1924 


rion of a fwooded: landscape, ate numerous figures 
e trees, and others grouped in the foreground; 
tretch of water, with a sailing boat, and beyond a 
Signi ied at lower right, PRENDERGAST. 


_ . at erent Height, 7 feet; length, ro feet 


ia.) 7: 


Paci International Exposition, San Francisco, 


4 Tee 


| FIFTH AND LAST SESSION 
Saturday Pergiery £2,.0927 at 27% 5 p.m. 
— Catalogue Numbers 520 to S11 Inclusive 


EHISTORIC POTTERIES, AFRICAN ART OBJECTS, EGYPTIAN 
AND GREEK OBJECTS, COREAN AND CHINESE POTTERIES 
AND PORCELAINS, AND MODERN SCULPTURES 


A small collection of prehistoric pottery objects excavated in the cemeteries 


along both banks of the Nile throughout Egypt and Nubia. Their date may 
be set at approximately 4000 B.C. 


rs 


0. Rep AND BLAck STONEWARE SAUCER AND Rep Potrrery SAUCER 
_ CANDLESTICK, VasE AND Bow. 


Pgggemre 
* 


3 Five small miscellaneous pieces. 


a _ 


Np tg wR 


21. Rive ers ee awious oe GLAZED AND UNGLAZED 
a | Porrery SusPENSION JARS : 


_ Bulbous and acorn-shaped, and of varying sizes. 
Heights: (one), 314 inches; (two), 5 inches; (two), 41% inches 
ae | ‘ 


SE TE re ER 7 


[ 
SMALL IncIsED RED PoTrery JAR 
Pear-shaped, with spiral and wave-line incisions. 


i i 


FIvE MiscELLANEOUS SMALL DecoratED Rep Porrery RECEPTACLES 


yellow featuring triangular lattice panels, zigzag bands, herringbone and 


arrow motives. 


Four MisceLttangous DecoratEp Porrery RECEPTACLES 
Three bowls and a cup. Decorated with a series of wave-lines, diagonally 
striped radiating bands and herringbone motives in ochre-yellow. 


Height of cup, 3% inches 


Decoratep Rep Porrery VasE anp Twin Bow. 
The vase has wide flaring trumpet mouth and double foot. Decorated with 
herringbone motives, diagonally striped reserves and radiating wave bands. 


209 


Height, 4 inches 


Four cauldron-shaped, the fifth bow-shaped. Archaic decoration in ochre- 


Diameters, 4%, 4, 3 and 2 inches 


Diameters of bowls, 7, 6% and 4% inches 


Height of vase, 414 inches; height of bowl, 3 inches 


THE. OUTNN ©” @ Open Onee 


Seley 


527: 


Sie. 


520. 


5 30. 


531. 


See 


533: 


5 34. 


535° 


530. 


Four MiscELLaNgEous Giazep Rep Potrrery Jars 


Bulbous, acorn and vat-shaped; three are meant to be suspended. On 


rim glazed in black. 
Heights, 614, 534, 5 and 434 


Four MiscELLANEOUS PoLisHED RED Potrrery Bow ts 


Hand-modeled, slightly varying in shape. a 
Diameters, 8, 514 and 4 inches 


Four Rep Porrery SUSPENSION VASES | 
Oviform in shape; the mouths of all four vested in a brilliant black el 

Heights, 614, 51%4 and 5 in 
Four Rep GtazEp PoTrrEery SUSPENSION VASES 
Very similar to the preceding. a 
Heights, 5 and 4% in 


Four Rep anp Brack GLazEpD PotTrEery VASES 


Conical in shape. Similarly glazed to the preceding. % 
be Heights, 934, 92, 9 and 7% ine 

Four Rep and BLack GLazED PoTTERY JARs. 
Varied in shape. Similarly glazed to the preceding. | - | 

Heights, 434, 4, 334 and 234 inches — 
THREE Rep anp Biack GuiazEp PoTTery Jars | 
Pear-shaped, similarly glazed to the preceding. a 
Heights, 734, 7 and 6 inches 


‘THREE RED GLAZED POTTERY SUSPENSION VASES 


‘Two oviform, the third pear-shaped. Monochrome, red glaze of varying 
brilliancy. | 


Heights, 7, 634 and 54 inches” 
Stix RED GLazEp PoTTrEerRy SusPENSION BowLs AND Jars 
Of varying shape. “Two have black charcoal-glazed rims. : 

Heights, 6, 5, 4%4, 4%4 and 3% inches 


THREE Rep PotrEery Bowts | 
Polished interior, rough exterior, sides strongly retreating to base, flaring 
mouths. 

Diameters, 10%, 9 and 8 inc 
THREE Decorated Rep Porrery Bow ts 


ale a 
Of differing shapes. Decorated with radiating bands and reserves of stipple | 


and archaic leafage in ochre-yellow over the Bey : - 
Diameters, 734, 6% and 6 inches 
a 

210 a. 


h and Last Session Saturday Afternoon, February 12th 


— Decoratep Porrery Jars 


ying in color from a yellowish-gray to terra-cotta. Bulbous, each with 
© pierced tubular handles. Decorated with spirals and wave-lines in drab 


Wy be 
‘ . 


, Heights, 6 and 5% inches 


Two Decoratep Porrery Jars 

Fad Poe . ; / . . . . 

Similar in shape to the preceding. Decorated with spirals, zigzag reserves 
and wave-lines. 

Heights, 6 and 5 inches 


“THREE Bowts in Rep Po.tisHED AND UNPoLIsHED PoTTrery 


- ° ° . a . . 
Two circular, the third oval with rising sides. 
mi Diameters, 6 and 5% inches 


D ECORATED Rep Potrery BoTrLeE-vasE AND Two BEAKERs 


Fr gerne me 


The vase is pear-shaped, the beakers have broad black glazed rims of great 
brilliancy. Archaic decoration in ochre-yellow. 
4 Height of bottle-vase, 7 inches; of the beakers, 514 inches 


PTR Oe Res 


wo PorrEery Jucs é 


- Bulbous bodies, slender tubular necks and trumpet mouths; each has a loop 
handle. One glazed in black, the other in red, ieeavated with horizontal 
Bde black bands. -—-| 


os 


Heights, 614 and 6 inches 


A Oey rere, — 
Ra 


Rep GiazEp Potrery Bow anp VAsE 

(a) Cauldron-shaped, broad flat rim. 

=) Narrow body, swelling slightly toward base, with flaring wide mouth. 
Heights, 4%4 and 5% inches 


Two Rep Porrery SusPENSION JARS 


(a) Inverted acorn-shape. 
(s) Inverted pear-shape, pointed base; embryo lip. 
Heights, 7 and 9g inches 
544. Turee Rep Grazep Potrery Jars 
~All more or less ovoidal, with wide ringed mouths. 
‘ Heights, 10%, 9% and 8% inches 


545. Four Rep Porrery Jars 
| Two top-shaped, the third ovoidal and the fourth bulbous. The two first 


mentioned have a black glazed mouth and base respectively. 
Heights, 1214, 14, 934 and 7 inches 


: 


—_ 
4 7 


211 


THE 0 UION NOOO Direc 


546. 


547- 
548. 


49: 


550. 


551. 


Sen 


Five GiazEp PotrEry BowLs anp Jars 
Varying in glaze Og a yellowish-brown to a brownish-black. [ Repai S, 
Heights, 10, 814, 6 and smi ch 


Two Rep PoTTrery VASES 


Both more or less club-shaped. One has a very broad hace glazed bar 
around the mouth. Of the other only the lip is glazed in black. 
Height, 10% in che 


"I 
4 


Two Rep Porrery DEEP DisHEs anp Iwo Bowtis a 
Varying in color from terra-cotta to a yellowish-rose. Widely varying ir 
shape. 3 

Diameters, 1034 and 8% inche 


‘Two Larce Rep PotrEery Bowts 

(A) Inverted bell-shape, executed in pale red-brown pottery. 

(B) More or less conical. The interior covered with a terra-cotta glaze, al 

is the exterior of the rim. | a 
Diameters, 12 and 10 inches 


‘Two LarcE RED anp BLack GLazEp Portrery VASES 


Elongated inverted pear-shape. The black glazed 1 rims are vested with 
metallic briliancy. Narrow flat bases. q 
Heine 17 wee 16 inches 


GLASS AND GLAZED POT TERYS ea 


SMALL GLass VASE By Salt 


Large funnel mouth, spirally ringed in relief; hemispherical body from which 
spring two loop handles. Yellowish-white glass with earthy incrustations. 
A perfect copy of a Phoenician specimen. 


Height, 314 inches 
SMALL GuLazED Porrery JAR By Volkmar, American, 1841-_ 


‘Tub-shaped, with high shoulder and embryo lip. Sang-de-boeuf glaze. : 
Height, 4%4 inches 


212 


a 


F 


ifth and Last Session Saturday Afternoon, February 12th 


7 3. SMALL GuazED FaIENCE JAR By A. Robineau 
Cloudy bleu de ciel and soft mauve dappled ground superimposed here and 
_ there with areas of pearly iridescence and immature rainbow-tinged sunbursts. 
~ On stand. Monogram impressed on base, and dated 1912. 

q ? Height, 534 inches 


i a 
J , 


4. AGATE Gass Bottle By Sala 


_ Bulbous body with four irregular projecting bosses near neck; heavily rimmed 


_ lip. Curious gray-ivory and blue-veined agate-like glass. 


Height, 7% inches 


Gxiazep FarENcE Gourp BorrLe By A. Robineau 
Intricate splash glaze in which vertical bands of greens, yellows and peach- 
bloom predominate. On stand. Monogram impressed on base, and dated 


= 1914. 
Height, 6 inches 


Two Smatt Guazep Faience Vases = By Volkmar, American, 1841- 


One pear-shaped, the other ovoid. Both covered with a well-imitated sang- 
de-boeuf glaze. Both signed on base with incised “V”. 
Heights, 6%4 and 5% inches 


GLAzED FarIENCE JAR | By Volkmar, American, 1841- 
Ovoid, with wide mouth. The color of glaze is a shade darker than that 


of the preceding number. Signed with incised “V” on base. 
Height, 6% inches 


Parr SmaLL GLAzED FAIENCE BOTTLE-VASES 
By Volkmar, American, 1841- 


Bulbous bodies, slender tubular necks. The whole covered with a purple and 
blue streaked flambé glaze. Signed with incised “V” on base. 
Height, 8 inches 


559. GLazEp FalENcEe VASE Probably by Volkmar, American, 1841- 
Alberello-shaped, covered with a thick, firm pin-holed, green glaze resem- 


bling the patina on antique bronzes. 
Height, 8% inches 


213 


THE © UPN N TC 01m Eee ae 


560. 


COs 


502: 
563. 


564. 


565. 


566. 


567. 


GLaAzED FaIENCE JAR By Volkmar, American, 1841. 
Inverted pear-shape; embryo lip. Yellow-tinged olive-green glaze. Signed 
on base with incised “V”. aa 
Height, 8 inch i 


SMALL GLAZED FaIENCE BALUSTER VASE : 

By Volkmar, American, 1841 
Dense ivory-white crackled glaze, al here ag baa areas of brown veinin gs 
and indentations. Signed on base, “voLKMAR.’ | 


Height, 834 it aches 


GLazED FaIENCE JAR By Volkmar, eae 18. 41- 
Baluster-shaped; yellow-tinged olive-green glaze. Signed on base with in 
Cisedanvas 

Height, ro ind 


Grass CouUPE Signed, Sala 
Graceful inverted bell-shaped bowl resting on a high spreading pedestal fag 
Frosted pale amber-colored glass. Under Venetian influence. | 

Height, 77% inches; diameter, 934 B 


PaLE AMBER GLass COUPE | Signed, 


Very similar to the preceding. 
| ee Gl inches 


LarcE Grass Frurir Bow. Probably by Sal | 


Inverted dome-shaped bowl on high spreading pedestal foot. Greenish- yell | 
frosted glass. 


a 


Height, 9 inches; diameter, 11 inch Bs: 


Two Frencu Guass VASES 
(a) Ovoid, with high shoulder and wide mouth. 
(B) Pear-shaped body and very long tubular slightly spreading neck. Ona 


orange-yellow glass. 
Heights, 1034 and 23%4 inche 


PoLYCHROMED FaIENCE GRouP By Erzsi Fejervary, Hungariat 
CLEOPATRA. ‘The Queen is depicted standing between a crouching mal 
and female slave, her hands resting upon their shoulders. Signed at bott ; 
Height, 934 inche 

‘ 


Note: ‘The original water-color drawing for this group [10 by 114 
inches], signed by the artist and dated Kecskemet, 1913, will be sold wi 
; 


this piece. 


DIA 


iN 


aes 


Saturday Afternoon, February I2th 


EGYPTIAN AND GREEK OBJECTS 


EcyP1 an MorHer-oF-PEARL SHELL XII Dynasty, 1100 B.C. 
qT © back bears the seal of Usertsen I. Serrated edge. 


bar 
a a 


age 
~ SMALL YELLOW Stone UNGUENT Jars E gy ptian 


ree with globular, the remaining two with ovoid bodies. All have flat 
is and all but one have two pierced handles. 


THREE AssorTED MarsiE PERFUME Bort tes Egyptian 
4 laid shapes, all having pierced embryo handles. 


; p Ten Inrerestinc Minrarure UNGuentr Jars Egyptian 


Widely varying shapes. Executed in marble, vari-glazed pottery and diorite. 
ae? 


Ne 


. Two Carvep STONE PENDANTS Egyptian 


(a) Ram of Ammon-Ra, exquisitely carved. 
@) The Son of Thoueris in the form of a tapir. 
On wooden bases. 


3. Five Primitive TERRA-coTra AND CLay STATUETTES 
Crudely modeled human and animal figures. On wooden bases. 


Two Miniature Terra-cotra Heaps Iron Age 


Coarsely modeled. In the larger of the two, the eyes are indicated in white 
and the mouth, nose and eyebrows in black. On wooden bases. 


<ee" 


575. Mrntarure STONE CARVING Ansient Creek 


4 Head of Aphrodite [?]. Iridescent incrustations. On wooden base. 
Height, 14 inches 


576. Lava STonE CarvING Ancient Greek 


Miniature head of a goddess. 
Height, 114 inches 


215 


FHE 9 U-EN NOS EO 1 peng nn 


aves 


578. 


579: 


580. 


Sous 


582. 


583. 


584. 


585. 


Similar to the preceding. 


MINIATURE CaRVING IN VEINED GREEN GRANITE : 
Figure of Hekt, goddess of birth and longevity, i in the form of a rem 

Hoste a4 
FivE ANCIENT GREEK MInraturE Heaps ’ 
Three of Aphrodite, executed respectively in terra-cotta, lava stone and lime. 
stone. Terra-cotta bust of Zeus, and head of an unknown deity, also it 
terra-cotta. 


MarsLE UNGUENT JAR Ancient E gy ptiar 
Squat-shaped, with retreating rounded rim. Executed in green-speckled gray 


ish-white marble. 7 
Hees 2¥5 inches 


MintaTuRE Marsit—E UNGUENT Jar 


Height, ye 4 di 


q 
ANCIENT Ecyprian DiortreE Bown. 


Cup-shaped. [Rim damaged. ] q 
Height, 234 inches; diameter, 314 inches 


MINIATURE CaRVED WoopEN PENDANT | Egyptian 
Ammon Pantheistic. A divinity combining the head of a ram, as Ammon, 
the body of Ptah Embryon, and the wings of the hawk Horus. a 

Height, 2 inches 
Dior1irE UNGUENT JAR WITH COVER je, egyptian 
Vat-shaped; with two pierced embryo handles. 3 
Height, 214 inches 
THREE MINIATURE JARS _ Ancient E gyptian 


Two ovoidal, the third bulbous in shape. All three with pierced embryo loop 
handles. 4 


MINIATURE Motrritep Brown AND YELLOW MarsBiE Cup 
Ancient E svnnie om 
Small loop handle with rudimentary monster head finials. 


Height, 134 inches; diameter, 1% inchel 4 
j 


216 


h and Last Session Saturday Afternoon, February 12th 
— : GN tea eile 7 


UF 


PINE, Mars_e PERFUME VIAL Early Egyptian 


with two orifices. 


Brack STONE Bowt anp Minrature Diorrre UNGuEenT Jar 


= Ancient Egyptian 
3owl crudely modeled; irregular in shape. Jar barrel-shaped, with two 


embryo loop handles. 
‘a | Height of jar, 2 inches; diameter of bowl, 334 inches 


: Four PERFUME VIALS Ancient Egyptian 
B3 euted respectively in limestone, black and yellow stone. Slightly varying 
 egg-shapes. One has embryo loop handles. 


ry A 


= 


9. Two Miniature UNGUENT Jars Ancient Egyptian 
One of white clay, the other of terra-cotta. Barrel-shaped, with tiny pierced 
loop handles. | : 

a ; Heights, 21%4 and 2% inches 


_ Two Earty Ecyprian Vases 
~ One trumpet-shaped, executed in obsidian. The other, a miniature model, 
similar in shape, executed in black stone. 


a. ArcHaic CLay STATUETTE 
Two facing, crudely modeled, female figures joining hands over a pedestal 


surmounted by an urn. [The upper body of one figure is missing. | 
Height, 3%4 inches 


: ee a eeegeeeereern ee & RR ET ome UR TET EE ‘ 
a ore } os ‘ 7; : 
oie i oe a aon ; 


STELE IN CARVED STONE Egyptian 
THE OFFERING. In the centre the head of the cow goddess Hathor flanked 


by seated votaries. 
Height, 4 inches; width, 3% inches 


Two Minrarure Brack Stone VAsEs Ancient Egyptian 


Trumpet-shaped. 
Heights, 3 and 2% inches 


217 


THE QUINN (C0 L Eh Oye 


594: 


595: 


596. 


597: 


598. 


599. 
600. 


601. 


THREE Biack STONE UNGUENT Jars , Ancient Egy 
Ovoidal in shape, of varying dimensions. Each with two pierced embry 


loop handles. | 
Heights, 44, 3% and 3% | 


ANCIENT EGYPTIAN OpsipIAN BowL 


Irregular in shape; crudely modeled. wee q 
Height, 334 inches; diameter, 4% inche 


SMALL HEap oF Man 1n Brack GRANITE Ancient E gypi 


Finely modeled archaic head. On stand. 
Total height, 7 in 
Purchased from Joseph Brummer 


CarvING IN Lava STONE Greek, Approximately V Century B.( 


Head of Zeus. On wooden base. 4 | 
Height, 214 inches 


4 


SMALL EGYPTIAN ALABASTER UNGUENT BowL 


Squat globular body, adorned with two small pierced handles. ; 3 
Height, 214 inches; diameter, 314 inches 


SMALL ANCIENT PHOENICIAN GLass BowL 


Cauldron-shaped. Yellowish-white glass vested with an opal iridescence an id 


earthy incrustations. 
Height, 2% inl 


SMALL ANCIENT PHOENICIAN GLass Bow. 
Similar in shape to the preceding. Blue-tinged clear glass with opal iridescent 
areas and earthy incrustations. — | 
Height, 234 inc 1es 


= 


ANCIENT PHOENICIAN GLass UNGUENTARIUM 
Bottle-shaped yellowish glass frosted through age, with here and there ; 


opal iridescence. 


ma 


Height, 234 inc \es 


218 


eo Bey rad m 


Sf “and Last Session Saturday Afternoon, February 12th 


¢ —_ a 
DecoraTeD GREEK TERRA-coTTa Ky.ix 
bd . 
a: Approximately IV Century B.C. 


he ‘exterior of hee coupe decorated with a group of soldiers afoot alternating 
ith equestrians. Executed in black on a reddish ground. [ Damaged. ] 
Y Height, 3 inches; diameter, 7%4 inches 


Minrature Bronze STaTurTTE Ancient Egyptian 
ight Eire of Osiris wearing the “Atef Crown.” Densely patinated. 


Height, 3 inches 


R RA-COTTA ANIMAL FicurE Ancient Egyptian 


> form of a duck. 
Height, 3 inches 


ARVED LimEsToNE ANIMAL FIGURE — Egyptian . 


2 teclining lion. [The tail i is Pete | 
Aa * Height, 3% inches; length, 6 inches 


eo Old Kingdom Bee, Approximately 2980-2475 B.C. 
Pe ccrs oviform body, short cylindrical neck and broad flat rim. Mottled 
_ reddish and yellow marble. : 
_— ewer Height, 4% inches 


etnearune etna) STATUETTE Ancient Egyptian 
_ Erect figure of Horus, wearing the tresse [sidelock of youth]. The head is 
surmounted by a crown. 


’ % Height, 4% inches 


_ BLUE-GREEN GuiazEp Porrery UsHaptTiu Egyptian 
Black painted wig, hands and a vertical row of hieroglyphics. Crudely mod- 


eled wooden base. 
; Height, 4% inches 


. Two Biue Guiazep Porrery UsHapTiu Egyptian 


One on wooden base. [Have been restored. ] 
Height, 4% inches 


ALABASTER JAR Egyptian, II Dynasty, 3400-2980 B.C. 
Cylindrical body, slightly narrowing toward the top. 
From Abydos 


Height, 414 inches 


219 


THE QUINN ¢ 0 © ten can 


610. 


Gite 
612. 
Ole: 
‘614. 
OLS. 
616. 
Oige 


618. 


CLay STATUETTE Egyptian, XII Dynasty . 
Figure of Thoth, the Ibis god with human body. Posed with one @ 
advanced and the arms hanging straight down. Executed in bluish-g “ 
clay; good workmanship. | 
: Height, a inches» a 

SMALL TRANSLUCENT ALABASTER VASE 
Egyptian, Old Kingdom Period, Approximately 2980- -2475 B. G 
Trumpet-shaped, with rounded lip and foot. 
Height, 434 inch 
‘TANAGRA STATUETTE » 1 
Seated child, raising one hand to its mouth, the other holding a bird. Ome 
wooden base. | a 
Height, 5 inches — 
SMALL TERRA-coTTA LECYTHUS Greek, V Century B.Gy 


Decorated with rectangular lattice bands, rays and other motives in black 
upon a reddish ground. } 
Height, 5 inches: 


Two BLuE GLAZED por ene UsHastiu or Toms Ficures 4 
Egyptian | 
The wigs are vested with a turquoise glaze. “The lower body bears a vertical 
band of hieroglyphics. On wooden bases. = 

| Height, 5 inches 


MINIATURE TANAGRA GROUP 


PsyCHE AND EROS. On wooden base. - 
Height, 5% inches 
‘TANAGRA STATUETTE : | 
Figure of a child seated on a galloping horse, and holding a cornucopia in 
One, arin., 

Height, 514 inches 


> } 


‘TANAGRA STATUETTE a 
Upright figure of a youth, wearing an elaborate headdress. “The right arm 
is raised to the mouth. ' 
Height, 7 inches 
Porrery FLask Egyptian, XVIII Dynsty 
Known as “Queen Hatshepsu’s New Year Bottle.” Circular body, and 
cylindrical neck flanked by two crouching monkey figures. The flat sides and 
upper part of body bear bands of conventional motives and hieroglyphics. | 


The lip is shaped in form of a full-brown lotus. 
Height, 7 inches 


220 


Saturday Afternoon, February 12th 


Egyptian, XVIII Dynasty 


Height, 5% inches 


SH-I ROWN STONE Jar ~ Ancient Egyptian 

1 bod, with embryo lip and adorned with small pierced handles; narrow 
‘ounded foot. 

Height, 6%4 inches 


TER ie 


Height, 6% inches 


iN GLAss PerFuME Borte 
ed body, slender slightly swelling neck and cauldron 


How-hued een glass. 
} Height, 6% inches 


Bi Biur ‘Giazep Porrery Usuaptiu Egyptian 


| | Height, 7% inches 
E ANCIENT AraBic Giazep Porrery Jucs 

body and ringed neck narrowing towards the ringed lip. Shaded 
nn glaze. 

Heights, 734 and 6 inches 


RATED TERRA-coTra LecyTHus Greek, V Century B.C. 
ior driving his chariot drawn by three prancing horses, executed in black 
-a reddish-brown background. Conventional bandeau decoration. 

. . Height, 8 inches 


sh aped body, projecting tubular neck and strongly outcurving rimmed 


th. Yellow-tinged olive-green glass. 
Height, 8 inches 


AN CIENT PHOENICIAN GLass CANDLESTICK 


# ‘ubular shaft with ringed bobéche; wide, circular, slightly domed foot. Thin 
poish glass, with mother-of-pearl iridescence and earthy incrustations. 
Height, 8 inches 


221 


* 


THE QUINN .COLLE@ 7? 


rietogay: 


-* 


sie 


)Erewa 


paiaadenahen dian eee 


628. Ancient Ecyprian PatmMwoop Mask 


4 ae’ 
Head of a young man wearing a turban-shaped headgear. ‘The features area 


sharply chiseled, the eyelids, eyebrows and pupils outlined in black. 5 


* 


Height, 104 inches 
Purchased from Daniel Z. Noorian “a 


[ [llustrated | | 7 | 


629. DrcoraTED TrErra-coTra Lecytuus Greek, V Century B.C. 


Body decorated with lance-carrying warriors in repose, executed in black upon 


a reddish fond. q 
Height, 7%4 inches 


SN Bes: aig! step ete vtiviately. eooye 2475 B.C. 
, Testin on short ote shaft; narrow circular base. 


ed with horizontal cloudy-white wave-bands. 
fhe; = 4 ee aaa Height, 734 inches 


we 


veine 


ere 


Height, 9 inches 


Greek, V Century B.C. 


- warriors armed with shields and lances. 


Height, 8% inches 


Egyptian, II Dynasty 3400-2980 B.C. 
Ne, with “roped oe below which is a narrow bandeau incised 


Height, 1414 inches; diameter, 714 inches 


A frican-Congolese 
T oe is Rice a a grotesque fetish. 

-*2 e 

a v4 { 


Carve WoopEN BatTTrLe ree New Caledonian 
‘Painted Berard glade. | 


ee tm iy 


a - 
36. ‘CARVED Woopven BatrLE AXE New Caledonian 


+* 
wd 


a ~ Somewhat similar to the preceding. 


46 
icy! 


at 
a 
. 
4 


37. CarvED AND PoLycHROMED WoopEN Mask A frican-Dahomey 
~ Negro head covered with a blue skull-cap on which is carved a grotesque 
seated figure. 


223 


Toe TE OMT ANG IN: C O 


638. 


6309. 


640. 


641. 


642. 


643. 


644. 


645. 


646. 


SCULPTURED Woop Heap 


Grotesque head with « curious headdress, the eyes of inset metal plagues 


an elongated neck. 


_— 


CaRVED AND PoLYCHROMED WoobEN Mask African, Soudan Region 


Negro head. 


WoopEN DouBLE HEAD-REST 


Curiously carved. 


ARCHAIC CARVED WoopDEN STATUETTE 


Figure of a female deity. On wooden base. 


CARVED WoopDEN STATUETTE 


Upright figure of a man. 


CaRVED WooDEN STATUETTE 
Upright figure of a female deity. 


CARVED AND STAINED WoopEN Group 


CaRVED Woop STATUETTE 


Grotesque male figure. Probably a copy. 


CarvED WoopEN FIGURE 
Full-length figure of a nude female deity. 


tian influence. On wooden base. 


224 


» 
ae 
aS 
i ¥ 


LLEGT Io 


A frican, French ¢ 


Phas 
fieieue 14 inches 


sf 
a 


A frican-C ongolese 
“= 


Height, 6 inches; length, 22 inches 


— 


(9 


A frican-C on gole 2 


re 


Height of figure, 11 inches g 
African Gold Coast 
: | 


Height, 1014 inches — 


A frican Gold Coas oo 


ti 


Height 124 inches | 


From Gabun q 
Woman and child. Probably a copy. [ Damaged. ] q | 
Height, 13 inches — 


A frican Ivory Coast — 
Height 1434 inches 

. S ie 

a i 


African, Soudan Region 4 


Archaic treatment under Egyp- 


Height, 12 inches — 


NT 


a a a ee 


ty oem CO, 


A LO AOR EEE 


paint Rie salt 4 


A = 


| Fifth and Last Session Saturday Afternoon, February 12th 


CaRVED AND PoLtycHROMED WoopEN Mask A frican-Dahomey 


The features angularly and grotesquely treated. 


[ Illustrated | 
y 
648. Carvep WoopEN STATUETTE African, Soudan Region 
7 . 
Upright female figure. 
5 Height, 15 inches 
649. Carved WoopEN Ipor New Guinea 
= 


Figure of a deity representing maternity, supporting a three-pronged bracket. 
[Part missing. | 
Height, 2014 inches 


650. AFRICAN CUCURBITE SCULPTURE 


Thighs and buttocks of the female body, emblematic of. fertility. Hollow 


shell, on circular stone base. 
Total height, 24 inches 


225 


THE. QUINN 6.0 LL § Cnn 


Sib 
652. 


O53. 


654. 


G55. 


656. 


657. 


CarvED WooDEN STATUETTE _ 3 A frican, Soudan Regie 
Full-length upright female figure. “The head betrays Egyptian ac: e. 


The ears are pierced with metal earrings. 54 
Heine 30 ine 2 | 


ae. 
a 


CarvED WooDEN STATUETTE African, Soudan Region |} 


Grotesquely carved elongated male figure with raised arms joined above q . 


the head. iS : 3 | 
Height, 31 inches j 


CARVED WoobEN FIGURE _ Philippine Islands 


Seated figure of a man, his crossed arms resting on his drawn-up knees. 
Height, 3014 inches q 


ABORIGINAL ART OF AMERICA 


Coupe 1n Lava STONE Antique Mexican — 


Shallow circular bowl supported by four carved grotesque male figures with 
raised arms. i$ 

Height, 5% inches; diameter, 7V4, inch 
Purchased from Joseph Brummer = 


DeEcoratTED INDIAN PoTTERY BowL North American — 


Bulbous body, archaic decoration outlined in black and terra-cotta reserves on _ 


“a 


a grayish-yellow ground. s 
Height, 6% inches 


Figure IN Lava STONE Aztec 


4 
a 
¥ 


Crouching figure of a deity. On wooden base. 


Perepih 


Height, 8 inches 


‘sey i leat 


DECORATED PERUVIAN PoTTERY WaTER JAR Pre-Inca Perio ‘ 


In the form of a deity with deer’s head, sitting cross-legged and with raised, 
joined hands. Curious combination of loop heres and spout. 
Height, 1014 inches 2 


226 


ee 


Alaskan 


‘Teg er eae an intricate ornamentation inlaid here and 
th mother-of-pearl and ivory. 

— Length, 14 inches; width, 934 inches 
Purchased from Joseph Brummer 


FIGURE ID x Lava STONE 

. Costa Rican; Approximately X to XII Century 
ly treated monster form. On wooden base. 

; Height of figure, 13 inches 


Asia Minor, III-IV Century 


—~ _ 


&B Bronze Ett AL. FIGURE Hamadan, X-XI Century 


Height, 2 inches 


. Min Bronze Animat Ficure Asia Minor, IIT to IV Century 
Leaping ca On wooden base. 


aime ; ; 
~ ae Height, 2% inches 
ae) 


: PERSIAN | Bronze ANIMAL FIGURE Hamadan, X-XI Century 


M iniature crouching monkey. On wooden base. 
Height, 3 inches 


yy) = 


a) ; 
04. Cumnese BronzE ANIMAL FIGURE Han 
Miniature horse, with earthy incrustations and greenish patina. 


66: * ‘Miniature Bronze ANIMAL FIGURE Hellenistic, III-IV Century 


Standing ram, the head admirably modeled. On wooden base. 
Height, 214 inches 


666. AFRICAN BRONZE ANIMAL FIGURE Benin 


ei 
ba 


Miniature crocodile. 


667. AFRICAN BRONZE STATUETTE Benin 


Figure of a bird with spread wings and a long bill. 
P. Height, 414 inches 


227 


—— 


THE OUINN GOLD. £ Gop 


668. Bronze TasLe BELL 
The bell proper surmounted by a grotesque figure. 


669. Curious AFRICAN BRONZE ORNAMENT Benin — 


Scepter-fetish depicting a grotesque deity. On wooden base. . * | 
. Height, 1214 inches 


670. AFRICAN BRONZE STATUETTE Benin — 


Crouching idol figure, half-man, half-ape. * 
Height, 614 inches 5 | 


671. CHINESE PIERCED Bronze VASE — 
Hexagonal, decorated with statuettes of six Taoist Immortals alee in ne : 
$ 


relief; dragon handles. S| 
Height, 8 inches 


MODERN: $C US Tas 
AND” BROW’ 


WALT  KoUGEEN 


American: Contemporary 


Height, 6 inches 


673. SMALL POLYCHROMED WOOD CARVING. Ficure oF A RE- | 


CLINING DUCK. Decorated in blue, ivory and gold. Monogrammed at | 


bottom, Ww. K. 
_ Height, 244 inches; width, 334 inches 
Purchased from the artist 


WAL Ty ska 
American: Contemporary 


674. SMALL BRONZE STATUETTE. CroucHING FEMALE FIGURE. 


Green patina. Signed with monogram, w. kK. 
Height, 234 inches 
Purchased from the artist 


228 


| ae - 7 = a 
5 en o Saturday Afternoon, February ‘12th 


“WALT KUHN 
/ Ss ; an © Contemporary 


Height, ait inches; length, 4% inches 
Purchased t from the artist 


mee 


YM LOND DUCHAMP- Veli diaC Ny 
‘French: 1876—1918 


TER HE+/ Portrarr DU PROFESSEUR GOssET. Depicting the 
h ass an ede man. 
is ae 


One of the Brust’s last works, executed in 1917, and purchased 


Height, 334 inches 


WALT KUHN 


American: Contemporary 


ee CARVED AND POLYCHROMED WOODEN STATU- 
ETT Ee CroucHING woman. At the left a human mask and the figure 


. of a dog. Signed with monogram, w. kK. 
Height, 4% inches 
Purchased from the artist 


ae WALT KUHN 


American: Contemporary 


_ GILDED BRONZE GROUP. Tue appucrion oF EUROPA. A modern 
_ interpretation of the ancient mythology of Zeus in the form of a white bull 


abducting the fair maiden. Signed at back, w. K. 
Height 414 inches; length, 7 inches 
Purchased from the artist 


229 


THE QUINN © € 0. D p\Gh==—ae—n 


679. BRASS GROUP. THE aBpucTION oF EUROPA. Replica in brass of the 


680. 


681. 


O32: 


WALT os Whi 


American: Contemporary 


preceding example. A 
Height 4% inches; length, 7 inches 
Purchased from the artist y 


VA Dek Gey 


American: Contemporary 


CARVED AND POLYCHROMED WOODEN STATUETTE. 
SEATED WOMAN. Her knees are drawn up against her breast; she is fingering 
her golden hair, which falls in bountiful waves over the left side of her face 

and upon her knees. On base. Signed with monogram, w. XK. a 


Height, 5% inches 
Purchased from the artist 


CHES TE Reb eee 


American: Contemporary 


SMALL BRONZE STATUETTE. Tue past. Aclittle faun, a pensive 
look upon his impish face, sits crouched upon a rocky precipice, his right 
hand supporting his chin. Signed at base, BEACH. i q 

Height, 5%4 inches 3 


WALT Kins 


American: Contemporary 


¢ 
SMALL CARVED AND POLYCHROMED WOOD STATUET Tia 
FEMALE CaRYATID. Painted in black and vermilion. Signed with mono- — 
gram, W. K. : 
Height, 6 inches 
Purchased from the artist bs 


230 


ane 


‘Satu i Afternoon, February 12th 


: er sae a 
)ND DUCHAMP- VILLON 
| French: 1876-1918 


D B BRONZ E » RELIEF PLAQUE. LEs PETITS DANSEURS. Bronze 


Coa work executed i in 1914 in tera-cotta. 

i. ee » cf is Height, 614 inches; length, 1614 inches 
ly oe: : “ae 

'y Bee Bionzc W orks ) 1922 


eae . WALT. KUHN 
=e a a ule Bea: Perey 


Height, 614 inches 


oe Al TL. KUHN 


American: Contemporary 
: oo Cotumn. Replica in brass of the preceding 


% +4 Height, 614 inches 


ARTHUR PaeDAVIES 


American: 1862— 


oe ...- 
se 
: 


Z 
586. GILDED AND POLYCHROMED BUST. Heap or yourH. Low 


| p forehead, and elongated, arched nose, the eyes slightly slanting and almond- 
_ shaped. The base is incised with a number of polychromed nude male and 


_ female figures in varying poses. 
Height, 8% inches 


> 231 


THE QUINN. COLL EC hi 


HENRI* GAUDI ERB 
French: 1891-1915 | r 
& 


687. MARBLE BAS-RELIEF. Dos. ba of a reclining dog; against ae 


painted red background. 
Height, 8% inches; length, 183, inches, 


From the Collection of Mr. Frank Harris 


= 


eo 
aa, 


[ Illustrated | | a | 


WALT KU 


American: Contemporary 


688. CARVED. AND POLYCHROMED WOODEN GROUP. TrierycH, 
_ A standing and a seated nude male figure, flanking a female mask. Signed — 


at bottom by incision, w. K. 
Height, 8 inches; width, 12 inches 


Purchased from the artist 


232 


Fifth and Last Session Saturday Afternoon, February I2th 


a 
z 
a 

A 
i 
Pyeng 


= 
, ae 
q = 
2 
= 
, 
: 


Fume LVAD IS 5 E 
French: 1869— 


689. BRONZE HEAD OF A BOY. On marble base. Signed at back of neck. 


Height, 934 inches 


[ Illustrated | 


233 


; 


THE  QOUILNN ¢ 0 DE Beene 


WA leis We Deen 
American: Contemporary 


690. CARVED -WOODEN-HEAD OF A YOUTH. In vermilion=eee 
Height, 9% inches 


Purchased from the artist 


WAC T.-K USHEN 


American: Contemporary 


691. GILDED BRONZE RELIEF PLAQUE. SBATEDN Wonmnemeiles right 
leg is drawn up against her breast and crossed over her left knee. Signed 


at lower right, K. a 
Height, 714 inches; width, 6 inches” 
Purchased from the artist as — 


W:A DT Kure 


American: Contemporary 


692. CARVED WOODEN STATUETTE. STANDING FIGURE OF NUDE 
WOMAN. ‘The knees are bent, and the arms doubled up so that the hands touch © 4 


the shoulders. Monogrammed w. K. and dated 1916. © re 
Height, 1014 inctioal 
Purchased from the artist . a 


WAL Keres 
American: Contemporary | 
693. GILDED BRONZE INTAGLIO FRIEZE. Suntit BeacH. Beach ] 
- scene, with chatting groups of seated and standing male and ne a 2 


in bathing costume and fully dressed. Signed at ieee right, WALT KUHN. 


Height, 11/2 inches; length, 32% inches 
Purchased from the artist ; 


234 


: aiieesialainabadamsstiaiail ; 


a aes et 3 


on am aeZITE, ai F cbruary 12th 


a ue =f 


ae 
ae WALT KUHN 
a a Sete erican: Contemporary 


met. 

\N AND POLYCHROMED WOODEN FRIEZE. Tue uunr. 
suing ‘their game. . Framed. : 
Height, 11% inches; length, 291% inches 


J rs Gn. THE “LATE” LIEUT; T. E. HULME; 
mabe: ng a) young man with deep-set eyes, Roman nose, short upper 
I | moustache, firm, well-chiseled mouth, and strong chin. On 


Height, 12 inches 
from the artist 


n Epstein, b y Bernard Van Dieren, Plate XXXI 


7 


ty 


PACO BAL PS TEIN 


“eS American: 1880— 

| a 

6 Be PORTRAIT HEAD IN BRONZE. BerNarp VAN DIEREN. Portrait of 
7 Epstein’s friend and author of a work on Epstein’s sculpture. The face is 
that of an intellectual, with small, delicate but firmly-chiseled features, wear- 
ing a tense, somewhat frowning expression. The smooth, heavy hair is 
parted at the left and falls in wavy masses over the back of his head. 
Height, 12 inches 


_ Purchased from the artist 
Reproduced in Epstein, by Bernard Van Dieren, Plate XLV. 


235 


WALT RUHN= — 


_ American: ‘Contemporary | 


697. CARVED. AND POLYCHROMED. WOODEN PANEL. 
figure of a nude young woman with wavy red locks. Her right ar: 
appears behind a balustrade, while her left arm is raised and ed over 
her head. aa | 


JACOB EP Sih eigs a 


American: 1880— 


698. BRONZE HEAD. Aw irtsH Girt. Young woman with delicately 
eled features, her smooth hair tightly drawn back above her ears and : 
‘down her back in a heavy coil. Her eyes are closed hae her features ex 
complete rest. On wooden base. Ree ait 

; ‘Height, 14% 
Purchased. from the artist - ~~ + mR iS | 


MRS. A. ROO Seo Eats 


Contemporary 


: 


699. BRONZE FIGURE. THE TENNIs PLAyER. Abstract figure in action, the 
racket raised above the head, ees) to effect a “smash.” 


} 
i 
i 
f 


Height, 16 inchell a 


RAYMOND DUCHAMP-VILLON 


French: 1876—1918 
700. PLASTER STATUETTE. Le cuevat [1914]. An sieeast Dla 
equivalent of the energetic structure of a horse, its lines and masses implyingae 


the force and the action of a living thing. ; 3 
Height, 17% inchea ¥ 
Purchased from the artist’s widow in 1921 . 


236 


} 701. 


F and Last Session Saturday Afternoon, February 12th 
} 
| 


702. 


Meee GAUDIER-BRZESKA 
French: 1891—1915 


CARVING IN HEAVILY VEINED ALABASTER. Sracs. Late work 


of the artist, executed in 1914. 
Height, 1334 inches; length, 1314 inches 


Purchased from the Leicester Galleries, London 


Reproduced in Gaudier-Brzeska, a Memoir by Ezra Pound, Plate XXII 
[ Illustrated | 


WALT KUHN 


American: Contemporary 


CARVED AND POLYCHROMED WOOD PANEL. SEATED FEMALE 
FIGURE. Her legs are crossed before her in Oriental fashion, and her hands 
support her breasts. At either side rise slender trees joining over her head, 


bearing fruit and leafage. 
Height 17% inches; width, 114 inches 


237 


TOTS QO.UIN N*- CC OL L EF Cee 


é& 
- 
. 
{ 


JACOB ‘EPSTEIN 


American: 1880— 


703. PORTRAIT HEAD IN BRONZE. Iris rree. Youngest daughter of — 
the late Sir Herbert Beerbohm Tree. ‘The face is broad, as is the neck. The — 
features are regular, and the nose has an impish tilt. “The eyes are large and © 
heavily-lidded, giving the face a dreamy expression. On base. 


Height, 1344 inches 
Purchased from the artist 


Reproduced in Epstein, by Bernard Van Dieren, Plate XX XVI | 
[ [lustrated | 


238 


Fifth and Last Session Saturday Afternoon, February 12th 


Peco EPS TEIN 


American: 1880— 


704. MARBLE GROUP. MorTuHeErR AND CHILD. A conception of simplicity 
and completeness; two heads, a mother and her child; carved with force 
and precision and possessing great purity of surface. 


Height, 17 inches; length, 17 inches 
Purchased from the artist 
Reproduced in Epstein, by Bernard Van Dieren, Plate X 

[ Illustrated | 


239 


' rm as 


THE -QUTNN- (CO LL ipiG@a—aan 


RAYMOND DUCHAMP-VILLON 
French: 1876—1918 


705. POLYCHROMED PLASTER OVAL BAS-RECIEF. (Ue coda tae ; 
Gallic cock masterfully rendered in a victorious attitude, the right claw resting 
upon a crimson sunburst. The figure of the cock is gilded. 

Height, 17/2 inches; width, 14/2 inchemy 4 | 


Note: ‘The artist executed this work in 1916 while in active service in 
France, as an ornament for a soldiers’ theatre, where it was much appre- 
ciated by his battalion. 


Purchased from the artist a 


RAYMOND DUCHAMP-VILLON 
French: 1876—1918 


706. POLYCHROMED BRONZE OVAL BAS-RELIEF. Le cog. Replica 


of the preceding original. | | 
Height, 17 inches ; width, 14 inches 


Cast by Roman Bronze Works, 1919 


RAYMOND DUCHAMP? Vio}. 
French: 1876-1916 7 


507. POLYCHROMED BRONZE OVAL BAS- RELIEF. Le cog. Replica | 


of the preceding original. 
Height, 17 inches; width, 14 inches — 


Cast by Roman Bronze Works, 1919 


JACOB EPSTRE EN 


American: 1880— 


708. BRONZE BUST PORTRAIT... THE COUNTESS Gr DROGHED a Cue 
woman with elongated, oval face. “The eyes are exceptionally large and the 
mouth slightly protruding. ‘The firm chin, slightly tilted upward, gives the 


face a proud, almost defiant expression. 
Height, 21 inches 


Purchased from the artist 


Reproduced in Epstein, by Bernard Van Dieren, Plate XX XIII 


240 


y 


“Al 


ifth and Last Session Saturday Afternoon, February I2th 


ge 
7 
sy 


a oe 


$ 
er iad 


+, 
hy ES 


ae 


aw 
Test Be 
ad 


# 


4 
s 
rane. 


A Re ae ™ 


‘ 


em 


foc) bk PSe lr EIN 


American: 1880— 


709. BRONZE STATUETTE. Ficure oF NUDE WOMAN. She is seated upon 
a pedestal, her legs crossed and her right foot resting upon a rock. Her head 
is slightly bent, and her arms raised, the hands joining at the back of her head. 


Height, 1814 inches 


[ Illustrated | 


241 


710. 


JAC QB EPs 


American: 1880— 


FIGURE IN HARD STONE. CarvING IN FLENITE. 


chaistic figure of pronounced Egyptian contour. 


Purchased from the artist 
Reproduced in Efstein, by Bernard Van Dieren, Plate XI 


[ Illustrated | 


242 


Crouching ar- 


Height, 2314 inches 


yu. 


P12. 


Fifth and Last Session Saturday Afternoon, February 12th 


RAYMOND DUCHAMP-VILLON 
French: 1876-1918 


BRONZE RELIEF PLAQUE FINISHED IN GOLD-LEAF. Projet 
D’ ARCHITECTURE [COLLEGE ]. Depicting a facade with entrance door, above 
which projects a bay window. Bronze cast of original work executed in 1914. 


Height, 22 inches; width, 14 inches 


Cast by Roman Bronze Works, 1922 


Pa be PS EIN 


American: 1880— 


MARBLE GROUP. Two poves. Presentation of two doves by an extraor- 
dinary manipulation of form, revealing the master’s feeling for the archaic 
simplification of masses, portrayed with a superb surface. Ovn base. 

Height, 24 inches; length, 31 inches 


Purchased from the artist 


[ [dlustrated | 


243 


JACOB, EP Saas 


American: 1880— 


713. BRONZE BUST PORTRAIT. Her crack, THE DUCHESS OF HAMILTON. _ 


Portraying a middle-aged woman with strong, well-defined features, very F 


a 


nearly masculine in their strength. Her hair is braided and wound about ~ 


her head, forming a turban-like effect. 
é Height, 25 inches © 


\ 


Note: A superb bust, in which the master turns from the archaic and 
attains the grace, elegance and linear rhythm of the eighteenth century. 


. 


7 


Purchased from the artist 


Reproduced in E¢steim, by Bernard Van Dieren, Plate XVII 


| Illustrated | 


244 


~ 


Fifth and Last Session Saturday Afternoon, February I2th 


RAYMOND.DUCHAMP-VILLON 
French: 1876—1918 
714. PARCEL-GILDED PLASTER BAS-RELIEF. Le cnar [1913]. De- 


picting a curled-up cat, gilded, against a stone-colored background. Framed. 


Height, 2514 inches; width, 24 inches 


Pee CHAMP-VILLON 
French: 1876—1918 
715. CARVED WOODEN BAS-RELIEF. Le cuat [1913]. Execution in 


wood of the preceding example. 
Height, 27 inches; width, 25 inches 


“er eta HE liats :ang~taler ee-cmematesinn 


> : PearrOoNnD DUCHAMP-VILLON 
French: 1876—1918 


716. PLASTER BAS-RELIEF. Le prrroquer [1913]. Depicting a perched 


parrot, its head turned and resting upon its right wing. Framed. 


Height, 2514 inches; width, 24 inches 


RAYMOND DUCHAMP-VILLON 
French: 1876—1918 


717. CARVED WOODEN BAS-RELIEF. Le PERROQUET [1913]. Execu- 
tion in wood of the preceding example. 
Height, 2514 inches; width, 2314 inches 


245 


eset Ie, 


HENRI GWU TEAR BIRZ ZESKA 
French: Meroe tense 


718. CARVING IN STONE. Birps, ERECT. ~ Late work of the artist, execute ed 
in 1914. Meee 

Height, 39% inche S 

Purchased from bp Taney Cine eden ae | o 


Reproduced in Cpidicr-Breeshas a Memoir by Ezra Panne Plate OX. c ; 


a! 


RAYMOND DUCHAMP- VILLON ay 
French: ee ce: ; wa 4 


719. BRONZE STATUETTE. FILLE DES BOIS eee Trebstly treated, 
upright nude figure of a girl. On marqueterie base and carved mahcaaa 
pedestal. Signed on base of bronze. at 

Height, 3204 inches. H 


Purchased from International Exhibition of Modern HS New York, 19139 


RAYMOND DUCHAMP- ates eG 
French: peices 


720. GILDED BRONZE FIGURE. Femme asstsz. Nude figure of a woman — 
seated upon a pedestal. The left arm is folded over the left breast and 
the hand rests upon the right shoulder. ‘The left knee is drawn up and the > 
foot is placed against the side of thespedestal. Bronze cast of original work 
executed in 1914. a | 

Height, 28 inches _ 

Cast by Roman Rios Ter 1915 : 

Note: The original drawing for this work will be sold with the bronze. | 


‘Pencil drawing: Height, 1734 inches; length, 934 inches 


[ Illustrated | 


ll ia ia a 
Sane Si i enn eee 


246 


No. 720. GILDED Bronze Ficure 


T HEE (0 UT NTC Ort Eno 


"AAG ©: tbat Sales een 


American: 1880— 


721. PAINTED PLASTER FIGURE. CursEp BE THE DAY WHEREIN I WAS 
BORN. Quaint title given by the artist to this plaster statue of a male figure — 
of the negro type in a burlesque attitude. “The legs are bent at the knees, and — 
the upper arms raised parallel with the shoulders so that the forearms point 
at the abdomen. ‘The face with its widely opened mouth is turned upward 


and bears a leering expression. Painted red. 
Height, 4514 inca | 
Pupehare from the artist ; 
» 


Reproduced in Epstein, by Bernard Van Dieren, Plate V 


RAYMOND DUCHAMP-VILLON 
French: 1876—1918 oa 


722. LARGE . TERRA-COTTA PANEL, RECTANGULAR ANI@ 
SLIGHTLY DOMED, MODELED IN ‘CAVO-RILIEVO.  Lzsy} 
AMANTS [1913]. [he woman is seated on the left; her head and shoulders 
are thrown back and the right arm is bent above the head. [he man’s upper 
body is thrust forward so that his head leans heavily upon the woman’s left — 
shoulder; his legs are folded under him. Framed. | 

; Height, 7 feet 2 inches; width, 3 feet 534 inches 
Purchased from the artist , is 4 


JACOB EPS ag 


American: 1880— 


723. LARGE MARBLE STATUE. Venus. The standing figure presents am 
intellectual and psychological study of symbolism, by the accentuation of a 
hypothetical arrangement, and the avoidance of the final seal of individuality 
—the facial features. The work typifies a profundity of thought almost 
Michel eee Ns pervaded by a spirit of the masters of ancient Egypt or 


Chaldea. 
Height 71% feet 


Purchased from the artist 
Reproduced in Efsteim, by Bernard.Van. Dieren, Plate VII 


[ Illustrated | 


248 


No. 723. Lance MarBie STATUE 


THE ONUaRENEN COL LE @ mim 


724. SUPERB CHINESE PorRCELAIN PaALAcE VASE Ch en lung 


Amphora-shaped, with gracefully outcurving short neck; sonorous white — 
porcelain. Masterfully decorated with landscapes and lake scenery serving 
as a background for the well-known Taoist,immortals, executed in the most 
varied enamels that the palette of a Ch’ien-lung craftsman could command. 
Bands of conventional motives such as swastikas, bats, He i sceptre heads and 
carps. : 


Hereie 2634 inches 


From the Herbert G. Squiers Collection, American Art Association, 1912 


| Illustrated | oe 


250 


i 


7 25: 


Fifth and Last Session Saturday Afternoon, February 12th 


CuInEsE Tart BEAKER VASE AVIT Century 
Cylindrical body with slightly spreading foot and flaring trumpet mouth. 
Interior covered with a brilliant deep blue coagulated ultramarine glaze; 
brown glazed rim. On stand. 

: Height, 25 inches 


From the A. W. Bahr Collection, American Art Association, 1916 


Larce CuHINEsE Tz’u-Cuou Ware Jar Sung 
Ovoid body, with high sharp retreating shoulder and short cylindrical neck. 
Archaic decoration in tawny-brown on a dirty creamy-white fond, marred 


here and there by kiln faults. 
Height, 2014 inches 


BLuE AND WuirTeE PorcELaAIn BEAKER VASE K?ang-hsi 
Thin, hard paste. Rich allover design of blossoming lotus amidst a whirl 
of small leaf scrolls. Marked with six character mark of the reign within 


a double ring. On stand. [| Damaged. | 
Height, 19 inches 


[ 
Porrery GARDEN SEAT Ming 
Barrel-shaped, covered with a rich, flambé splash glaze varying from a 
streaked blue to a deep purple. Four relief-modeled Aylim masks with gaping 
jaws formed by orifices. “Teakwood stand carved in undercut relief with lotus 


blossoms. 
Height, 18% inches 


Larce Han Porrery VasE 
Bulbous body, slender tubular neck and high foot. A pearly iridescence and 
earth incrustations have practically coated the entire surface leaving moss- 


green patches forming the original glaze. 
Height, 18. inches 


CHINESE MARBLE STATUETTE Ming 


Figure of Kuan-Yin, goddess of mercy, standing on a lotus blossom. 
Height, 17% inches 


251 


THE’ Q UION NOC 0 LoL Gli 


wets 


OE ee 


730. Bronze Buppuistic Heap Siamese, XVI Century — 
Finely modeled head, of profound mien, with heavy drooping eyelids and 


elongated curiously-lobed ears; wearing a crown enriched with arabesqued 
ornamentation. Fine greenish patina showing traces of gilding. Mounted 


on cement base. 
Total height, 18 inches 
Purchased from Joseph Brummer 


| [ Illustrated | 


252 


Leagans oil 


| 


" 
LT 


Fifth and Last Session Saturday Afternoon, February 12th 


ae 


—— 


731. CuinesE Larce Waite PorcELAIN BorrLE Clrien-lung 


Globular body and slender cylindrical neck slightly spreading toward rim. 
Allover low relief pattern of ju-i sceptre head bands, key-frets, leaf-forms 
and arabesques and blossoms. Brilliant pure white thick glaze. “Teakwood 


base. 
Height, 16% inches 


From the A. W. Bahr Collection, American Art Association, 1910 
[ [dlustrated | 


253 


"Ts EA ORCS IAN aN C O Li Lek Gail aes 


734: 


ee: 


732. CoLossaL STONE Heap oF BuppHa 
. Tang 


Beawenel sculptured. On won 
base. | 
Height 16 ink 

From he tae Me en oe aves, Province | 
of Honan oo | 


[I llustrated | 


733. CuinesE Lapis-BLUE JARDINIERE 
Yung Chéng 

Bowl-shaped, with flaring flat rim. 
Floral decoration in foliated medal- 

lions on a swastika lattice ground, all 
modeled in low relief under a lapis- 


blue glaze. On teakwood stand. j 


Diameter, 16 inches 


From the Lee Van Ching Collection, 
American Art Association, 1917 


No. 732 ! . 


CHINESE CELADON JARDINIERE Chien-lung 
Cauldron-shaped. Allover exterior pattern of raised blossom scrolls; key 
fret border. = | 


i 


Diameter, 15 inches” 


Se i) 


Han Potrrery VASE 


Disc-shaped body narrowing into a slender neck with straight flaring lip; 
retreating pedestal foot. Moss-green glaze covered here and there with 


earthy incrustations. 
Height, 15 inches 


254 


Fifth and Last Session Saturday Afternoon, February 12th 


"i 
“" 
i 

’ 
: 
, 
a 


‘ 
*” 
Me 
4 
a 
736. CLoisonnE ENAMEL PLAQuE Early K?ang-hsi 
4 Deep dish form, with flat narrow rim and high foot. All surfaces, including 


underfoot, decorated with Indian lotus and Mei blossom scrolls. “The centre 
depicts a ferocious four-clawed dragon pursuing the flaming jewel, confronted 
by a swooping feng-huang. Executed in brilliant enamels. 


Diameter, 16% inches 


From the Arthur I. Hoe Collection, American Art Association, 1915 


[ Illustrated | 


255 


THE 9.0) MNO oO LD eG 


"731° 


Ta Se. 


-palmettes, floral scrollings, symbols, dragons and key fret motives in vari- 


Parr CLoisonnE TRUMPET Vases oS) = Chie L 
Turquoise-blue ground superimposed by palmette reserves outlined in sap | 
enclosing lavish blossom and leaf compositions in brilliant | vari-colored 
enamels. The interior of the flaring lip enriched with lotus motives. —s 3 

Height, 14 inches 


From the Robert Hoe Collection, American Art Association, 1911 


[ [/lustrated | 


CLOISONNE VASE — CPRien-l 
‘Trumpet-shaped, with wide flaring mouth. Decorated with monster heads, 


J ‘ Be 
toned enamels on a pale blue ground. Interior of mouth bears Shou ~ 


character and lotus blossoms. 


3 Height, 15 inches — 


From the Robert Hoe Collection, American Art Association, 1911 


[ [/lustrated | 


- 


@ 
2 at duel Sa gismenete yee Te Os iia ia 


~ 


hohe 
Li 


\ 


— 


256 


Nos. 737-738. CLOISONNE VAsEs 


= 3 4 | 
T HE Olan COLLECT I Of 


739. CARVED STONE BuppuHist STELE Northern China, Wei Dynasty 
Buddha in a niche, enthroned upon a lotus blossom, flanked by two Bodhi- 


sattvas. “The base is covered with script. 


[ Illustrated | 


Height, 14% inches 


740. Buiack StongE Heap oF Kuan-yin, Goppess or Mercy T’ang 
On wooden base. 


The placid features wear the trace of a smile. 
Height, 14 inches 


258 


Pet 


Oe 
7 — 
- as, 4 forte 
oy ee 
ee oe ee Ee Bae — 


aatubsaiaeiisnenipanayytienontisietnceiaanstenmaaiennicell 


Kang-hsi 
ves incised under a lustrous glaze. 
at oe ne sae Diameter, 134 inches 


ao 


SB NG 


an a ae a hawthorn tree, its twisted branches reaching 
with the Lo mark cans a double ring. On fond: 


1E E q Fannie | ERTE. Cee PLAQUE RK’ang-hsi 


Diameter, 13% inches 


Late Sung 


- Ovoid body and wide spreading 
1 band of floral low relief and two tubular 


Height, 13% inches 


Y tian 


a with eich deep forest- -green glaze. 


Srey 


Height, 13 inches 


RCELAIN Jar fei: Men? Yung Chéng 
wit 1 high strongly retreating shoulder, short neck and ringed 
- patt tern of floral scrolls and bands of ju-i sceptre heads and key 


res ove ered with a brilliant grayish-white glaze. On stand. 


ste 
Meh aes Height, 1234 inches 


te Van Ching Collection. American Art Association, 1917 


ALLE Ros— EnaMEL PLaquE Chrien-lung 


D Jeep cavetto, straight sides and flat flaring lip. Cavetto decoration of peony 
shrub and peacocks. [Much repaired.] On stand. 


Diameter, 14 inches 
+ 
7: it /ARGE CHINESE oKiEN PorcELAIN PLAQUE Ming 


Brilliant white glaze. Indistinct underglaze incised floral decoration. 
Diameter, 13%4 inches 


~ CorEan GALLIPoT Korai 
4 
_ Raised vaporous white cloud motives under a heavy greenish-gray crackled 


glass. 
Height, 13 inches 


259 


749. LarGE CHINESE Ovorp JAR Sung 
Short upright lip about broad mouth. Decorated with boldly penciled archaic 


blossoms and leafage in black on a warm creamy-yellow ground. “Teakwood 
cover with carved bell-shaped jade handle. On teakwood base. | 


Height, 1344 inches; diameter, 13 inches 


From the Lee Van Ching Collection, American Art Association, 1917 a 


| [2lustrated | 


260 


Fifth and Last Session Saturday Afternoon, February 12th 


, = 
hae 


CorEAN BorrLE-sHAPED VASE Korai 


Pear-shaped body narrowing into a slim spreading neck mounted in incised 
brass. Elaborate small floral motives in the form of medallions and in- 
dividual sprays. 2 

Height, 13% inches 


‘51. CoREAN GALLIPOT Korai 


Decorated with small diapered blossoms, palmettes and sceptre head bands in 
black and white under a glaze of celadon texture. 


Height, 13 inches 


2, BLuE AND WHITE PorRcELAIN JAR Daghestan, XV Century 
Inverted pear-shaped body; straight metal-clad lip. Decorated with bold 


crudely penciled leaf and blossom design and a yellowish-white ground cov- 


ered with a network of russet crackling. On base. 
Height, 12 inches 


Parr Curnesr Burr-wHITE CrackLep Bott es Sung 
Long, slender and cylindrical, tapering to base, with gently rounding shoulder 
and short neck, metal rimmed. Relief modeled leaf and ring ornamentation. 


Height, 12 inches 


From the A. W. Bahr Collection, American Art Association, 1916 


CHINESE CELADON GaLuipot Sung 
Incised archaic leaf and blossom pattern buried under a thick syrup-like glaze, 


uneven in surface. 
Height, 12 inches 


CHINESE CELADON GALLIPOT } Sung 
Very similar in type to the preceding number. [Repaired at lip. ] 
Height, 12% inches 


CHINESE CELADON PLATE Ming Type 
Striped rim resembling chrysanthemum petal; the cavetto has slightly raised 


lotus blossom central medallion. 
Diameter, 1134 inches 


CorEAN JAR Korai 
Baluster-shaped, with flattened sides bearing dragon medallions surrounded 
by finely penciled leafage and blossoms clearly outlined in black and white. 


Relief-modeled Aylin mask handles. 
Height, 12 inches 


261 


THE 'Q9UITNN °C OD DL i Gl 


ee 


> 
73°: STONE Heap oF Kuan-yin, GoppEss oF Mercy | T’ang 


Wearing an elaborate’ tiara, with a miniature enthroned Buddha in a niche, 
upon her brow. 4 


Height, 12 inches | 
[ Illustrated | 


759. COREAN JAR ° Korai 


Baluster-shaped, metal rimmed embryo lip. The body depicts two quatrefoil — 
medallions enclosing blossom sprays. "The remainder of the field occupied 
by whirling cloud motives and flying storks. 

Height, 11% inches” 


760. SToNE Heap oF BuDDHA Late T’ang 


The finely chiseled features of the deity express complete repose. On contem- 
porary wooden base. 
Height, 11% inches 


262 


Fifth and Last Sesston Saturday Afternoon, February 12th 


Two CHINESE ENAMELED PorcELAIN PLATEs Ming Type 
Central cavetto medallion depicting chrysanthemums and mei blossoms on a 
_ Iatticed ground, enclosed within a bandeau of ju-i sceptre heads. Fired in 
rouge de fer, green and yellow enamels. On stands. [Both imperfect. | 


Diameters, 11 inches 


CHINESE I’?u Tinc Yao CREAM GLAZED VASE Yiian 


Disc-shaped body and long slender neck terminating in a fluted bulbous 
mouth with embryo lip. Lion mask and ring handles modeled in relief. 
Thick, creamy, finely-crackled glaze. 

Height, 10 inches 


From the A. W. Bahr Collection, American Art Association, 1916 


CuinesE Tz?u Cuovu-Jar Sung 
Cauldron-shaped. Raised and incised deep brown slip decoration depicting 
boldly defined leafage on a grayish-yellow ground. On stand. 


Height, 9 inches; diameter, 714 inches 


CuinEsE Brown Grarriato Tz’u Cuou Jar Sung 


Inverted-cone shape; spherical body strongly tapering to base. High shoulder 
and short wide neck, <A broad floral relief band round body cut out of the 
slip glaze. A fine example. 


Height, 914 inches; diameter, 11 inches 


From the A. W. Bahr Collection, American Art Association, 1916 


CHINESE FLAMBE VASE Probably Ming 


Modeled after an archaic Han bronze. Sang-de-boeuf and purple splash 


glaze on a streaked bluish-gray and greenish-yellow ground. 
Height, 9 inches 


JAPANESE SATsUMA GALLIPOT XVII Century 


The glaze closely imitates tree bark in texture as well as in color. 
Height, 9 inches 


CuINEsE Ciair DE Lune Bowr Sung 
Cup-shaped, strongly retreating to base. Heavily crackled shaded pale gray- 


ish-blue glaze. On teakwood stand. 
Diameter, 9 inches 


263 


PHB On aalg ae COLLECTIO 


768. 


769. 


770. 


772: 


173° 


774: 


775: 


CHINESE CLaiR DE Lung VASE Yung Chéng q 
Pear-shaped, with spreading flanged mouth. Pierced fretted handles at side » 
of neck. Indigo-blue. Imperial seal mark of reign at base. 4 
Height, 8 inches _ 
From the A. W. Bahr Collection, American Art Association, 1916 y { 


CHINESE GLAZED PoRCELAIN FIGURE Ming ' 
The god Shou Lao seated on a deer. Grayish-cream glaze with occasional — 
splashed brown and aubergine areas vested with a mother-of-pearl] reflet. — 

Height, 8% inch 


Two Famitte Ros—E ENaMELED PORCELAIN PLATES Cl’ien- lung : 


Flat flaring rim and deep cavetto. Lavishly decorated with flowering peony 1 
branches, leaf scrollings and objects belonging to the Pa GEES executed | 


in the well-known enamels. 
Diameter, 834 incheml | 
. y | 
CHINESE FAMILLE VERTE PORCELAIN PLATE Kang-hsi Style — | 


Profusely blossoming chrysanthemum sprout springing from a rockery, percheaal 


bird, insects and a butterfly. On stand. 
Diameter, 814 inches — 


CuHINEsE I?u Tine Yao DisH ee Suna 


Shallow bowl-shaped, with incurving rim on which a peach tree branch and — 
a bat are modeled in relief. = 


Diameter, 8% inches 


b 


From the A. W. Bahr Collection, American ej Association, 1916 


oe ‘a 
— | 


THREE GLazeED PoRCELAIN STATUETTES Ming 
All three depict enthroned mandarins in similar attitudes. Executed in green, — 


yellow and aubergine enamels. Fretted teakwood stands. | a 
Height, 844 inches — 


GLaAzED EaRTHENWARE JAR “Seto Ware, XVIII Century - 


Bulbous body, high sloping shoulder and ringed mouth. “The whole covered 
with a streaked metallic black and iron-rust glaze. On stand. 
Height, 8 inches 


‘THREE GLazED PoRCELAIN STATUETTES Kang-hsi 


Full-length figures of three seated Confucian priests. Glazed in green, 


yellow and aubergine enamels. 
Height, 8 inches 


264 


7 | Sung 
and short straight foot. The interior centre medallion dis- 


b lossom modeled i in relief. [Restored. ] 


- 


a eS 
-CELApoN Bow. Sung 
ilar to the preceding, with the exception of wide interior band of 


scrolls ‘modeled in relief. 
i .. Me _ ‘Diameter, 73 inches 


S 


Diameter, 734 inches 


Eo CucumBEr-cREEN BoTrrLeE Yiian 


bulbous ; body on short foot, long slender neck and fluted swelling 
Small. hylin mask and ring handles in relief. 
—" Height, 7%4 inches 


.W. Bahr Collection, American Art Association, 1916 
: ESE Cexapon ay f Sung 
d v vith a thick lustrous congealed celadon glaze displaying here and 


ae x more definite green. - 
a Diameter, 7% inches 


iy A 


Pa (R_ CHINESE Tz’u Tinc Yao Giazep VAsEs Yiian 
is -shaped bodies, on short bases, slender necks and bulbous mouths, having 
short traight rims. _ Rudimentary lion head and ring handles in relief. 
Ret Jnctuous creamy-white g glaze. 

Height, 6% inches 


” ere: 


= Daher the A. W. Bahr Collection, American Art Association, 1916 
2 ch 

78 See Porrery JAR XVIII Century 

a ~ Bulbous, with two pierced irregularly shaped stump handles. Covered with 

a a thick coagulated mirror-black and brick-red splash glaze. 


Height, 64 inches 


SMALL. CHINESE CELADON BowL 3 Sung 


‘Cup-shaped body with slightly incurving rim. Coated with a heavy crackled 


_glaze showing russet veinings near mouth. On teakwood stand. 
Diameter, 6 inches 


. Mine Porrery Jar 
- Bulbous body. The pale yellow ground relieved by occasional bright green 


splashes. Brown glazed band at base. Teakwood cover and stand. 
Height, 6 inches 


, 2605 


THE QUINN COLL £)0=e 


784. 
785. 
786. 


787. 


788. 


789. 
790. 


791. 


CuineseE Tz’?u Cuou BowL | ing Sung ae 
. ‘ - i 
Bulbous, strongly retreating to base; band of archaic decoration round the 


if , 
a 4 


rim executed in black slip on an ivory-white glazed fond. aD 
Lai” 
Height, 6 inches; diameter, 8 inches 


STONE HEAD OF BoDHISATTVA : ey a g 
wg 


On contemporary cement base. . 


Height, 5%4 i 


; 
h 


From Lung Men Caves, Province of Honan 


SMALL JAPANESE GLAzED Porrery JAR XVIII Century 
Fluted barrel-shaped body; lightly penciled bamboo shrub and swallow deco- 

ration in tawny-brown and a crackled mottled grayish-white ground. | 
Height, 5 inches 
JAPANESE PORCELAIN JARDINIERE , | . 
Disc-shaped body resting on three stump feet; gray-tinged pale blue glaze. 
Height, 514 inches; diameter, 8% ‘inc S 

CoREAN STAND AND CUP , mes cc 
The stand has compartmented flaring rim and relief-modeled central pedestal 
supporting the fluted cup. Black and white floral decorations under a heavy 
celadon glaze.  - 
Total Height, 534 inches 
LarGE CHINESE FuKIEN BowL fom Ming 
Cauldron-shaped, resting on three stump feet; square edged rim. Hard 
sonorous porcelain covered with a rose-tinted ivory-white glaze. On carved © 


RTE TEL 


* 


teakwood stand. 


wea 


Height, 5 inches; diameter, 124 inches | 


cae 
ae J 
eer 


From the A. W. Bahr Collection, American Art Association, 1916 


SMALL CLAIR DE LuNE CHINESE VASE Clien-lung 


Pear-shaped body with chamfered corners; the sides have tubular handles, 
short straight retreating foot; underfoot bears seal character of reign. On 
stand. 7 
Height, 534 inches 
From the A. W. Bahr Collection, American Art Association, 1916 — 


- ay 


Rare CHINESE CLAIR DE LUNE JaR Yiian 


Lobed melon-shaped body, with embryo lip; two monster mask handles at. 
sides modeled in relief. Coated with a thick lustrous nail-holed and crackled 
pale bluish-gray glaze. On stand. i 
i 


Height, 4 inche 


266 - 


Kem Oe 


| Fifth and Last Session Saturday Afternoon, February 12th 


| 792. 


793: 


a0 ve en tags eer eee Seth les a] Se oy : : aaa ; - 
“I 
oO 
Rs 


795. 


¢97- 


798. 


SMALL CHINESE LEAF-sHAPED D1sH Yitian 


Covered with a thick greenish-blue crackled glaze showing sang de boeuf 


areas. On carved teakwood stand. 
Diameter, 4 inches 


SMALL CELADON JAR AND COVER Sung Type 


Cauldron-shaped body; domed knopped cover. Incised archaic floral decora- 


tion. On stand. 
Height, 4 inches 


SMALL CHINESE CHUN Yao JAR Sung 
Squat pear-shaped, with strongly contracting mouth. Heavy unctuous early- 
morning gray glaze with underlying areas of deep bluish-black. Rim 
glazed in tawny-brown. ‘The exterior glaze has run broadly over the in- 


terior. Carved teakwood stand. 
Height, 334 inches; diameter, 4 inches 


From the Yamanaka Collection, American Art Association, 1915 


ENAMELED PorcELAIN Bow. Kang-hsi Type 


Inverted bell-shaped, the exterior decorated with flowering shrubs and but- 
terflies in green, yellow and aubergine enamels. ‘The underfoot bears the 
six-character seal mark of the reign. [Imperfect. | 

Height, 314 inches; diameter, 63@ inches 


SaTsUMA PotTTrEeRy Bow. XVII Century 


Coated with an aubergine and white veined dark brown glaze imitating tree 


bark. On stand. 
Height, 3 inches 


Raku Porrery Cup XVIII Century 


Irregular in shape, covered with a heavy glaze displaying a veritable riot of 


colors in uneven coagulated layers. 
Height, 3 inches 


MINIATURE COREAN JAR Korat 
Decorated with small blossom rosettes in black and white under a celadon 


glaze. On stand. 
Height, 244 inches 


267 


THE © OU TON NGO DS ple 
IESE 


Soo. 


Sol. 


802. 


802. 


804. 


plate. [ Reconstructed. | 


MISCELLANEOUS. 


Two Cur VELVET CusHIONs Rhoden XVI Century 
The ivory-yellow ground is covered with floral arabesques wrought in gree n 
and reddish-brown. ‘Trimmed with gold braid. [Worn condition.] 
Length, 3 feet; width, 1 foot 6 inches 

Ivory-INLAID EBONY Wine Cuest Indo-Portuguese, X VII Comm yo i 
Oblong sides and hinged lid inlaid with fillets and festoon and lozenge banda 
The lid has in addition an arabesque enclosed oval centre medallion depicting 
a female figure carrying an urn. Fretted brass key and handle plates and 
interior hinges. 4 
Height, 7 inches; length, 18 inches; depth, 11% inche: 

Two LrapEep SraiInep Grass PaNneEts 
Designed by Matthew Maris, Dutch School: 1835- 1917 | 


Depicting two episodes from “The Lady of Shalott,” the famous poem D : 
Alfred Tennyson. - 
(a) THE LADY OF SHALOTT IN THE CASTLE TOWER. Standing before 
her loom, she espies the figure of Sir Lancelot riding by her window. © 

(R) THE LADY OF SHALOTT IN THE BARGE. After the spell has been a 


broken and her web destroyed. a 
Height, 22 inches; width, 12%4 occa | 


‘Two tenes STAINED Gxiass PANELS 
Designed by Matthew Maris, Dutch School: scam 1917 


Similar to the preceding. 


LEADED STAINED GLass PANEL 

Designed by Matthew Maris, Dutch School: 1835-1917 + i 
Israr’s DESCENT INTO HADES. The daughter of the moon god is seen 
descending a flight of stairs; her golden hair is streaming down her back. 
A flowing green robe envelops her lower limbs and is caught by an agrafe 2 js 


between her breasts. Ornamental border. i 
Height, 36 inches; width, 21 inches E 


GoTHIC CarvED Oak CHEST oe | 


Oblong, with rectangularly paneled sides and lid. The front displays four- . 4 
linenfold panel enhanced with small fleur-de-lys motives. Wrought iron lock © 


Height, 3174 inches; length, 5 feet 1074 inches; depth, 2514 inches 2 1 


268 


et ti ifn we 


6 eee ae as “Satrday Sears February T2th 


sai 


eee: ie + 


A ees Trrpte Taste Sranp 
e, with three vari-paned tablets. Stiles and supports carved to 


Bee Serclled bracket underneath the two higher tablets. 


Bee Height, 42 inches; length, 34 inches 


“ y, 


Carve eee? TrieLeE TABLE STAND 


Height, 42 inches; length, 34 inches 


Ringed and partly fluted balustered shaft; cir- 


Height, 37% inches; diameter, 14 inches 


5 Dleersescd yaeecting double aeRons and leaf arabesques. 
Sher ort Height, 5314 inches; width, 16% inches 


~ 


Loa 


Fe UR-FOLD SCREEN 

k frame; gilded wood panels. 
= if Height, 1o feet; total width, 8 feet 

810, Lance Cae Oak et crony ‘TABLE Renaissance Style 


top, | fluted ee and imbricated blossom- ee dies. Heavy cylin- 


Height, 3114 inches; length, 6 feet 5 inches; width, 33% inches 


> 
oh Tek 
811 _ Oak REFECTORY TABLE 


_ Oblong top, baluster-turned legs, H-stretcher and disc feet. 
¥ Height, 2 feet 8 inches; length, 5 feet 5 inches; width, 2 feet 8 inches 


[END OF FIFTH AND LAST SESSION] 


269 


Le: “ACH, CHESTER 
. Small Bronze Statuette. The Past 


BESNARD, ALBERT 
Study of Nude 


~BLANCHET, ALEXANDRE 


Deux Amies 


BOMBERG, Davin 
Meditation [1913] 
Head of a Poet 


BOUCHE, Louts 
7 L’Essor 


BRUCE, P. H. 
Still Life « 


The Clown 

The Wayfarers 

Plowing in Provence 

Le Quai 

Laboureur prés des Cypres | Provence | 
Chemineaux sur le Pont 

Portrait de Jeune Homme 

| Nature Morte 

Le Cirque 

Le ‘Troupeau Sort aprés la Pluie 


CONDER, Cuar.es 
| La Belle Antonia [1902] 


Landscape with Figures 
The Guitar Player 
, Drawing of Mrs. Conder 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


CATALOGUE 
NUMBER 


681 


402 


so 


154 


CONDER, CHarLes—Continued 
Nude 


Fantasia 

Prince Charming 
Interior with Figure 

A Venetian Scene 
Casino de Paris 

La Toilette 

A River Nymph [1905] 


CRAIG, Epwarp Gorpbon 


Design for Stage Scene 
Gray Welling 
An Old Theatre 


CROSS, Hrenri EpmMonp 
Landscape with Figures 


CURRIE, Joun S. 
The Lament of Aicell (An Irish Legend) 
The Week’s Wages 


DAVID, Hermine L. [ATTRIBUTED To] 


‘The Convent 
Tropical Village 


DAVID, HeErmine L. 


Cuban Bungalow 
Cuban Landscape 
Lake, Central Park 


DAVIES, ARTHUR B. 


Aromatics 
Shepherds 
Dancers 

Prism Framing 


Gilded and Polychromed Bust. Head of Youth 


DEGAS, Epcar HiLarre GERMAIN 


Paysage 


DELACROIX, EuGENE 
Lion’s Head 


TZ 


IIl 


503 


166 | 
168 


18.4 


194 
500 


59 
190 
376 
404 
686 


432 


$e 


et 26 vr > 


“— « " 


Portrait it SE es Epstein 


; = 7 “4 : 
a pe 
AN Len “Marcet 


“ 


c CHAMP-VILLON, RayMOND 


Plaster Head. Portrait du Professeur Gosset 

_ Gilded Bronze Relief Plaque. Les petits danseurs 

Plaster Statuette. Le Cheval [1914] 

Bee Ghromed Plaster Oval Bas-relief. Le Cog 

_ Polychromed Bronze Oval Bas-relief. Le Cog 

Polychromed Bronze Oval Bas-relief. Le Coq 

Bronze Relief Plaque Finished in Gold-leaf. Projet 
@ Architecture [Collége | 

Parcel-gilded Plaster Bas-relief. Le Chat [1913] 

Carved Wooden Bas-relief. Le Chat [1913] 

Plaster Bas-relief. Le Perroquet [1913] 


7 ie Ds 


er CATALOGUE — 


‘ a 
’ ae eS, _ i 
NUMBER 


253 
354 


355 


140 


5! 


676 
683 
700 
7 
706 
797 


711 
714 
715 
716 


STII TAD , CATALGM 


HAMIL T. NUMBER 
DUCHAMP-VILLON, Raymonp—Continued : 
Carved Wooden Bas-relief. Le Perroquet [1913] | fap a 
Bronze Statuette. Fille des Bois [1911] Sara | 710m 
Gilded Bronze Figure. Femme Assise | 72008 
Large Terra-cotta Panel. Les Amants [1913] piv . a | 


DUFY, RaAouL 4 
4 “Two Drawings 160 


Ga 


EPSTEIN, Jacoz : 
| Portrait Head in Bronze. “The Late Lieut. IT. E. 
Hulme, R.M.A.- 
Portrait Head in Bronze. Bernard van Dieren 
Bronze Head. An Irish Girl 
Portrait Head in. Bronze, elits” Tree 
Marble Group. Mother and Child : 
Bronze Bust Portrait. “The Countess of Drogheda 
Bronze Statuette. Figure of Nude Woman 
Figure in Hard Stone. Carving in Flenite 
Marble Group. “Two Doves 
Bronze Bust Portrait. Her Grace, the Duchess of 
Hamilton 
Large Marble Statue. Venus 
Painted Plaster Figure. Cursed be the Day Wherein I 


was Born 


ETCHELLS, FrepErick =| 
Three Vorticist Studies =? 292 
Two Vorticist Studies 294) 
Two Vorticist Studies : 429 
Study of a Head . oi 
Pigeon and Juggler | 501 


FERAT, SERGE z 
Still Life ae 
GARVEY, J. | | 


Two Cubistic Paintings 65% : 


GAUDIER-BRZESKA, Henri [AtrrisutTep To] 


Conversation ? i. 


D Drawings « 


etl ee. Erect 


wr 


is d — a Gauguin 
4 J 

’ r ae 
i a oT 


pte ; 


GL iE TZES, Pear : 


Bear ae Byway in Toul 

_ Landscape 

Retour de Bois 

The Street 

- The Brooklyn Bridge 


Sunrise 

Street Scene in Toul 
Women at a Window 
The Musician 
Landscape at Toul 


pPaleolitide Vorticism 
as of. “Animals and ‘Birds *. 
of J A Animal Sudiee Ink Drawings 


The House Among the Trees 


jee) 


388 
389 


peas 


410° 


42 
123 
164 
167 
263 
264 
297 
314 
365 
419 
512 


GORE, Spencer F. 
The Avenue [1910] 
A Garden Square in Camden Town, London [1911] 
A Frosty Morning [1910] 
Mornington Crescent, London [1911] 


GOYA Y LUCIENTES, Francesco 
Monk and Witch 


GUYS, ConsTaNntTIN 


Femmes 4a Soldats 


GWOZDECKI, G. 
Studies 


HART, GrorGE OVERBURY 
Study of a Native 
The Palm Grove, Trinidad 
Englewood Ice Pond 
Bowling Night 
Trinidad 
Strength 


HARTLEY, Marspen 


Elements 
An Indian Encampment [1915] 
The Faenza Jar 


HONE, Naruantiez, R.H.A. 


Sands at Malahide, Co. Dublin 
Chalk Cliffs, Etretat, Normandy 
Bundoran Rocks, Co. Donegal 
Sheep Grazing—Malahide, Co. Dublin 
Coast Bundoran, Co. Donegal 
Glenmalure, Co. Wicklow 
Coming Home 

Coast Kilkee, Co. Clare 
Hastings, Sussex [1890 | 

The Ferryboat 

Shore-Malahide, Co. Dublin 
Rocks at Kilkee, Co. Clare 
Strayed Cattle 


29 


141 @ 


176 
183 
238° 


250 
22 
426 


122 
128 


- CATALOGUE § 
NUMBER § 


| 
 o 
{ 


q 


ae way, ae 
AucGusT E Deanne 
i ¢ Ia Fornarina [circa 1860] 


1. Dox io 
Ramblers Rest [North Wales, 1912] 

Cactus [1912] 

Y Ses at Collioure [1911] A 


ake ees 


v4 


ding on ‘ite: Cliff [ Provencal Study, Igto| 
Saag [191 2] 


i [umpers [1912]. 
oy on Cliff Leaning on a Stick [Provencal Study, 1910] 


Wor one in Blue and Pink—St. Chamus 
: | Group of Boys Paddling [Provencal Study, 1910] 


> 


" Portfolio of Water-color Drawings 
Ja 2 Three Portfolios of Wash Drawings 
= Two Studies in Water-color 
Study of a Woman’s Head [1914] 
Two Water-color Studies of Landscapes 
A Slavonic Maid 

Seated Lady 

Two Water-color Studies of a Cat 
Two Studies in Water-color 

Interior 

Nude Study 

Sketch 


319 


63 

fe 
189 
199 
219 
224 
cee 
359 
379 
455 
457 


CATALOGUE 

3 NUMBER @ 
JOHN, Gwen—Continued og 
| La Petite Modele a 2358 } 
Nude Study 324 
Dominican Nun ae | 
La Petite Modele 
Study of a Woman 
Two Portfolios of Water-color Drawings 
Portfolio of Nine Wash Drawings 
Girl Reading at the Window [1911] 
An Impression 
The Mauve Dress 
Girl Reading a Letter 


KUHN, Watr 


Studies of Cattle 

Nude Study 

The Contortionist 

Interior 

Pow-wow 

Woman with White Hat 

‘The Frozen River [1910-1911 | 
Girl with Red Cap at 
Nude 

The Caucus [1919 | 

The Bacchanale 

Harvesters 

Revery 

Beach [1915] 

The Long Horn Saloon 

Salt Mists [1910-1911 | 
Morning [1912] 

Portrait of John Butler Yeats,«R.H.A. 
Amusement Park 

Acrobats 

Study of a Girl 

Woman in Shawl 

Youth 

Man and Sea Beach 

Harlequin [1918] 

Nude Study 

Nude Study 

Nude Study 

Nude Study 


Intermezzo 


Tragic Comedians 

Polychromed Wood Carving. Figure of a 
-clining Duck 

3ronze Statuette, Crouching Female Figure 


all a ae Se Pomencomed Wooden Statuette. 
4 

Tot uching Woman _ 
B : ronze Group. © ~The Abduction of Europa 
Group. _ ‘The Abduction of Europa 

map olychromed Wooden Statuette. Seated Woman 
AG ed and Polychromed Statuette. Female Caryatid 
ze Statuette. ~ Column 
. Column | 
Polychromed Wooden ere: Triptych 


e oe Relief Plaque. Seated Woman 
ae. ved Wooden Statuette. Standing Figure of Nude Woman 
= Gilded Bronze Intaglio Frieze. Suntil Beach 
» and Polychromed Wooden Frieze. The Hunt 
Carved and Polychromed Wooden Panel 
A and Polychromed pac Panel. . Seated Female Figure 


 CHa0 


LAFITTE, Paut 
Landscape 

Birds in Forest 
Arcadian Landscape 


LAURENCIN, Marie 
- Summer 

The Little Mule 
Black Eyes 


we » = 
CATALOGUE 
NUMBER 


443 


467 
473 
479 
483 
508 
516 


673 
674 
675 


677 
678 . 


679 


680 
682 
684 
685 
688 
690 
691 
692 
693 
694 
697 
702 


67 


Ti2 
241 
495 


30 
386 
387 


CATALO 0G 
N U 


Me BER | 

LAWSON, Ernest, N.A. 

The Placid Lake 

Landscape 

Landscape, Cape Cod 

The Flatiron Building 

Two Boys on a Canal Boat 

Boys Bathing 

Marine View 

University Heights 

Cape Cod 

Morris Heights 

Sea Gulls 

Washington Heights [1905 | 

Hoboken Heights 


LEES, DERWENT 
Girl by the Pool [Dorset, 1913] 
A Sullen Day [1911] 
Evening [1911 | 
The Blue Hills 
Olive Farm [Banyules, ep 
Cheval Blanc, Basses Alpes 
Reflections [ Dorset, 1913] 


LEWIS, WynpHAm 


Three Pen and Ink Studies 

Portfolio of Pen and Ink Sketches 
‘Three Impressions 

The Menin Road | 

Morning of Attack 

The Starry Sky 

The No. 2 | 

Two Pen and Ink Inpro 

Two Figure Studies 

‘Mamie | 

Three Abstractions in Water-color 
Two Modernistic Festive Scenes in Water-color 
The Map Room 

The Battery Shelled 

Two Abstract Impressions 

Two Impressions of the Human Form 
Two Pen and Ink Studies 

Three Pen and Ink Drawings 

Three Satires in Water-color 


A i - 


: Hon NEVILLE S. 


Wee i 


3 Bowl of esles 
> Head of a Boy 


n 


MET? 


Tete de Jeune Fille 
as Au Vélodrome | 
: id - Femme 4 sa Toilette 


| at a La Fumeuse 

_ £‘Téte de Femme 
a - | 2 : = 5 
rps Paysag 


2 


‘MONTICELLI, Avorpne 


‘* 


Figures and Landscape 
Three Girls 


_ MYERS, JEROME 


A Park Bench 


of Wilfrid Scawen Blunt 


~ 


Two Child Studies: Pencil Drawings 


208 


186 


435 
441 


126 
689 


117 
124 
247 
266 
358 
362 
500A 
509A 


193 
451 


133 
135 


r. 


CATALOGUE | 
NUMBER | 


NELSON, GEOFFREY 
Portrait : 214 


NEVINSON, C. R. W. 


A View of Bradford [1912] 78 
The Gasometers at Last Hour [1912] _ 83 


OF, GerorceE F. 
Hillside 202 


ORPEN, Sir Witiiam, A.R.A. 


Nude Study 394 
PASCIN, JULEs 
In the Salon I 
A Visit | 8 
Interior | | aa 
Figures and Landscape 32 
A Nude Resting 34 
Nude 208 
Horsemen | 73 
Woman with Flowers 74 
Cold Days in Havana 131 
Siesta tq? 
Harbor of Havana — 161 
Gossip 162 
Study 174 
Flowers 2 237 
Interior 226 
Beignade 270 
Study of a Girl 79 
Study of a Girl | 299 
The Siesta 309 
Portrait of Hermine L. David : 342 
The Lovers 349 
Two English Girls | 494 
Spring in Tampa 497 
PICASSO, Pasito [ATTRIBUTED TO] 
Study of a Man 283 
PISSARRO, Lucien 
Vue de Bazincourt 80 
A Footpath, Acton 341 


Evesham Road, Stratford-on-Avon [1906] 486 


ae = oe ke 


~s a a 
pales Yan ele pil ARLES. 


» 


01 med and Gilded Wood Panel Dancing Figure 


4 


ae 
shower Say 
ae Study [1914] 


il Decoration for the Grand Amphitheatre of the 
oF 4 “Sorb 
sil [1889] 
de pour “Ludus pro Patria” [1882] 
ude pour “Ave Picardia Nutrix” [1865] 

M. a e Forge [1865] . 
tude de Femme pour “La Famille de Pécheur” [1875] 
ou ‘Study: of a Woman ee 
— L’Homme Assis 

| an Etude des Mains [1875] 
_ L’Espérance 
7 Etude de Jeune Fille [1872] 
si _ Beheading of John the Baptist 
_ Etude pour le Plafond de lHotel de Ville, Paris 
a Etude pour “La Muse des Bois” 

Portfolio of Twenty-six Pencil Drawings 
~LVEté [1891] 
- Femme Nue [1868] 


REDON, OpILon | 
Two Lithographs. (a) Profile portrait of Maurice Denis. 
(8) Initiation 4 l’étude 


RICKETTS, Cuar ves 
/ 
Sorrow 


AST, 
‘ome pe d Gilded “Wood Panel Eticc, i a Frieze | 
c is ay - Gilded Incised Plaster Panel Profile Portrait 


CATALOGUE 
NUMBER 


60 
72 


474 


47 

50 

93 
169 
173 
306 
380 
433 
434 
490 
id 


15 

16 

17 

18 

75 
145 
147 
149 
269 
272 
275 
366 
400 
403 
404 
445 
466 


134 


144 


CATAL : 
RIVERA, Disco M. | 


The Samaritan — 

Still Life 

La Femme Assise 
Stilleelite 

A Grandee of Spain 

Still Life 


ROBERTS, WILit1am 
Jeu 
Overbacks 
Two Vorticist Studies 


ROOSENIGE levine 
Bronze Figure. ‘The Tennis Player 


RUSSELL, Grorcr W. [“A. E.” | 
Racing 
Hiding 
At the Gate 
The Vision of Angus 
Full Tide [Evening] 
The Well 
The Swimmer 
Come Away, Oh, Human Child! 
The Stone Gatherers 
Pulling in the Boat 
Muckish [1909] 
Looking Out to Hybrazel 
Two Pastels 
Set of Three Pastels 
Bedtime 
In the Woods [1909] 
Skipping 
The Waders [1905 | 
‘Fhe “eam 2] 19121 
Eventide 
The New Moon 
The Bathers [1909] 
The Heavy-burdened 
The Sheep [1909] 
The Bather [1906] 
Life Enters the Land 
Where the River Runs Underground 


a nds a ‘Lissadill 
ing Shallows 
“Weather ora! 
he Foe oy 
Queen of the Sidhe 


5 Al ND) ERS, 4 HELEN ‘ 
‘toi ae 

Four Vorticist Studies 

Bee ci =| 

op. Ee sag 


A] BERG, Morton L, 

a. Bec [1913] 
a _ The Telephone 

The Embrace 

The Well [1916] 
Still Life 


a Canephoros 


Nude [1910] 
Smiling Girl © 
Seated Nude 

‘Two Cubistic Studies 
Portrait of a Lady 
Hollyhocks 


'SEURAT, GrorGES PIERRE 


Rain 


Seated Figure of a Woman 


471 
472 
475 


431 


SEVERINI, Gino 
Abstraction 
Portrait of Madame Fort 
Train de la Croix Rouge Traversant un Village [1915] 
Danseuse 
Train Blindé en Action [1915] 
Nature Morte 
La Danseuse a Paillettes 
Paris Subway, Ferris Wheel and Eiffel Tower 
La Danseuse 


SHANNON, Cuarves H., A.R.A. 
Portrait of William Butler Yeats [1908] 
Hellenistic Group 
Summer 
Portrait of Lilah McCarthy [Mrs. Granville Barker] 
The Sapphire Bay 


SHEELER, CuHar.es 
Farm Buildings 
Landscape No. 3 [1916] 
Flower Forms 
Landscape No. 1 [1915 | 
Interior 
Zinnia 
Landscape No. 1 [1916] 
‘Two Drawings 


Landscape No. 3 [1916] 


SHINN, Cuao 
Landscape with Birds 


SIGNAC, Pau 


Canal Scene 


Harbor of Marseilles 


SLOAN, JoHNn 
Mme. Dubotte and M. Callé 


SMITH, Pameta Cotman 
‘Three Wash Drawings 


ee @ 
larbor of Marseilles 


a ee 


Winter Landscape and Geese BY Night 


e? \ i. 
YEA 5, Jack Bo RHA, 
ed “et Water-color Studies 
= A - Fortune and Her Wheel 
ye _ The American Tablecloth 
; a0 ‘The Crucifixion 
~ Dog Watching a Seagull 
a ‘There was an Old Prophecy Found in a Bog 
_ The Pirate 
Simon, the Cyrenian 
Washing the Circus Horses 


» 
1 


201 
414 


114 


an 


YEATS, Jack B.—Continued 
The Unicorn 
To Catch the Liverpool Boat 
The Actor [Wille Reilly] 
A Young Man’s Troubles 
Two Drawings in Wash 
Two Water-colors 
The Thruster 
The Race-course Town, Galway 
The Day of the Sports — 
Sea Fog 
An Emigrant 
The Concert 
The Political Meeting [1909] 
Two Water-colors 
A Warning Against Book Borrowers 
Donkey Race 
The Rain! The Rain! 
Two Studies 
Beside the Western Ocean 
The Big Pedlar 
The Old Road to Cahirciveen 


YEATS, Joun Buruer, R.H.A. 
Three Pencil Portraits 
Five Pencil Studies 
Eight Self-portraits in Pencil 
Portrait of Professor Sadi Kumitani 
Two Pencil Portraits 
Portrait of Lady Augusta Gregory 
Self-portrait 
Irish Portrait Studies: Pencil Drawings 
Nine Pencil Drawings 
Seven Studies of the Irish Players 
Portrait of Padraic Colum 
Pencil Drawings of the Artist and His Daughters 
Four Irish Portrait Studies 
Portrait of Miss Maire ONeill [of the Irish Players] 


ZARAGA, ANGEL 


‘The Parrot 
Still Life 


APPRAISALS FOR 
mien D STATES & STATE TAX 
INSURANCE & OTHER PURPOSES 
CATALOGUES OF PRIVATE 
COLLECTIONS 


EAP ,_» 


ig HE American Art -Association, Inc. will 
furnish appraisements, made by experts under 
its direct supervision, of art and literary property 
and all personal effects, in the settlement of estates, 
for inheritance tax, insurance and other purposes. 
The Association is prepared to supplement 
this appraisal work by making catalogues of pri- 
vate libraries, of the contents of homes or of entire 
estates, such catalogues to be modeled after the fine 
and intelligently produced sales’ catalogues of the 
eAssociation. GQ Upon request the Association 
Will furnish the names of many trust and insurance 
companies, executors, administrators, trustees, 
attorneys and private individuals for whom the 
eAssociation has made appraisements which not 
only have been entirely satisfactory to them, 
but have been accepted by the United States 
Estate Tax Bureau, the State Tax (Commission 
and others in interest. 


(ae aan datapath cl le 


een hype 


AMERICAN ART ASSOCIATION - INC 
cMadison Avenue at 57th Street 


NEW YORK 


~~ 


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